Reviews: 1.16.19: Berlin Horse Rides a Psych Pop Road

By Alan Haber – Pure Pop Radio

Berlin Horse
After The Headrush (2018)
First off, the question shouldn’t be what comes after the headrush, but rather what exactly is the headrush? And the answer? It’s simple, really: the headrush is what you get listening to this outstanding collection of songs from Brit Adam S. Leslie, working primarily on his own (save for drumming from Simon J. Turner). You’re not likely to know Mr. Leslie before now, but you will.

This mix of superlative psych-tinged, folk-peppered pop comes under the nom de plume Berlin Horse for reasons unknown but that most likely have to do with the aforementioned headrush. Speaking of a headrush, Mr. Leslie, back in the altogether heady days of Pure Pop Radio the radio station, put together a single, smashing hour-long program, manning the board and the microphone, and that was unfortunately it.

Adam S. Leslie (aka Berlin Horse)

Adam reenters our universe so many years later with this 12-song headrush of an album sporting so many highlights it’s hard to pick a favorite. Well, they’re all favorites, aren’t they? Well again, if they’re not right here and now, they soon will be.

Our favorites–our standout picks to click–are the very melodic Andy Partridge-meets-early-Pink Floyd “Lucidity Hazard of Celebrity,” brought to life with a variable, inventive arrangement–complete with a few brief sound effect side trips and spoken word bits–that swirls around the listener’s head. Introduced by a gaggle of giddy youngsters, it’s a marvel. “Have You Ever,” our second favorite, is a short, sweet uke flower blooming before your ears that brings to mind some of Donovan’s catchier confections.

And there is more, of course, from the Bo Diddley-meets-Buddy Holly organ-fueled stomper “Coming Up the Stairs” to the atmospherically sweet instrumental “Electric Bataleur,” spiced with backwards guitar and deft electric and acoustic guitar playing. (A bataleur, according to the Merriam-Webster online dictionary, is “a short-tailed African eagle.” And from that you can plan your next flight of fancy.

Released in the waning days of 2018, After the Headrush will likely and fairly quickly be followed by a sequel; Leslie is already hard at work on that eventuality. Meantime, snag a copy of this masterwork at the ever-popular Name Your Price dollar amount and, well, you’re welcome.

Where to Get It:  Bandcamp

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended this last August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.

Reviews: 1.11.19: The April Family Pops the Cork on “Champagne”

By Alan Haber – Pure Pop Radio

The April Family “Champagne” (2018)
“Boys are mean and girls let you down,” Kylie Whitney testifies from her heart in the April Family’s catchy, foot-stomping new single “Champagne,” the trailer for the trio’s highly-anticipated upcoming album House of Cards.

Love, as it happens, can scale the higher highs but it sometimes brings us down to the lowest lows, at which point the bottle can come into play as at least a temporary salve. Champagne and other similar liquid refreshments may have their downsides, but they never broke this narrator’s heart.

Singing like the most committed of traditional country truth tellers, Whitney sings this old-fashioned, cautionary tale like it is, acknowledging that drink doesn’t do her “ any favours when it makes me speak the truth / But it sure don’t break my heart like you do.” So, a little liquid solace in the face of an aching heart.

This truth-telling session is set to a stomping beat, a celebration of uptempo country heartache, played with gusto by lead guitarist Casey Atkins and multi-instrumentalist and Pure Pop Radio favorite Michael Carpenter, who makes the track sing playing an upright bass, acoustic guitar, banjo, a snare drum, and percussion. As noted above, Kylie Whitney sings her Loretta Lynn heart out, turning out a standout lead vocal. All three Family members stomp and clap.

And we, the audience, applaud. Love’s a tough road to travel; records like this one make the trip easier. Now, bring on the album.

Where to Get It:  Amazon, iTunes, Google Play. Stream on Spotify

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended this last August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy New Year!

Reviews: 1.10.19: Addison Love’s Energetic Two-Tune Single

By Alan Haber – Pure Pop Radio

Addison Love
cover“Endless” b/w “Unsolicited Phone Calls” | (Big Stir Digital Single #10, 2018)
The youthful Orange County, California singer-songwriter builds on his growing reputation as an ace popster (his album Thoughts on Lunch has made pop people sit up and take notice) with this energetic two-tune single that gives the word breathless a whole new meaning.

Imagine you’re a determined locomotive tootling downwind toward your destination and you can’t keep your pace level… That’s how you’ll feel listening to these two vigorous tunes, each boasting varied tempos and stuffed with imagination on fire.

Addison Love

“Endless,” an uptempo kind of twisted relationship song, and “Unsolicited Phone Calls,” a clever melodic narrative about dealing with those pesky folks who just know, beyond a shadow of a doubt, that you need enhanced health insurance and the mother of all wants, something else, blast into your listening room with passionate delivery.

You’ll dig the clever musical doodads delivered in both songs, such as the double-time (at least!) electric guitar rave-up and lead vocal gymnastics in “Endless” and the push-button dialing sounds in “Unsolicited Phone Calls” that play melody lines. And let’s not forget “Unsolicited Phone Calls”‘s snappy opening, a zippy intro that recalls the beginning to the Beatles’ “Get Back.”

This concluding 2018 entry in Big Stir Records’ series of digital singles is a catchy keeper. You’ll love Addison Love’s latest.

Where to Get It:  Big Stir Digital Singles (third entry on page)

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended this last August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy New Year!

Reviews | 1.9.19: Astral Drive Rockets into 2019 with Soaring New EP

By Alan Haber – Pure Pop Radio

Astral Drive | Love is Real (Lojinx, 2019)
Aimed squarely at the melodic pop cosmos and with all rockets super-charged, Phil Thornalley’s 2018 hit Todd Rundgren homage Astral Drive lands in the early days of 2019 with an enticing, exciting three-track digital single.

Built around super mix engineer Dave Bascombe’s radio remix of  “Love is Real,” the original version of which appeared on last year’s Astral Drive album and is now adorned with background harmony vocals from the legendary Kasim Sulton, the single is adorned with two must-hear bonus tracks.

“Wishing I Could Change the World” first appeared on Astral Drive as the album closer; this is a newly-recorded acoustic version with a new lead vocal and new piano track (the charming, toe-tapping seventies rhythm box remains, of course). Thornalley’s vocal is as good as emotionally-charged gets.

The shining light of this three-track pearl is Thornalley’s spacey, a cappella-with-a-hint-of-synth version of Rundgren’s dreamy “A Dream Goes On Forever,” which first appeared on 1974’s double Todd set. Thornalley’s arrangement puts the spotlight on the beauty of Rundgren’s melody; Thornalley’s harmonies are masterful, three-dimensional, and pure.

Astral Drive’s captain ushers in the new year…

Kicking off the new year with a new release from Astral Drive surely sets the stage for a great year of melodic pop ahead. “Love is real,” and so, as before, is Astral Drive.

Where to Get It: Amazon, iTunes (stream on Spotify)

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended this last August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy New Year!

Favorite Records of the Year: Stars of 2018

By Alan Haber – Pure Pop Radio

Happy New Year, and welcome to the list.

About said list…it was the subject of my one and only New Year’s resolution: to keep the number of entries to 15. Well, good luck with that, I told myself, and wouldn’t you know it…I couldn’t make that work. How about 20? No? Okay then, how about 22? Twenty-two it is.

My annual list of the year’s best full-length releases collects what are, to me, the absolute top of the pops–the very bestest of the bunch. I liked and loved and adored many more long players, of course, but these are the ones I thought about and returned to the most.

As in past years, my favorite records of the year are listed in random order. I’ve never been able to compile lists of any kind in order of importance, size, or weight; my number five of today might drop to number 11 or rise two spots tomorrow, depending on my mood. So, random order it is.

Here are some truly exceptional releases–Pure Pop Radio’s Favorite Records of the Year: The Stars of 2018, presented randomly, all shiny and bright, all perfect for a place in your collection of great melodic pop music. A gathering of honorable mentions appears after the main list.

Enjoy.

David Myhr | Lucky Day (Lojinx, 2018)
A beautifully rendered selection of melody-rich songs from one of melodic pop music’s greatest practitioners, Lucky Day is the sound of a master songwriter’s loving embrace.

A warmhearted musical journey, Lucky Day’s 10 lovingly crafted songs, written solo and with some of melodic pop’s top writers, feature beautiful melodies and top-notch playing and singing. All contribute to one of 2018’s best albums. “Room to Grow,” written with Pure Pop Radio favorite Bill DeMain, about giving a romance all the chances it deserves to prosper, is just one gorgeous example of the treasures on offer.

Produced by Brad Jones, Andreas Dahlbäck and Myhr, Lucky Day is a wonderful gift to lovers of melodic pop.

black box Where to Get It: Amazon, Lojinx

The Cherry Drops | Good to the Last Drop (2018)
On-air and mobile deejay Vern Shank’s melange of bubblegum and sunshine pop populates the Cherry Drops’ third welcome, rousing collection of smile-inducing songs that simultaneously evoke memories of favorite old songs and create memories of new numbers written and performed in the manner of the ’60s and ’70s.

Featuring co-writes with fellow Cherry Drop Joshua Cobb and classic popsters such as the Archies’ Ron Dante, the Grass Roots’ Mark Dawson, and the late Gary DeCarlo of Steam, and choice covers of treasured hit classic numbers, Good to the Last Drop is a mighty fun ride.

“One More Try” is a Paul McCartney-esque mid-tempo slice of pure pop topped with Queen-styled electric guitar runs. “Feels Like Summer Love” is a loving nod to ’60s Beach Boys balladry, maybe the truest such tip of the hat in recent memory. The harmonies are gorgeous. The Cherry Drops pay homage to the Lovin’ Spoonful’s classic “You Didn’t Have to Be So Nice,” bringing in original Spoonful member Steve Boone on bass and opening with a lovely a cappella-over-keyboard opening.

A fun time will be had by all.

black box Where to Get It: The Cherry Drops’ Website, CD Baby, Amazon, iTunes

mothboxer open sky coverMothboxer | Open Sky (2018)
Dave Ody’s outfit stretches into some of the most creative, expression-filled songs of its long history on an album steeped in clever songcraft. A coming together and pulling apart experience built around surprising chord changes and elastic melodies, set against primarily alternative instrumental backings, Open Sky is aptly named.

Among the many highlights: “Sunshine Sound,” a slow-to-mid tempo song set sound-wise vaguely in the Beach Boys’ Holland era, and “Million Miles Away,” perhaps the most immediate sounding song on the album, a piano-based tune with harmony vocals that shine.

Open Sky is a keeper, maybe Mothboxer’s best.

black box Where to Get It: Bandcamp, Mothboxer’s Web Store

Alice Bierhorst | Ready for My Close-Up (2018)
The followup to 2016’s The Beacon is an even more astute collection of piano-based musical wizardry from this New York-based artist. High art meets accessible in these 10 songs that recall the works of early Carly Simon, Claire Hamill and Laura Nyro.

The title song is a pleasing, dramatic collision of Broadway and British folk. “Save It for a Rainy Day” is a slow burn of a ballad that shows off Bierhorst’s dynamic vocal range. “Beginners” is a drawing room waltz that rolls atop Peter Kiesewalter’s lively arrangement.

Call it all classical pop or singer-songwriter musings for the 2010s, but do call it yours by adding Ready for My Close-Up to your collection of smart pop. Bierhorst’s melodies reach the highest heights; Bierhorst is ready for her close-up, and then some.

black box Where to Get It: Alice Bierhorst’s Website, Bandcamp

Danny Wilkerson | Wilkerson (Spyderpop, 2018)
Working together with Bleu, who produced this superlative pure pop platter and co-wrote the songs, Danny Wilkerson, the always-and-forever Pengwin, has whipped up a self-titled opus that is by far this year’s most affecting collection of catchy, melodic earworms.

Wilkerson is a thing of wonder. Any and all, for that matter, of these dazzling songs could, and do, serve as examples of how to do it. Like the dynamic leadoff track, “Everybody Loves to Love,” a masterful piece of writing and statement of melodic purpose that begins drawing breath as if it were arranged by Burt Bacharach and goes on to incorporate a variety of tempos and approaches during its alluring five-and-one-half minutes.

All told, Wilkerson is nothing less than a good thing. It is, in fact, a great thing, and another feather in the cap of the mighty Spyderpop record label.

Where to Get It: The Spyderpop Store, Kool Kat Musik, CD Baby, and iTunes

McPherson Grant | McPherson Grant (2018)
Paying sweet homage to the melodic pop ruling class headed by Harry Nilsson, Paul McCartney, Klaatu, Brian Wilson and the like, Scott McPherson and Jamie Grant–their last names fused together in joyous harmony–have crafted almost an hour’s worth of sturdy earworms. Endlessly endearing songs like the lovely and charming “Housekeeper,” about cleaning up a romantic life gone sour and empty and honestly assessing the less-than-attractive situation ensure repeatability.

Cut from the catchy cloth of so many ’70s classics, the perky “Come Around Again,” about learning to realize and revel in the bountiful joy in front of one’s face, is propelled by Zak Nilsson’s drums and a sunny disposition that wouldn’t feel out of place during the summer months. And speaking of summer, “Let’s Drive to Summer” recounts a slow-growing, toe-tapping Beach Boys-by-way-of-Holland road course from cold Canada to warm Florida (“We’ll just follow the coast/Our sandals and shorts in tow/Waiting till the palms wave hello”).

Produced, written, played, arranged and recorded by Scott and Jamie (and don’t ask who did what; it’s a mystery even to both halves of the duo), and featuring guest turns by Zak Nilsson and Klaatu’s Terry Draper and Dee Long, Song travels the path negotiated by so many artists who came before them, but in a way that is significantly and characteristically their own. Song is a marvel.

black box Where to Get It: Tiny Volcano’s Web Shop, Kool Kat Musik

The Davenports | Don’t Be Mad at Me (2018)
Scott Klass and crew’s fourth long player, arriving 18 years after their smashing debut, Speaking Of, is the usual collection of literate, assured, thinking person’s pop songs. Anchored by the masterful title song, a tremendously enriching melodically-charged experience about a family light whose world has slowed to a crawl, who is needing help to maneuver through her days, this album swims in waters populated with one incredibly rich song after another.

“Away From Me,” sporting a typically attractive Klass melody, is a vaguely countryish construct about saying goodbye to one side of one’s personality, supported by strings that bend somewhat ominously around the melody. And “I Don’t Know What to Do,” an insanely catchy kind of left-field number co-written by Klass and David Myhr, is built around a clever, rocky riff and does its business in just over two minutes. It’s quite ingenious.

A great album.

black box Where to Get It: The Davenports’ Online Store, Amazon, Kool Kat Musik, iTunes

Caper Clowns | A Salty Taste to the Lake (2018)
The mighty Caper Clowns are back with their sophomore long player, another well-crafted collection of top-flight melodic pop gems. From the undeniably catchy opening confection “The Way I Dream,” which sports a clever acoustic guitar riff and an enchanting melody, to “Sacre Bleu,” a piano-based, harmony wonder that sounds like the kind of song radio should be embracing and sending up to the top of the charts, A Salty Taste to the Lake is a winner all the way. That makes two in a row. Good job, guys.

black box Where to Get It: Kool Kat Musik, iTunes, Amazon

Les Bicyclettes de Belsize | The Twelve Days of Christmas (2018)
A late-year surprise and not only a charming, top-flight holiday-themed album but one of the best melodic pop albums of the year, Charlie Darling’s collection of original from-the-heart Christmas songs will warm you like a heaping cup of peppermint candy cane-flavored good cheer.

Bittersweet holiday tales told in pretty swaths of lovingly rendered melody, and sung with an everyman’s sweetness, color this delightful song cycle; sincere, understated orchestration, a literary approach to lyrical conceits, and a pinch of sleigh bells catch the ear time and again in lovely slow- and mid-tempo-ballads.

Darling’s vocals, sort of a contemporary cross between the tones of the Big Dish’s Steven Lindsay and Pet Shop Boys’ Neil Tennant, are key to making  songs like gentle ballads “Every Christmas,” about missing a love gone away grab hold of your heart. And then the artist changes course: “Andy Partridge (From XTC)” is a spirited pop sprint substituting the names of pop and rock bands through the ages for the various creatures evidenced in “The Twelve Days of Christmas” (Three Dog Night, the Dave Clark Five, Gang of Four, Nine Inch Nails and Joe Strummer (strumming), among them).

One of the best albums of the year, Christmas-oriented or not? Yes, indeed.

black box Where to Get It: Bandcamp

Bill Lloyd | Working the Long Game (Spyderpop, 2018)
Bill Lloyd, one of melodic pop’s most distinguished practitioners of the art, has released one of the very best albums of 2018, with which you will fall in love.

Working the Long Game’s dozen melodic pearls, whether written solo or with top song scribes like 10cc’s Graham Gouldman, Cheap Trick’s Tom Petersson, and Wanderlust’s Scot Sax, are gorgeous, instantly classic gems of the Lloydian variety. Like the co-write with Graham Gouldman, “What Time Won’t Heal,” about letting love in again after a relationship withers away (“What time won’t heal/Love will repair/And if you open up your heart/You’ll find it there”).

The closer, “Shining,” is a beautiful ballad of the one-man-band variety that features some lovely sixties-inspired guitar lines and harmonies. The narrator sings about his true love and you will feel the emotion. It’s all fantastic, so get ready to fall in love.

black box Where to Get It: Spyderpop, Kool Kat Musik, Amazon, CD Baby

Fernando Perdomo | Zebra Crossing (2018)
Recorded in famed Abbey Road Studios and in Perdomo’s own Reseda Ranch Studios, the wearer of many musical hats’ fourth album is a rich tapestry of styles centered around the artist’s considerable composing and instrumental prowess. It’s a clear winner.

Highlights are many. The gorgeous ballad, “I’m Here,” is as good and classy an opening track as one could imagine; a strong melody and emotive vocals make the proceedings shine. The poppy “Sometimes I Feel Like Nothing at All,” cowritten by Beach Boys lyricist Stephen Kalinich, is an inviting tune topped by sensitive strings. And popster Ken Sharp guests on guitar on the should-be-a-radio-hit “Find Love,” a spectacular upbeat, McCartneyesque pop song.

Speaking of Fab connections, an all-in, emotionally reverent cover of George Harrison’s “While My Guitar Gently Weeps,” credited to the Zebra Crossing All Star Band, finds guest vocalists Diane Birch, Shawn Lee, and Jason and Daphna Rowe and lead guitarist Perdomo taking center stage for a thrilling album closer. What better Beatles track to cover for an album named in tribute to the area in front of the studio the Fabs called home?

black box Where to Get It: Bandcamp, Amazon, Kool Kat Musik

Mick Terry | Days Go By (Kool Kat, 2018)
Mick Terry’s Days Go By is 2018’s standout pure melodic pop album. It’s filled with the kind of songs that used to jump out of transistor radios way back in the when.

Every one of these 10 songs is golden. Witness: “Emily Come Back,” an upbeat, poppy tune that’s sure to please and features this album’s title in the lyric. “Everybody’s Talking” is an upbeat, sixties influenced Motown-meets-Billy Joel song (think around the time of Joel’s An Innocent Man album), a toe-tapping classic if ever I heard one. And “Friends Like That” is another upbeat gem with a great melody, handclaps, horns and a crazy, meaty guitar solo.

Working with producer Jim Boggia, Terry has produced a clear, melodic winner.

black box Where to Get It: Kool Kat Musik, Mick Terry on Bandcamp

Astral Drive | Astral Drive (Lojinx, 2018)
Longtime producer and songwriter Phil Thornalley has made nothing less than the Todd Rundgren album that Todd Rundgren never made in the 1970s. Astral Drive is nothing less than one of the best albums of 2018.

Astral Drive finds Phil Thornalley doing most of the heavy lifting for a joyous tour de force composed of original songs that echo the catchy sounds that the Hermit of Mink Hollow made all those many years ago. Thornalley, a legendary producer and songwriter whose lengthy list of credits includes co-writing Natalie Imbruglia’s “Torn,” fell in love with Todd Rundgren’s music when he heard Todd’s song “Useless Begging.” The rest, as they say, is history.

Astral Drive’s go-to, so-much-fun-to-listen-to song “Summer of ’76” practically demands that you sing along, whether you know the words or not. You will love, with all of your heart, the warm ballad “Wishing I Could Change the World,” which honors the classic Todd-meets-Philly-Soul bond, and the glorious, melody-infused, upbeat “Love is Real.”

One of 2018’s biggest and happiest surprises, without a doubt.

black box Where to Get It:  The Lojinx shop, Kool Kat Musik, Amazon, and iTunes

Michael Simmons | First Days of Summer (2018)
Musician and high school educator Michael Simmons, from Yorktown Lads and the much-missed sparkle*jets u.k., has crafted a stylistically diverse collection of songs that expertly lays out the artist’s diverse musical vision and dedication to craft.

From the opening and closing near-perfect, soft-pop bookends “Do Your Best to Care,” a keyboard driven toe-tapper featuring a determined, jazzy electric guitar solo, and the sleepy, closing ballad “Center of the Spiral,” which ends as if a turntable’s needle has become comfortably stuck in a loop within a record’s runoff wax, First Days of Summer speaks to melody-hungry melodic pop fans.

What shines brightly and decisively from within these dozen tracks is the passion that Michael Simmons has for making and playing music (he played most of the instruments on this album). He would do well to keep at this music thing and start planning his next collection with due haste.

black box Where to Get It: Bandcamp

Linus of Hollywood | Cabin Life (2018)
Nearly 20 years after his debut long player landed on planet Earth, Linus of Hollywood has served up 10 scoops of tasty, melodic treats on Cabin Fever, his delightful fifth effort that really, truly is the kind of thing that puts a spring in your step.

Some heartfelt words of wisdom are imparted in the fast-paced pop song “Won’t Let It Get Me Down,” played and sung with gusto. Cabin Life’s tender closing ballad, “It Was You,” details a love story for the ages. Beautifully sung and dedicated to Linus’s wife Augusta, the emotional arrangement marries delicate orchestration to nimble acoustic guitar playing as Linus sings about his true soul mate. “I finally got out of my own way,” he sings. “Everything just felt so easy/And I left behind my yesterday/You saved me from myself, believe me.”

“Drive up to the hills/Take that winding road/I think I remember where it goes,” the title song sings. And that winding road? It goes to one of 2018’s very best albums–Linus of Hollywood’s lovely Cabin Life.

black box Where to Get It: Linus of Hollywood’s web store, Amazon, iTunes

Dana Countryman | Cabaret of Love (Sterling Swan, 2018)
The year is not complete without a musical missive from melodic pop music’s melody and harmony king. Dana Countryman’s Cabaret of Love is one of 2018’s top long players, a joyous song cycle that surveys the feeling that unites us all: love.

Every number is a winner in this Cabaret of Love. “Just See If I Care” is a happy-sounding, hit-the-road-Jill Merseybeat-styled rocker featuring the Spongetones’ Jamie Hoover singing along and playing lead guitar in quite a Fab way. The heartfelt Four Freshmen homage, “The Night I Fell in Love With You,” is an unforgettable, romantic number with an affecting tea room orchestra arrangement and warm lead vocal sung by Tim Smolens from I.S.S. (Ideal Social Situation).

Cabaret of Love is chock full of guest star turns from such pop favorites as Klaatu’s Terry Draper (who turns in a top-shelf, particularly romantic lead vocal on “I’ll Be Shining Above You”), Klaatu’s Dee Long (electric guitar on “Shout”), and Tiny Volcano’s Scott McPherson (vocals on “You’re Still Number One”).

Cabaret of Love is a glorious gift for music lovers everywhere.

black box Where to Get It: Bandcamp, Amazon

Carpenter Smith and Jones | Petty (Big Radio, 2018)
Petty is a sincere and lovely celebration of the music of one of rock’s most magnanimous songwriters and performers, now sadly departed. It is a triumphant achievement, performed with heart by Michael Carpenter and songbirds Abby Smith and Sophie Jones.

The trio’s earthy vocal blend and the perhaps more deliberate pacing of the songs combine to amplify the emotions contained within the lyrics and music for a particularly engaging listen.

“Runnin’ Down a Dream” is recast as a slow, sometimes moody shuffle, a vocal workout bolstered by bracing electric guitars and Carpenter’s forceful drums. “Don’t Come Around Here No More” finds itself swimming atop a dreamy landscape played out with only nimble electric guitar backing beneath the trio’s emotional vocals (the final harmony stack is a joy to behold). And the Traveling Wilburys’ “End of the Line,” which closes this collection, takes on a singalong gospel tone; handclaps and joyous, freeing vocals abound. Prepare for an emotionally uplifting listening experience.

black box Where to Get It: Bandcamp, Kool Kat Musik

The Grand Levé | The Grand Levé (2018)
Göran Hjertstedt, who made the quite grand The Grand Levé with Europe’s (the Swedish rock band, not the continent) Ian Haugland, Ulf Holmberg, Göran Holmberg, Staffan Ebbesten, and Jonas Karlberg, is a music making veteran (best known for the equally grand Longplayer).

Although The Grand Levé fairly obviously shares cell structure with the music of Jeff Lynne, 10cc, Queen, Tom Petty and other members of the usual suspects club, and traffics in motifs pioneered during such periods as the 1960s and 1700s (note the classically-inclined first track, “And Light Appeared,” which straddles influences by either consciously or subconsciously quoting Elton John), the artist Hjertstedt is his own man, and The Grand Levé is his album.

Dig the Electric Light Orchestra vibe of “All in the City.” “Free” is very melody-rich Tom Petty, and “Yesterday Man” is very pure pop and Göran Hjertstedt by way of Longplayer. The mutli-retro “Two to Tango,” a bluesy drawing room number about love and dancing that namechecks Fred Astaire and Ginger Rogers, is another slice of joy.

The Grand Levé makes its mark because its sound pictures, drawn with love and affection, tell an affecting, collective tale. The Grand Levé is nothing less than a triumph for fans of melodic pop music.

black box Where to Get It: Kool Kat Musik, CD Baby. Stream on YouTube and Spotify

Louise Goffin | All These Hellos (2018)
An exceptional dialog driven by melody and emotion, All These Hellos is a steamer trunk full of memories placed under a microscope to help us figure our place under the sun.

Anchored by Goffin’s lovely, fragile vocals and superb playing from star musicians such as Fernando Perdomo, these 10 songs are quite an attractive showcase for superlative songwriting. The artist is clearly invested in these slices of reflective pop; such is the strength of communication with the listener.

Goffin embraces her pop side with a number of straight ahead, upbeat charmers. “Good Times Call” is a soulful and very catchy sixties-esque pop number about being in love and feeling it. “Life Lessons,” another upbeat pop tune with piano at its core and punctuated by horns, is about being true to yourself and following your heart. And the title song is an inviting mid-tempo number about needing the memories of a childhood place to fade.

A wonderfully rich collection of songs; a terrific album.

black box Where to Get It: Amazon, iTunes

 ∴

Super 8 | Hi Lo (Futureman, 2018)
Paul Ryan, d/b/a Super 8, ended 2018 with another top-flight recording–his third of the year–collecting 11 strong songs about employing hopefulness along one’s path through life.

“Angels and Neil Diamond” is a tremendous piece of writing, an easygoing, acoustic look back on childhood’s glory days, reliving one’s youth through good times and bad. It’s a lovely, affecting song that is followed by proof that the title is holly holy. Ryan presents a clever take on Diamond’s wonderful “Cherry, Cherry,” which is pretty life affirming on its own, especially in Ryan’s recasting of the tune as part garage, part coffee house, and all Super 8.

The Rolling Stones nod, “Good Times” (“Had enough of the bad times”), is a happy stroke in the running order, as is the pop-folk hybrid “Bob Dylan Said That,” about getting by in life with your own vision, and, no doubt, following on from what you’ve learned from the bard’s poetry.

The hits just keep on coming; you’ll love every one of them, delivered in Ryan’s emotive style. And for those of you wondering why the man didn’t go for four albums in a single year, just remember…there’s always this year.

Where to Get It: Futureman, Kool Kat Musik

The Grip Weeds | Trip Around the Sun (Jem, 2018)
This dynamic collection, recorded at the Grip Weeds’ home base, House of Vibes in Highland Park, New Jersey, pushes across the finish line a dozen high energy songs. The band has upped the level of urgency normally associated with their work. In other words, business as usual, with a bit more zing.

In the well-appointed, melody-drenched opener, “Vibrations,” the stage is set with a mix of chiming guitars and rich harmony parts. Not for the first time on this album, I felt as though I were listening to Free Design vocalizing decades after that group’s 1960s and 1970s heyday. The effect that the Grip Weeds have achieved with this song alone is hall-of-fame worthy.

So it should hardly come as a surprise that the band’s deft weaving together of yesterday’s musical signposts and today’s contemporary approaches continue throughout these songs. Take the poppy “After the Sunrise,” for example, which slides from tender acoustic to more upbeat electric guitar stances so expertly, with a lovely melody and sweet harmonies in tow.

The whole pop-rocking ball of wax rolls into the exhaustive closer, the six-minute-long title track, which states its introductory case firmly opened in widescreen, Who territory and concludes with all instruments and vocals blazing and coming together in an impassioned burst of emotion. What a welcome shout of energetic joy this album brings!

black box Where to Get It: The Grip Weeds’ Trip Around the Sun Store, Amazon

Vegas With Randolph | Legs & Luggage (2018)
Legs & Luggage is Vegas With Randolph’s best album yet. It is a marvel. This is a new-phase VWR album that thunders across the plains with harder-edged chutzpah than their previous releases. The guitars are louder and the sound is more aggressive. The sound is more purposeful, but just as catchy and fun as always.

For this new album, the band has recorded songs with flashy hooks just as they have done all along, but this time around, there is perhaps a little more oomph spitting out of the engine. This new-phase VWR is a well-oiled and rocking machine.

It’s not just the sound of this thing, it’s the words sung sweetly, confidently, meaningfully and powerfully all the way through, telling stories of a scholarly seductress (“She’s An Intellectual”), completely fulfilling forever love (“I Have You”), and riding the roller coaster of love even though it might tug back (“Jacob”). Then, there’s “Three Red Hooks,” presenting the power of music as a metaphor for confident performance with perhaps this album’s most creative lyrics (“Rock steady/Kick it like Eddie/Didn’t know if he meant Van Halen or Vedder/But whatever/While we’re together/We’d better turn it up loud/And kick it on out”).

This album is titled Legs & Luggage because the songs are largely about transitioning from one thing to another, about taking chances, about moving on from here to there—about transporting emotion packed neatly, or otherwise, in virtual compartments. Legs & Luggage functions as a bridge to the next chapter in Vegas With Randolph’s life; how that reality will manifest itself is unknown at present. But manifest itself it will.

black box Where to Get It: Bandcamp, iTunes, Amazon

Honorable Mentions (in no particular order, with Bandcamp/CD Baby/website links):

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended this last August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy New Year!

Pure Pop Radio’s Favorite Records of the Year: Stars of 2018 Posts Tomorrow, 1-3-19

By Alan Haber – Pure Pop Radio

Howdy! Your New Year’s celebrations went well, I take it? Very good. Happy New Year to you and yours.

With the 2018 calendar replaced by the 2019 model, full of promise, it’s time to turn our gaze onto our first order of business: Pure Pop Radio’s highly anticipated yearly feature, in which we put the spotlight on 2018’s top melodic pop platters.

Yes, it’s time for Pure Pop Radio’s Favorite Records of the Year: Stars of 2018. This year, we present 22 melodic wonders–the cream of a particularly rich crop. We hope you will find much to like in our list and add some (or all!) of the entries to your burgeoning melodic pop collection.

So, be here tomorrow, January 3, at approximately 11:45 am ET for Pure Pop Radio’s Favorite Records of the Year: Stars of 2018. We’d love the pleasure of your company.

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which closed down this past August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy New Year!

Holly? Jolly? Christmas? We’ve Got All Three! And More Melodic Pop Gift-Giving Suggestions

By Alan Haber – Pure Pop Radio

We continue with our Holly Jolly Christmas Party here on day four, reviewing the latest and greatest holiday releases that are perfect for gift giving. You’ve still got some wrapping paper on hand, right?

Before we get to today’s gift suggestions, let’s give our last two-pack of holiday presents to one lucky person. Today, Curry Cuts’ White Lace and Promises: The Songs of Paul Williams and Now Sounds’ deluxe expanded edition of the Mamas and the Papas’ People Like Us are up for grabs. Enter below.

This is our last post of 2018. As we gather with friends and family to enjoy the holiday season, and prepare our annual Favorite Records of the Year feature (coming in early January), we wish you all the best and thank you for your support. We couldn’t do this without you. Have a Merry Happy and a Gear New Year!

Well then, let’s get to talking about the tunes…

Brad Marino | Almost Here (2018)
The Connection’s Marino, singing all of the vocals and playing all of the instruments, turns in a trio of Christmas musings set to a holiday beat. The title song is an uptempo number about keeping holiday commotion to a bare minimum (“This Christmas is for you and me”). “Merry Christmas, Happy New Year” is another uptempo track celebrating the season (“A time for us to come together/A time for us all to remember/Merry Christmas and Happy New Year”). An uptempo, Rockpile-styled cover of the holiday chestnut “Blue Christmas,” usually delivered in a bluesy frame of mind, caps off a fun EP, perfect for this time of year.

black box Where to Get It: Bandcamp

Michael Simmons | “Christmas All Over Again” (2018)
Capping off a really good year in which he released his bravura solo album, First Days of Summer, sparkle*jets u.k.’s Simmons whipped up this bit of holiday joy. Covering Tom Petty’s beloved Christmas tune with good cheer and including Simmons’ best Petty impersonation, sweet background vocals, a nifty electric guitar solo, and bits and bobs of a couple of Christmas classics before the first verse (spot the homages!) is certainly an honest day’s work that we, the listeners, benefit from. Well done, sir.

black box Where to Listen and Get It: Bandcamp

Bob Burger | Christmas Can’t Wait (2016)
This sterling five-track holiday EP shows Zeek Weekling as his actual self, Bob Burger, the long-time New Jersey music man whose solo albums are highly recommended.

Burger helps you celebrate Christmas with, among other top tracks, the upbeat “Gonna Be Christmas,” offering up an enticing melody and attractive harmonies; the humorous, vaguely countryish story song “Santa’s Gonna Crash (Right Through the Ceiling),” which wonders why the big guy can’t just use the front door instead of weighing down the roof, and a knockout version of “Ave Maria,” which features an impassioned lead vocal.

Burger even helps you usher in the new year with the rock shuffle “Happy New Year to Ya.” Whether with the Weeklings or solo, Bob Burger is one of music’s sturdiest artists. Gift this EP to everyone you know, is my suggestion.

Here’s a live version of “Gonna Be Christmas,” with Bob and Jimmy Leahey:

black box Where to Get It: Amazon

The Butties | “Santa Claus is Coming to Town” (from 12 Greatest Carols) (2005)
If the Beatles recorded “Santa Claus is Coming to Town” in their early style and modeled it after their version of “Twist and Shout,” you’d have this classic side, just one of a dozen such clever holiday workouts contained on the album 12 Greatest Carols. The Butties also wrap bits of “Let It Be” around “Let It Snow,” and rework “We Wish You a Merry Christmas” with the spirit of “Sgt. Pepper’s Lonely Hearts Club Band.” Plus many more smile-inducing tracks, perfect for Beatle fans on your gift list. The Butties are really fab!

black box Where to Get It: Amazon, CD Baby

Pop Co-Op | “Wrap Yourself in Christmas Eve” (from Happy Holidays from the Co-Op Communique) (2018)
On this holiday-themed release, a free download, the Co-Op Communique matches the 12 days of Christmas with a dozen holiday tracks that celebrate the season from artists as diverse as John T. McMullan, the Bradburys, Dw. Dunphy, and Pure Pop Radio favorite Super 8.

Pop Co-Op’s quartet of popsters–the Spongetones’ Steve Stoeckel, Mr. Encrypto’s Bruce Gordon, Stacy Carson, and Joel Tinnel–lead the pack with my favorite offering, written by Stoeckel, “Wrap Yourself in Christmas Eve.” This is a clever acoustic number about availing oneself of the warmth of the night before the big day. The deft acoustic guitar figures are truly special.

Give this one as a gift for maximum good cheer.

black box Where to Listen and Get It: Song: Bandcamp The album: Bandcamp

Win a Pair of Presents!

Enter below to win a pair of melodic presents for the holiday season from Pure Pop Radio (Curry Cuts’ White Lace and Promises: The Songs of Paul Williams and Now Sounds’ deluxe expanded edition of the Mamas and the Papas’ People Like Us). Be sure to fill in all fields (type “Curry Now” in the Comment field), and send the completed form to us by tomorrow, Saturday, December 22, at 10 am ET. US residents only. Good luck.

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995 and ended this past August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy holidays!