Bill DeMain’s Gorgeous, Piano-Based Magic

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Spins and Reviews | 05.02.17
By Alan Haber – Pure Pop Radio

A Pure Pop Radio Exclusive:
Bill DeMain | “Honey Bear” and “Leroy Boy” (from the forthcoming album Transatlantic Romantic, 2017)

bill-demain-photoLast December, I had the great pleasure of adding to the Pure Pop Radio playlist a gorgeous cover of the Beach Boys’ “Wendy,” essayed in grand style by Swan Dive’s Bill DeMain. This glorious cover, stacked rich with harmonies atop a muscular, baroque base, will appear on Bill’s forthcoming, much-anticipated solo album, Transatlantic Romantic. Piano-based magic lies ahead.

Also appearing on Transatlantic Romantic are two songs that Bill has allowed me to play first on the radio: “Honey Bear” and “Leroy Boy.” Color all of us lucky. “Honey Bear” is a lovely meeting of gold-standard influence, blending a distinct Randy Newman/Harry Nilsson vibe with Van Dyke Parks ambiance, pedal steel guitar, played by Jim Hoke, horns, and a sprinkling of Beach Boys’ style percussion. Written with Larry Goldings, this has standard written all over it. It’s beautiful.

“Leroy Boy” takes its cue from Todd Rundgren’s iconic “We Gotta Get You a Woman” (Bill had originally thought to write a sequel to the song, but opted instead to wax poetic from personal experience). Rundgren fans will dig this easy-going number, which draws on the sound of Philadelphia soul; fans of Carole King will be similarly entranced. There’s a bit of a Steely Dan vibe in here, as well. There’s also a beautiful string arrangement topping the bill. You really couldn’t ask for anything more. Or delicious.

“Leroy boy, where you been all this time?” Bill sings as “Leroy Boy” gets out of the starting gate. Well, the answer is it’s Bill DeMain we’re talking about, and he’s been fashioning what promises to be one of the best albums of the year. Certainly, with “Leroy Boy” and “Honey Bear,” and the wonderful cover of “Wendy,” Bill is off to a great start.

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