Pure Pop Radio: In Conversation Podcasts: Richard X. Heyman (Air Date: August 9, 2017)

By Alan Haber – Pure Pop Radio

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One of melodic pop’s most cherished singer-songwriters and performers, Richard X. Heyman, returned to Pure Pop Radio: In Conversation on August 9, 2017 to talk about his recently-released, 12th top-flight album, Incognito.

During this spirited show, you’ll hear about how Incognito came to be and go inside the writing of the songs. It’s the kind of in-depth conversation you can only hear on Pure Pop Radio: In Conversation, the Internet’s premiere melodic pop talk show.

pprListen to my interview with Richard X. Heyman from August 9 by clicking the play button on the following player, or click on the Pure Pop Radio button to the left to download (then right click and choose “Save audio as” to save file to your computer).


Listen to samples of the songs played during this interview by clicking here or by clicking on the following links:

“A Fool’s Errand” (on Spotify): https://open.spotify.com/embed/track/6r3ygJ02oldRlvKaxJfJGC

“Her Garden Path” (on Spotify): https://open.spotify.com/embed/track/0R06BDTnL2RqItGJJMViU4

“So What” (on Spotify): https://open.spotify.com/embed/track/2Zdxww4CgW0IifMytCGmHR

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

New on Pure Pop Radio 08.16.17: Fernando Perdomo’s Golden Hour, This is Rock ‘n’ Roll Radio Vol. 4, and Sitcom Neighbor’s Shag

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Spins and Reviews | 08.16.17
By Alan Haber – Pure Pop Radio

fernando perdomo the golden hour coverFernando Perdomo | The Golden Hour (2017)
The fourth album from vaunted producer (Cait Brennan, Chris Price, Linda Perhacs) and recording artist Fernando Perdomo is a widescreen collection of heartfelt songs.

Recorded at Ardent Studios in Memphis, Tennessee, and played and sung entirely by Fernando, The Golden Hour bristles with majesty; the title number, a deeply-felt love song about two souls coming together as one, sits alongside other dynamic numbers such as the Beatlesque-meets-James Bondian “Sleep” (I love the Paul McCartney-esque bass line), and the gorgeous, melodically- and harmonically-charged ballad “Sunset,” which is elevated towards the end by some welcome Beach Boys-inspired background vocal turns.

Another top entry for this year’s best-of lists? Yes, indeed.

black box Where to Get It: Bandcamp (from August 17)

this is rock n roll radio vol 4 coverVarious Artists | This is Rock ‘n’ Roll Radio Volume 4 (Kool Kat Musik, 2017)
Celebrating Carl Cafarelli and Dana Bonn’s longstanding This is Rock ‘n’ Roll Radio Show, this fourth volume of the ongoing series presents a carefully curated selection of exclusive and previously-released tracks by artists that should prove to be welcome by both the TIRnRR audience and pop music fans in general.

Top tracks are plentiful and favorites are overflowing. To wit: Circe Link and Christian Nesmith’s delectably addictive pop confection “I’m On Your Side”; Pop Co-Op’s catchy pop-rocker “You Don’t Love Me Anymore”; Ray Paul’s “I Need Your Love Tonight,” one of his best tracks ever; The Rubinoos’ sweet-sounding “Nowheresville,” featuring the much-loved vocal harmonies the group is known for; Maura (Kennedy) and the Bright Lights’ “Maybe Someday,” a straight-ahead pop song with Maura’s signature vocal in the spotlight; Michael Oliver and the Sacred Band’s passionate “You Won’t Do”; and Vegas With Randolph featuring Lannie Flowers’ jubilant pop-rocker, “The Weekend’s Coming.”

Compilations with this much oomph should be shoo-ins for your collection.

black box Where to Get It: Kool Kat Musik

sitcom neighbor shagSitcom Neighbor | Shag (2017)
John Murphy and Steve Refling, the latter of whom plays nearly all of the instruments on and produced Lisa Mychols’ recently-released, soulful cover of “Let’s Stay Together,” achieve melodic pop hero status with this skillful 11-song-strong collection that is sure to please all comers.

Say hello, if you will, to the very Beatles-ish “Goodbye,” in which clever chord construction meets a classic-sounding melody. Murphy’s smooth lead and harmony vocals power the muscular pop of “Your Turn Next” and the pretty, mid-tempo ballad “Insomnia.” And the album opener, “Tourist Attraction,” sounds like a Shoes outtake that got away.

Shag, along with two previous releases, 2012’s Charm and 2007’s self-titled debut, form a  triumvirate of pure pop goodness. So onward with you, who knows what to do.

black box Where to Get It: CD Baby, Amazon (digital)

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

New on Pure Pop Radio 08.15.17: Coke Belda Wins Again, Bob of the Pops is Popping Again, and the Bye Bye Blackbirds Soar

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Spins and Reviews | 08.15.17
By Alan Haber – Pure Pop Radio

coke belda 3gs cover for websiteCoke Belda | Coke Belda 3 (Gs) (2017)
So natural is Coke Belda’s ability to breathe new life into the songs of the Bee Gees that it would seem perfectly acceptable to call him “Mr. Natural,” at least temporarily, and in honor of one of the songs on this alluring celebration of the charms of the Brothers Gibb.

The long-awaited followup to 2013’s Coke Belda I and 2015’s Nummer Zwei similarly breathes new life into the art of musical homage. Certainly, paying tribute to favored artists is a tradition in pop music; it is not uncommon to come upon covers of certain songs or collections dedicated to a particular group, such as Zero Hour Records’ new tribute to the Knack, Not the Knack. So Coke Belda’s 12 song paean of Bee Gees joy is not all that unexpected, especially when you consider how enamored he is of the group’s songs.

Which is obvious as Coke serves up peerless versions of classics and buried treasures such as “Run to Me,” “I’ve Gotta Get a Message to You” and “Sir Geoffrey Saved the World” with both reverent approach and Belda style. Playing all the instruments and singing all the vocal parts (save for some welcome and soulful passages from Gretchen Wheels’ Lindsay Murray on “Run to Me” and “I’ve Gotta Get a Message to You”), Coke delivers a tour de force that should land on more than a few best-of lists later this year.

One of the absolute joys of a terrific album such as the rather cleverly titled Coke Belda 3 (Gs) is discovering the surprises contained within, and seeing the striking cover art by Ignacio Alcázar. Speaking of surprises, 1965’s “Claustrophobia,” arranged and played by Coke as a sweet Merseybeat romp, will have you booking tickets for the Cavern in Liverpool (and a virtual time travel trip back to the 1960s). The album closer, a beautiful take on “Our Love (Don’t Throw It All Away),” a top 10 Billboard chart hit for Andy Gibb in 1978, written by Bee Gee Barry and keyboardist Blue Weaver, is another welcome, perhaps unexpected nugget.

Coke Belda 3 (Gs) is the, yes, natural and welcome third project from the artist whose travels brought him from Spain to take root in Germany and now in the United States. Naturally, this is the next step in Coke’s musical journey, and one you should absolutely follow with glee.

black box Where to Get It: Futureman Records (digital–preorder here), Kool Kat Musik (CDs–preorder here), and Rock Indiana (link to come)

bob of the pops vol. 2Robyn Gibson | Bob of the Pops Vol. 2 (2017)
My love for cool covers of melodic pop songs from across the decades knows no bounds, so it was a fait accompli that a second dip into the treasure trove of Robyn Gibson’s favorite pop nuggets would stir my interest.

And so it has. I raved about Bob of the Pops Vol. 1 back in May; if anything, I feel more strongly about this collection, and that’s really saying something. This time around, “Bob” has essayed some truly spectacular wares with truly spectacular results by such artists as the Tremeloes, the Byrds, Abba, the Soft Boys, the Who, and the Dukes of Stratosphear (aka XTC). He’s also taken flight, in similarly spectacular fashion, with the Monkees’ “Girl that I Knew Somewhere” and Matthew Sweet’s “I’ve Been Waiting.” And a little group from Liverpool’s “There’s a Place.”

Once again, “Bob,” in his various pseudonymous guises, has played all the instruments and sung all the vocal parts. It’s all to, yes, spectacular, highly enjoyable effect, and it’s a free download from Futureman Records’ Bandcamp page, leaving you and yours to simply click the proper links and enjoy. Volume three please, “Bob,” and soonest, if you will.

black box Where to Get It: Bandcamp

the bye bye blackbirds take out the poison coverThe Bye Bye Blackbirds | Take Out the Poison (2017)
Bradley Skaught’s Oakland, California-based outfit have been strong performers of the melodic pop art since arriving on the scene in 2006 with their Honeymoon EP. This full-length effort, their latest release, is their best offering yet, with 11 finely wrought, emotionally charged songs that will surely take root in listener’s hearts.

Highlights are many, and varied. The aggressive pop-rocker “Alfred Starr Hamilton” pops hard with lots of guitars and an enticing melody. “Let Your Hair Fall Down” is an out-and-out pop workout, complete with horns, sounding right out of the J. Geils playbook. The mid-tempo country ballad, “Duet,” features strings and a lovely vocal by Lindsay Paige Garfield, who co-wrote the song with Bradley. And “Poison Love,” a fiercely upbeat country rocker, carries a lineage that goes as far back as 1951, when Johnnie and Jack hit big with the Elmer Laird tune on no less than three Billboard country charts.

Take Out the Poison is no less than one of this year’s finest releases. Take a bow, Bradley Skaught, Aaron Rubin, Lenny Gill, KC Bowman, and so many other fine performers. Pop, and rock, on.

black box Where to Get It: Bandcamp

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

Benjamin Gibbard, Circe Link and Christian Nesmith, and More on this Tuesday’s Night’s Pop Tunes Deejay Show; Plus Jamie and Steve on In Conversation and, Yes, Thursday Night!

pure pop radio radioAnother power-packed run of Pure Pop’s signature shows on Pop that Goes Crunch Radio is set to fly out of your Internet receptacle speaker beginning tomorrow night.

pop tunes disc smallFirst up is the latest all-new edition of Alan Haber’s Pop Tunes Deejay Show, kicking off at 8 pm ET tomorrow night. You will most certainly dig the latest from Death Cab for Cutie’s Benjamin Gibbard, a cover of Teenage Fanclub’s sprightly popper, “What You Do to Me”; Circe Link and Christian Nesmith’s “I’m On Your Side,” from the new compilation This is Rock ‘n’ Roll Radio Vol. 4; The Surfin’ Burritos’ Buddy Holly-meets-the-Ramones “All Over You”; Bill DeMain’s “Honey Bear”; and much more. Plus the usual smattering of deejay patter from me!

in conversation new graphic blueWednesday night, August 16 at 9 pm ET, an all-new Pure Pop Radio: In Conversation takes over the airwaves. This week, Jamie Hoover and Steve Stoeckel, better known as Jamie and Steve, sit virtually across from me to talk about their new release, Sub Textural. It’s another wide-ranging chat–the type you will only hear on the Internet’s premiere melodic pop talk show.

pop tunes disc smallFinally, on Thursday night, August 17 at 8 pm ET, another edition of the Pop Tunes Deejay Show rolls with a potpourri-style mix of melodic pop tunes from across the decades. The playlist is a secret right now, but stay tuned for some tasty clues to what will be spinning for your ears only.

jamie and steve sub texturalSet your alarm clocks and calendar pages for tomorrow night at 8 pm ET for the Pop Tunes Deejay Show; Wednesday night at 9 pm ET for Jamie Hoover and Steve Stoeckel on Pure Pop Radio: In Conversation; and Thursday night at 8 pm ET for this week’s second, potpourri-style mix of great tunes on another edition of Pop Tunes. A great time will be had by all.

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

I Love that Song! #15: “Rockin’ My Life Away” by Jerry Lee Lewis

By Alan Haber – Pure Pop Radio

jerry lee lewis 1979 album coverIt’s one of those records that just sounds right. It’s 1979, and Jerry Lee Lewis, with Bones Howe in the producer’s chair, is working his sweaty way through a Mack Vickery romp, banging mercilessly on the keys, a-thump-thump-thumpin’ until his fingers are sore, singing some perfunctory lyrics and assumedly ad-libbing some choice look-at-me-why-dontcha cracks in a kind of wink-of-an- eye way, all for the benefit of platter spinners and air 88s players everywhere.

When I was working country radio back in 1979, “Rockin’ My Life Away” was a favorite record to spin, even when it wasn’t coming up in the daily rotation. I would cue up the Killer’s self-titled Elektra album and, usually out of a station jingle that ended cold, baby, let ‘er rip. I would pretend to be Jerry Lee, beating my fingertips sore, banging my fingers on top of the console, making believe it was me doing those insane piano runs. One of the ad salesmen at the station was a big fan of that record; he would stand outside of the studio and watch me through the glass, a big smile planted on his kisser. And I felt obliged to perform in my own Killer-lite way.

“Rockin’ My Life Away” is a fun number, even if it’s just a sketch of a tune–a basic framework, if you will, of a rock and roll workout, which is all Jerry Lee needs to bend and twist it to suit his purpose, which is to let loose with wild fills that mark his territory. So, he gets to doing the deed, at 1:03 when he sings “Watch me now” and goes off on his way; at 2:10, after warning the band (“Look out now…”); and at 3:00 (“I’ve gotta have one more time! Yeah!”). Look out black keys and the white ones too, he seems to be saying. Here I come!

Along the way, as he makes not-nice with his piano, he makes a play for longevity (“My name is Jerry Lee Lewis and I’m durned sure here to stay”), states the obvious (“She knows how to roll, the Killer knows how to rock”), and, once again, tells you what you should already know (“The Killer’s top class”). Jerry Lee had earned his stripes long before 1979, of course, and earned his shot at celebrating his stature here.

“Rockin’ My Life Away” is an exciting performance that rocks and rolls like a runaway train daring the tracks to keep him on the straight and narrow. It’s over in a breathless three minutes and 27 seconds and it’s chock full of Killer-esque pomp and swagger. It’s also one of those songs the Internet lyric sites have a whole lotta trouble with, but never you mind. Jerry Lee’s just bein’ Jerry Lee, if that helps.

And here’s Jerry Lee being Jerry Lee:

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

New on Pure Pop Radio 08.09.17: Raspberries Live, Lisa Mychols, and Poppermost

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Spins and Reviews | 08.09.17
By Alan Haber – Pure Pop Radio

Raspberries | Pop Art Live (Omnivore, 2017)

Raspberries - Pop Art LiveFor a thrilling listening experience back in 1976, you could do worse than planting Raspberries’ Best featuring Eric Carmen on your turntable. Every one of the 10 tracks on offer was bang-zoom top-flight–“Go All the Way,” “Tonight,” “Ecstasy,” and “Overnight Sensation (Hit Record)” to name just four. Plus, the first few songs on side one were programmed to start a hairbreadth after the one before it, elevating the excitement level about a million percent.

Listening to Best, I always wondered what it would be like to be at a Raspberries concert. It seemed to me that nothing could quite compare to the emotional payoff experienced by people this close to the band up on a stage that probably shook wildly with every beat bounced upward and then showered down on the audience. Plus, all of that singing along…

Now, with the release of Pop Art Live, fans like me can finally feel the power of a you-are-there Raspberries performance. Recorded on November 26, 2004 at the House of Blues in Cleveland, Ohio, this beautifully mixed and mastered document puts listeners in the cross hairs of a dynamic performance of 28 group classics and covers of choice songs from the Beatles and the Who. It is an invigorating experience.

The band is in fine voice and plays throughout the show like they hadn’t just gotten together for a reunion performance 30 years later. Working together as a cohesive unit on stage, they are clearly on a mission, invested in every note as they work to please every audience member, all of them hungry for a taste of Raspberries history.

Augmented by a trio of musicians called “The Overdubs” that helps to flesh out their sound, Eric Carmen, Wally Bryson, David Smalley, and Jim Bonfanti work every inch of the room as they play the hits and key album tracks and just generally whoop it up, Raspberries style. The highlights are many–“Nobody Knows,” “Overnight Sensation (Hit Record),” “Might as Well,” “Starting Over,” “Should I Wait,” and “Come Around and See Me” spring to mind–but the whole program is a collective highlight and delight, which is probably more to the point.

To say that Jim Bonfanti’s drums are the propulsive glue that holds these proceedings together would be an understatement; he has lost none of his power and is even more powerful than he was before. It should go without saying that the rest of the band is also performing at the height of their powers, but I’ll say it: This magical foursome was on that November night.

Kudos to Omnivore Recordings for releasing this astounding, pulse-pounding document, and kudos to you for buying it. Because, of course, you will be…right?

black box Where to Get It: The Omnivore Recordings Store (Preorder for August 18 release), Amazon, iTunes

lisa mychols let's stay togetherLisa Mychols | “Let’s Get Together” (2017)
A new track from Lisa Mychols, regardless of the type of song she tackles, is always a gift to be treasured. Here, Lisa pays tribute to the great Reverend Al Green with a sizzling, soulful take on Green’s 1972 number one chart hit. The thing that jumps out at me listening to Lisa’s vocal is how uncommonly good it is. She’s pulling out all the stops and, in doing so, delivering her best vocal yet. And that’s really saying something. All instruments are played with heart by Steve Refling. Wow.

black box Where to Get It: Bandcamp

poppermost here comes the rain actual coverPoppermost | “Here Comes the Rain” (2017)
A lovely, acoustic arrangement hugs a metaphorical lyric about changing one’s path in life, and a new, catchy, Poppermost song is born.  Sounding vaguely like something out of the early Simon and Garfunkel catalog, colored by Klaatu sentiment (“I’m looking for a sweeter season”), Alex Oliver and Roy Rendahl’s latest release is another melodic feather in their cap. Gorgeous.

Where to Get It: Bandcamp

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

New on Pure Pop Radio 08.08.17: Special Karla Kane/Fun of the Pier All Aboard 2017 Tour Edition

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Spins and Reviews | 08.08.17
By Alan Haber – Pure Pop Radio

Karla Kane | King’s Daughters Home For Incurables (2017)
Fun of the Pier | 14:42 (2017)

It’s the voices that bind these two superlative releases together. It’s as if the recording of each release was purposeful in that regard, as if these releases were functioning as the last two, most important pieces of a jigsaw puzzle, fitting side by side to reveal a sweet visual treat, although this treat–these treats–are primarily aural in nature but no less sweet.

karla kane king's daughters home for incurables coverEvaluating these releases necessitates considering some correlations. Songbird Karla Kane, whose sound hearkens to classic artists such as Claire Hamill and Kate Rusby, also plays in California popsters The Corner Laughers with her husband Khoi Huynh, pop music’s not-so-secret weapon KC Bowman, and Charlie Crabtree. Here, she steps into the spotlight with her first solo album, King’s Daughters Home for Incurables, her lovely vocals in play throughout its 11 song stretch. Sweet-voiced Helen Luker, who plays in Fun of the Pier with her husband Mark and Richard Hattersley, is the glue that holds 14:42, the group’s first long player, together as its program of 13 songs plays through. Each release holds true to itself, exploring its various, intrinsic nooks and crannies with aplomb.

What’s more, Karla and Fun of the Pier are touring together in California this September, with singular dates for each occurring in the UK and Germany in October. Perhaps there is more that binds these artists together. Perhaps there is a style of coffee the various members all prefer, or a mode of transportation they all would rather employ to get to here from there. Whatever the case, these artists prefer and deliver good songs performed with style and grace; both attributes are in abundant supply on these two albums.

Listeners familiar with The Corner Laughers’ releases will instantly be attracted to the songs on King’s Daughters Home for Incurables; they are, like those on the Laughers’ Poppy Seeds and Matilda Effect, tuneful and melodic. The difference here is that these songs, with the possible exception of two Corner remakes–“Midsommar” and “Grasshopper Clock”–are more folky in nature. The term modern folk comes to mind.

Among the pleasures offered on King’s Daughters Home for Incurables are “Lilac Line” and the title song, which sound like numbers that would fit comfortably on an album released by Elektra Records, had that label’s folk era been ensconced in the present day. The otherworldly “All Aboard” is the welcome, odd duck about these premises, adopting a traveling, train-inspired beat along its path that builds from a treble and bass clef percussive piano riff to add guitar strums, harmonies and subtly rendered percussion. If this album offers up a not-like-the-others showcase, this is it.

fun of the pier 1442Hailing from Nottingham in the UK, Fun of the Pier favors, on 14:42, a bright, happy folk-pop sound that pleases as handily as Karla Kane’s more intrinsically acoustic-based folk approach on King’s Daughters Home for Incurables. Songs such as “Past/Future” and “(In My) Time” are drenched in lovely, clever and catchy melodies and beautiful lead and harmony vocals. Others, such as the beautiful ballads “Lost and Lazy” and “I Live this Life (She Said),” hearken to classic artists such as Claire Hamill and Kate Rusby (and there is another correlation worth noting). 14:42 is a wonderful, delightful collection of songs, expertly performed.

Both Karla Kane and Fun of the Pier please and entertain in the same way that the best magicians approach their art: they don’t call attention to how they do it. They simply imbue their songs and performances with honesty and skill and let the results speak for themselves. Both King’s Daughters Home for Incurables and 14:42 are perfect for these and all times to come.

black box Songs from Karla Kane’s King’s Daughters Home for Incurables and Fun of the Pier’s 14:42 play on Alan Haber’s Pop Tunes Deejay Show, heard Tuesdays and Thursdays at 8 pm ET on Pop that Goes Crunch Radio
black box Where to Get It: Karla Kane’s King’s Daughters Home For Incurables releases October 6 and will be available from The Corner Laughers’ Bandcamp page ; Fun of the Pier’s 14:42 releases September 1 and will be available at CD Baby (check back for link)

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button: