With just two days to go before Record Store Day 2015 commences at your local, independent record store, it’s time to get down to it and, well, confess: Turntables? I’ve had a few.

This week, I’ve been looking back to some of the reasons why I fell in love with records, and how that love has fueled my ongoing obsession with the 12-inch vinyl wonders of the world. Today, I find myself waxing nostalgic about some of the turntables I’ve had in my life. Turntables that have been pushed to their limits. Turntables that were able to play records at 78 rpm, which came in handy when listening to Moby Grape’s “Just Like Gene Autry: A Foxtrot,” a track on the group’s 1968 Wow album that played at 78 rpm. Turntables on which you could set the speed between the actual speed settings so you would be able to rock Beatles records back and forth to uncover clues to Paul McCartney’s death. Turntables like that.

The Garrard 40B was an entry level, three-speed turntable that seemed, for a time, at least, to be the go-to model for kids in my Long Island neighborhood. It seemed as though every kid had one. We played our 45s and our LPs on this gateway to the world of music that we were constantly discovering. It took a licking and kept on ticking. It was a reliable performer that did the trick time and again. It was what we had for a time, and we loved it.

Then there was an all-in-one model by Symphonic (not the one depicted above, but sort-of similar) that had built-in speakers on either side of the turntable, which folded out to the front. Maneuvering the speed lever between settings, you could rock a record back and forth, slowly but surely, when trying to discover the various audio clues that proved, beyond a shadow of a doubt, that Paul McCartney was dead. This was a handy (not official) feature, allowing my friends and I to go deep inside The Beatles, aka the White Album. Backwards clues? No problem. Not surprisingly, I fried one of these units doing the rocking thing. Thankfully, my father was tolerant and understanding when it came to me asking–begging–him to buy me another one. Good times.

Today,  I can use any of three turntables to play my records. The Stanton STR8-20 is the top model in my main rack; the ION ITTUSB allows me to record needle drops on my main computer. But the Peanuts Crosley Cruiser, purchased on Record Store Day 2014, is the official turntable of Pure Pop Radio. I mean, just look at it:

Today, as was the case yesterday and the yesterday before, there is no activity finer than bringing the needle down on a great record, getting the volume just right (pumping for the driving stuff and not-so-pumping for softer sounds), and plopping down on the couch–comfort is key–for an immersive listening experience. Holding the cover–taking in the majesty of the art, reading the credits (“Oh look, it’s Robben Ford on guitar!”), and checking out the inner sleeve–is beyond important. And singing along? Well, naturally.

Tomorrow, I bring this week of vinyl memories to a soft landing, just in time for Record Store Day 2015 to greet your Saturday. What joy!

– Alan Haber

Trax on Wax, in Catonsville, Maryland, is the official record store of Pure Pop Radio. When in the Baltimore area, we recommend that you make Trax on Wax your number one vinyl destination. Visit Trax on Wax’s website by clicking here.

The Peanuts Crosley Cruiser is the official turntable of Pure Pop Radio.

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