New on Pure Pop Radio 1.17.18: Andy and Jason Reed Make their Move, Farrington Serves Up Enlightenment, and Tommy and the Rockets Have Fun in the Summer Sun

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By Alan Haber – Pure Pop Radio alan 5 small

Spins and Reviews | 1.17.18

Andy Reed and Jason Reed | Make Your Move (2018)
andy reed and jason reed coverAndy Reed, whose engineering, performing and songwriting resume measures many miles long (The Legal Matters, et al), and his brother Jason help to usher in the new melodic pop year with this sterling five-song EP.

These moving parts, dynamically recorded by Andy with special attention and polish paid to the bottom end, demand a listen clear through from start to end, sharing, as they do, similar sonic elements. From the opening salvo, “The Longest Pause,” which proceeds from a quiet, considered intro to a more aggressive, melodic end tempered by a tender, acoustic guitar close, to the title song, an energetic, toe-tapping ode to ’80s pop-rock, and a sure-fire radio hit if ever there was one, the brothers Reed are clearly in sync and on point.

black box Where to Get It: Bandcamp

farrington jan 2018 coverFarrington | “Open the Doors to Enlightenment” (2018)
James Patrick’s nom de plume returns with an utterly delightful faux psych-meets-soft pop-meets-The New Vaudeville Band confection, three and a half minutes of blissful melodic twists and turns, topped with a dose of hazy mysticism and an aural entry into this harmony-drenched sonic world (door opens, and you’re in). Most definitely Farrington’s best and most inviting track, with Klaatu’s Terry Draper turning in a fun cameo and Fernando Perdomo producing, and a bargain at 99 cents on iTunes. (This song is also a track on the forthcoming EP, Same Play Different Actors.)

black box Where to Get It: iTunes

tommy and the rockets summer sun coverTommy and the Rockets | Let’s Have Fun in the Summer Sun (Beluga Records, 2017)
These four quick-as-a-summer-breeze blasts of sand-and-surf-stoked air are just what the doctor ordered for those of us currently braving the winter cold. Three originals (“Come On Baby,” for example, is a Ramones-fueled four-on-the-floor bubblegum treasure with a rocking electric guitar spot) and a sped-up cover of the Beach Boys’ “Little Honda” will have you tapping your feet double time. Feel good music for a good–no, great–feel.

black box Where to Get It: Bandcamp

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

 

New on Pure Pop Radio 1.16.18: XTC’s Colin Moulding and Terry Chambers Return as TC&I

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By Alan Haber – Pure Pop Radio alan 5 small

Spins and Reviews | 1.16.18

TC&I - Great Aspirations (cover)TC&I | Great Aspirations (2017)
On this delightful, ruminative and playfully earnest four-song EP, Colin Moulding, clever, melodic bassist, singer and warmhearted songwriter, ex of XTC, continues his earthy exploration of human exploits and foibles, joined by equally ex-XTC drummer and brother-in-arms Terry Chambers.

Moulding’s observant treatises, examining life’s travails amidst lovely melodies powered by his tender singing and playing and Chambers’ meaty percussive bottom end, ring true as they offer topics for discussion and hints of next, explorative and mindful steps on the road to sorting things out. Slotting comfortably into Moulding’s body of work as essayed joyfully during his XTC years, these songs beg sisters, brothers and cousins more on future EPs and albums.

“Scatter Me” plays its pure melodic pop card at the start with percussive piano and Moulding’s familiar, yearning vocal, quickly topped by his pumping bass and Chambers’ assured drums. The narrator’s plea for his ashes being scattered into the open air celebrates life (“Then live on/Bang a gong/Sing a song/For the land of the living”) and posits the possibility of sticking around in some ethereal fashion to underline the notion of some measure of afterlife in and around this mortal plain (“And if one day it cuts up rough/I’m at your window/Be careful where you tread/It might be me swept in”).

TC&I - Photo credit Geoff Winn 2

(left to right) Colin Moulding and Terry Chambers

The playful “Greatness” begins with a heavenly-sounding statement of purpose (“Greatness/It’s where I wanna be”) at the start of a journey toward achievement, ostensibly in the arts. Name checking such high artistic watermarked figures as Hitchcock, Spielberg, Gershwin and McCartney, the narrator expresses hope that his parents will be able to experience his cultural ascent (“When I’m sold a lemon/I’ll just make lemonade/Show my daddy I’m no dope/As he waves me down the road”). Aspiring to greatness, however, is hardly assured, although commitment and confidence are collectively half the battle (“Just you wait”).

The deterioration of the playgrounds and lands of neighborhoods as so-called progress marches on is explored in the upbeat pop-rocker “Kenny.” And in the spoken-word-over-faintly-military-backing closer “Comrades of Pop,” harsh realities are conveyed to musicians aspiring to ascend to the top of the pop charts. “Comrades of pop turn away/In love and war all is fair,” Moulding notes. But the title of this number is hopeful–comrades, after all, being brothers-in-arms in sync with each other, always join together with their eyes on some sort of prize.

Great Aspirations comes at a time of increased visibility and group hugs for XTC’s legacy, what with the documentary celebration This is Pop and Mark Fisher’s lovingly-assembled, exhaustive book The XTC Bumper Book of Fun for Boys and Girls currently finding love and affection among fans. Moreover, this EP sits as proof positive that melodic pop music is alive and well in the hands of a couple of pros by the names of Colin Moulding and Terry Chambers.

black box Where to Get It: Burning Shed

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

 

New on Pure Pop Radio 11.01.17: Dave Caruso’s Career-Defining Buddha Pesto Manifesto

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By Alan Haber – Pure Pop Radio alan 5 small

Spins and Reviews | 11.01.17

front coverDave Caruso | Buddha Pesto Manifesto (2017)
Because you can be doing one thing and attending to another in the same space, you can be forever pulled apart in the service of inner peace. So when Dave Caruso sings “We’re diagramming Goldblum and punctuating Shatner” in the clever construct “Punctuating Shatner,” he’s asking you to resolve the eternal question that plagues us all: Do you want to fit in or stand out in a crowd?

Across the board, Caruso’s new songs, which form the whole of his career-defining new album, Buddha Pesto Manifesto, play with the duality of the times in our lives when decisions must be made. Easy or hard to fathom, these decisions are the fabric of our lives, set within this album to glide along atop durable melodies that beat to the heart of the matter.

The protagonist in the upbeat Elvis Costello-esque attraction “Go Ahead–Don’t Listen” is aching to convince his partner to stay in his orbit by suiting up for a bit of understated psychological warfare: “…you can go ahead–don’t listen to me/Go ahead–don’t listen to me/Cause I’ve got nothing to say and it won’t change anything anyway,” he posits, hoping she will get what he’s really going on about. Her reward? A pleasing Beatles chord as the song comes to a close.

dave caruso live on the radio

Dave Caruso performing live on the “Strange Magic” radio show, on Rewind 94.3 WERW. Photo by show co-host Brad Schreiber.

In the lithely dramatic, baroque, beautifully-sung “God’s Green Acre,” the narrator is trying to convince someone to cut ties with a less-than sincere, game-playing woman. “She won’t strike you down/But she’ll knock you good whenever you’re not around,” he sings, trying to point out the obvious. In the infectious, Merseybeat-styled “Hanging With You,” the decision to be made is plainly stated and easy to make: “I know what I wanna do/I’m only happy when I’m hanging with you.” But will his decision be that easy and, ultimately, fulfilling?

It really is that easy, or hard, or impossible, caught as we can be in a situation that is seemingly impossible to negotiate to our advantage, and no more so within the space that this album occupies than in the heartbreaking ballad that closes these proceedings. “I Get to Make You Laugh,” delivered emotionally by Caruso’s tender vocal and keyboard, finds the narrator self-realizing that another man has the woman’s commitment at the same time that the narrator has her soul.

“So tell me: who is the ‘have not’ and who’s the ‘have?’,” he wonders. “He gets to hold you, but I get to make you laugh.” The decision is clear, but how does the narrator make it, and is it the right one? And under which circumstances? What is best for the situation, for the hearts swirling in the mix?

(l to r) Dave Caruso and Andy Reed

(l to r) Dave Caruso and Andy Reed

That Caruso is able to negotiate the waters of decision in his lyrics while painting delicious landscapes with his melodic brush is a testament to his skill as a writer and performer. He is on his own in these 10 songs, playing all of the instruments and singing all of the vocals. Aided masterfully by Andy Reed, who mixed and mastered, bringing each element of these songs to glorious life, Caruso has made a career-defining album stocked deep with catchy songs that does nothing less than offer him the chance to make a decision of his own.

What does Dave do next? Buddha Pesto Manifesto, coming three years after the bravura performances captured within his breakout album Cardboard Vegas Roundabout, sets a high bar for future musical endeavors. From the outside looking in, it seems this decision, at least, is an easy one.

black box Where to Get It: DaveCarusoMusic, Amazon, iTunes, CD Baby

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

 

New on Pure Pop Radio 09.05.17: The Weeklings’ Wild Take On the Beatles’ “Paperback Writer,” New Sincerity Works’ Latest, and Poppermost’s Melody Explosion

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Spins and Reviews | 09.05.17
By Alan Haber – Pure Pop Radio alan 5 small

the weeklings paperback writerThe Weeklings | “Paperback Writer” (Single, 2017)
Lefty, Zeek, Rocky and Smokestack huddle together and Weekling-ize the number one 1966 Billboard chart Beatles smash with an in-your-face-and-your-ears-too injection of contemporary immediacy, tight-knit harmonies, a surprising and smile-inducing…break, rhythmic whirligigs, Lefty’s spot-on Paul McCartney-esque bass runs, and a daring dose of Monkees derring-do for a rip-roaring, must-play-it-again-and-again two minutes and 47 seconds-long eargasm. I think that about covers it.

black box Where to Get It: Amazon, iTunes. Listen on Spotify

NSW_WONDER_LUSTNew Sincerity Works | Wonder Lust (2017)
Mike Tittel’s outfit sits on the fringe of where pop and rock meet for drinks on a Sunday afternoon, crafting inspired bellwether works fueled by a variety of influence. Alternative leanings meet pop songcraft meet a traditional rock and roll base on songs like “Find a Way Home,” an atmospheric mid-tempo ballad whose lengthy intro sets an emotional mood; “To Be Kissed Like That,” a lovely song that builds nicely and sports sensitive guitar lines; and the title number, a lively pop-rocker that sounds for all the world like U2, if Bono and company had more finite pop leanings. Tittel, aided and abetted by a more than able fellowship filled out by Roger Klug, whose singular pop-rock has been a Pure Pop Radio staple for two decades, Greg Tudor, Bob Nyswonger, Mike Landis, and Lauren Bray, has made a fine specimen, a record for dipping into for listeners inspired by the art of craft.

black box Where to Get It: The New Sincerity Works store

SongsforTheDifferent360pxPoppermost | Songs for the Different (2017)
Las Vegas popsters stake their claim for top-flight regional melodism with a generous sampling of their wares and come up with a collection that soft pop fans are sure to love. A collection of previously-released tracks and new single “Let It Shine,” a Cowsills-worthy explosion of sixties and seventies pop with lovely harmonies, Songs for the Different glows with a multitude of period smiles, from the Free Design vibe of “Tracy” to the swinging, harmony-rich clapalong reworking of the Monkees’ “Tapioca Tundra,” originally released on the Monkees’ The Birds, The Bees and the Monkees album in 1968. Alex Oliver and Roy Rendahl’s sense of the power of song steeped in strong melodies puts them at the top of the soft pop class, making this album a must-listen-to experience.

black box Where to Get It: CD Baby

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

New on Pure Pop Radio 08.31.17: Jerry Yester’s Vital Pass Your Light Around and Phil Angotti’s Majestic Such Stories

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Spins and Reviews | 08.31.17
By Alan Haber – Pure Pop Radio alan 5 small

Yester - Pass Your Light Around OV-246Jerry Yester | Pass Your Light Around (Omnivore, 2017)
The list of artists Jerry Yester was associated with back in the 1960s and 1970s suggests his path in the music was lit by angels; he played in bands as diverse as the Lovin’ Spoonful, the Modern Folk Quartet, and Rosebud, and sat in the producer’s chair for albums by artists such as the Association, Tim Buckley, and the Turtles.

Yester, who started out playing in a duo dubbed the Yester Brothers with his equally talented brother Jim (who was a member of the Association and, in fact, still is), recorded various tracks through the 1970s yet never released a solo album. Enter Omnivore Records, which came to the rescue and righted a decades-old wrong with this glorious collection of 15 songs that act collectively as a master class in pop singing and songwriting.

These wonderful songs, written with Larry Beckett, who worked with Tim Buckley, run the gamut from the country-tinged celebratory pop of the joyous “My Dusty Darling” to the pretty, almost hymnlike “Brooklyn Girl,” which features some of the most intricate, close and affecting harmonies you could imagine hearing; and the amazing “All I Can Do is Dance,” a very Association-like performance that also puts the emphasis on singing that will do nothing less than send shivers up your spine.

Omnivore has been at the forefront of the much-appreciated and important movement to rescue and bring to light important catalog and previously-unheard recordings.  Being able to appreciate music from years past allows listeners to better understand and put into context the breadth of an artist’s career. With Pass Your Light Around, the company has released what can only be viewed as one of the most vital releases of 2017.

black box Where to Get It: The Omnivore Shop (Pre-order) (releases October 6)

phil angotti such storiesPhil Angotti | Such Stories (2017)
A staple of Pure Pop Radio playlists since the early 2000s, Chicago musician Phil Angotti’s music, whether performed solo or with his group the Idea, is always an engaging listen. This new album, a stripped-down collection of personal, acoustic songs with just guitars, accordion and dulcimer in the mix, offers a chance to hear Phil’s songs in an intimate setting.

These heartfelt songs resonate deeply with meaning and emotion. “Brown Eyes Never Lie,” against a vaguely old English folk backdrop, peers into a soul that’s lost its way, and offers a way back: “You can always get it back/So smile a little smile/Sad eyes don’t look good on you/And sorrow’s not your style.” The narrator of “Sunny Day on the East Side” is out for a stroll amidst random observations, when the sun goes down and it’s time to take stock: “And now it’s late and the sun is gone/We’re walking home/Sing a Beatles song/We laugh as if there is nothing wrong/It was a sunny day on the east side.” Is he hiding some regret?

Perhaps the centerpiece of this album is the joyous “Singing in the Yard,” in which a young boy auditions for a life in song (“In a small backyard he waits and stands alone/A broomstick and a ball for a microphone/You can hear his voice from across the fence/Patiently waiting for his audience”). By the end of the song, he finds himself assessing his position, a commitment to his burgeoning art: “It’s time to go, his friends are off to play/Though he wants to be one of them, he’s miles away/Though he wants to go along/He’s worlds away.”

An insightful collection of songs, beautifully sung and played, Such Stories is such a draw of honest emotion set to lovely melodies that I can’t help but recommend it wholeheartedly to one and all.

black box Where to Get It: CD Baby, iTunes. Listen on Spotify

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

New on Pure Pop Radio 08.29.17: NRBQ, Bubble Gum Orchestra, Neil Finn, Winterpills, and Crime Scene are Top of the Pops

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Spins and Reviews | 08.29.17
By Alan Haber – Pure Pop Radio

NRBQ - Happy TalkNRBQ | Happy Talk (Omnivore, 2017)
Entertaining adoring audiences for five decades, the undeniably versatile and forever-sure-to-please band shows no signs of hanging up their rather extensive repertoire. Happy Talk, a joyous five-song EP that was cut during a touring break, follows the well-received, mammoth and comprehensive five-CD box set, High Noon: A 50-Year Retrospective, which was released last November to great acclaim. Two catchy originals join three choice covers in a must-get collection that screams “Full length, please!” I love the Hee-Hawish toe-tapper “Yes, I Have a Banana,” the succinct take on Roy Orbison’s “Only the Lonely,” and the sprightly, loving and heartfelt version of “Happy Talk,” from South Pacific. Charming through and through, this is a mini-masterpiece.

black box Where to Get It: Pre-order from the Omnivore Shop (releases October 20), Amazon

bubble gum orchestra sixthovertureBubble Gum Orchestra | “The Beatles Made Me” (from the forthcoming album, Sixthoverture)
(2017)
The first single from Bubble Gum Orchestra’s forthcoming long player, Sixthoverture, is a bit of a stylistic departure from Michael Hildebrandt’s creative outlet. The usual overt nods to all things Electric Light Orchestra are tempered in this sweet yet somewhat edgy slice of musical gratitude.

The bulk of the lyric is a thank-you to the Fab Four for inspiration rendered, but there is this quizzical verse: “Abbey Road/Abbey Road nearly ruined me/Just like the love/Just like the love that you stole from me.” Michael says that the Abbey Road bit “is referencing that [the] Abbey Road album was so great to me that anything I would ever listen to after that by any other band would never compare.” And as for the part about love: it “is a relationship thing comparing lost love to also being ruined.” An interesting left turn, indeed.

We are proudly premiering “The Beatles Made Me” on tonight’s edition of the Pop Tunes Deejay Show on Pop that Goes Crunch Radio. We are, in fact, the first North American radio show to play this great song, so thank you, MH.

black box Where to Get It: The BGO Store

neil finn out of silenceNeil Finn | “Second Nature” and “More than One of You” (from the forthcoming album, Out of Silence) | (2017)
Just on the basis of the spirited, orchestrated mid-tempo ballad “Second Nature” and the quite lovely “More than One of You,” this is a return to the Crowded House-era side of Neil Finn’s craft, which to my mind has been missing from much of his solo output. Recording live with his band, Finn aimed to record the whole of Out of Silence in a three-hour session on August 25 with a quick release date, now looking like September 22. Neil Finn has delivered to the world some of the most melodic songs heard since his time in Split Enz and on through the Crowded House years and beyond. These two new songs are more-than-worthy additions to his catalog.

black box Where to Get It: Amazon (Here and here); Album pre-order

winterpills colorblindWinterpills | “Colorblind” (2017)
A new release from Winterpills, one of my favorite bands of those I’ve discovered in recent years, is always welcome. A typically catchy, widescreen recording of a typically catchy song, “Colorblind” is another notch in the Northampton, Massachusetts band’s win column. How do I describe this song? I couldn’t possibly do better than the description posted on the band’s Bandcamp page, so here goes: “‘Colorblind’ features an infectious wall-of-sound vocal hook, samples recorded into an iPhone in a DC parking lot, out-of-tune pianos colliding over a burned-out city, a fat R&B beat, all poured through the alchemy of producer Justin Pizzoferrato’s overdrive brain.” That about sums it up. Now go get it.

black box Where to Get It: Bandcamp

Crime Scene - Alter Life - smallCrime Scene | Alter Life (2017)
Three members of Swedish pop-rockers Crime Scene were players in the much-missed Longplayer Orchestra (Ulf Holmberg, Jon Sundberg, and Göran Holmberg). Their new songs may hit harder than the poppier Longplayer output, but they are no less catchy and appealing. Crime Scene’s crafted ingredients, cooked up with fourth member Per Östling, top the pops with songs like power ballad “No Gravity,” the pretty “I Tend to Shy Away,” and album closer “Almost Spring,” a gorgeous number that features a lovely vocal turn from guest singer Trish Sheldon and just a hint of banjo accent. A can’t-miss collection.

black box Where to Get It: Apple Music, Amazon Digital. Listen on Spotify

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:

New on Pure Pop Radio 08.16.17: Fernando Perdomo’s Golden Hour, This is Rock ‘n’ Roll Radio Vol. 4, and Sitcom Neighbor’s Shag

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Spins and Reviews | 08.16.17
By Alan Haber – Pure Pop Radio

fernando perdomo the golden hour coverFernando Perdomo | The Golden Hour (2017)
The fourth album from vaunted producer (Cait Brennan, Chris Price, Linda Perhacs) and recording artist Fernando Perdomo is a widescreen collection of heartfelt songs.

Recorded at Ardent Studios in Memphis, Tennessee, and played and sung entirely by Fernando, The Golden Hour bristles with majesty; the title number, a deeply-felt love song about two souls coming together as one, sits alongside other dynamic numbers such as the Beatlesque-meets-James Bondian “Sleep” (I love the Paul McCartney-esque bass line), and the gorgeous, melodically- and harmonically-charged ballad “Sunset,” which is elevated towards the end by some welcome Beach Boys-inspired background vocal turns.

Another top entry for this year’s best-of lists? Yes, indeed.

black box Where to Get It: Bandcamp (from August 17)

this is rock n roll radio vol 4 coverVarious Artists | This is Rock ‘n’ Roll Radio Volume 4 (Kool Kat Musik, 2017)
Celebrating Carl Cafarelli and Dana Bonn’s longstanding This is Rock ‘n’ Roll Radio Show, this fourth volume of the ongoing series presents a carefully curated selection of exclusive and previously-released tracks by artists that should prove to be welcome by both the TIRnRR audience and pop music fans in general.

Top tracks are plentiful and favorites are overflowing. To wit: Circe Link and Christian Nesmith’s delectably addictive pop confection “I’m On Your Side”; Pop Co-Op’s catchy pop-rocker “You Don’t Love Me Anymore”; Ray Paul’s “I Need Your Love Tonight,” one of his best tracks ever; The Rubinoos’ sweet-sounding “Nowheresville,” featuring the much-loved vocal harmonies the group is known for; Maura (Kennedy) and the Bright Lights’ “Maybe Someday,” a straight-ahead pop song with Maura’s signature vocal in the spotlight; Michael Oliver and the Sacred Band’s passionate “You Won’t Do”; and Vegas With Randolph featuring Lannie Flowers’ jubilant pop-rocker, “The Weekend’s Coming.”

Compilations with this much oomph should be shoo-ins for your collection.

black box Where to Get It: Kool Kat Musik

sitcom neighbor shagSitcom Neighbor | Shag (2017)
John Murphy and Steve Refling, the latter of whom plays nearly all of the instruments on and produced Lisa Mychols’ recently-released, soulful cover of “Let’s Stay Together,” achieve melodic pop hero status with this skillful 11-song-strong collection that is sure to please all comers.

Say hello, if you will, to the very Beatles-ish “Goodbye,” in which clever chord construction meets a classic-sounding melody. Murphy’s smooth lead and harmony vocals power the muscular pop of “Your Turn Next” and the pretty, mid-tempo ballad “Insomnia.” And the album opener, “Tourist Attraction,” sounds like a Shoes outtake that got away.

Shag, along with two previous releases, 2012’s Charm and 2007’s self-titled debut, form a  triumvirate of pure pop goodness. So onward with you, who knows what to do.

black box Where to Get It: CD Baby, Amazon (digital)

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Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button: