Spins and Reviews | 05.02.17
By Alan Haber – Pure Pop Radio
A Pure Pop Radio Exclusive:
Bill DeMain | “Honey Bear” and “Leroy Boy” (from the forthcoming album Transatlantic Romantic, 2017)
Last December, I had the great pleasure of adding to the Pure Pop Radio playlist a gorgeous cover of the Beach Boys’ “Wendy,” essayed in grand style by Swan Dive’s Bill DeMain. This glorious cover, stacked rich with harmonies atop a muscular, baroque base, will appear on Bill’s forthcoming, much-anticipated solo album, Transatlantic Romantic. Piano-based magic lies ahead.
Also appearing on Transatlantic Romantic are two songs that Bill has allowed me to play first on the radio: “Honey Bear” and “Leroy Boy.” Color all of us lucky. “Honey Bear” is a lovely meeting of gold-standard influence, blending a distinct Randy Newman/Harry Nilsson vibe with Van Dyke Parks ambiance, pedal steel guitar, played by Jim Hoke, horns, and a sprinkling of Beach Boys’ style percussion. Written with Larry Goldings, this has standard written all over it. It’s beautiful.
“Leroy Boy” takes its cue from Todd Rundgren’s iconic “We Gotta Get You a Woman” (Bill had originally thought to write a sequel to the song, but opted instead to wax poetic from personal experience). Rundgren fans will dig this easy-going number, which draws on the sound of Philadelphia soul; fans of Carole King will be similarly entranced. There’s a bit of a Steely Dan vibe in here, as well. There’s also a beautiful string arrangement topping the bill. You really couldn’t ask for anything more. Or delicious.
“Leroy boy, where you been all this time?” Bill sings as “Leroy Boy” gets out of the starting gate. Well, the answer is it’s Bill DeMain we’re talking about, and he’s been fashioning what promises to be one of the best albums of the year. Certainly, with “Leroy Boy” and “Honey Bear,” and the wonderful cover of “Wendy,” Bill is off to a great start.
Now playing in rotation on Pure Pop Radio
When and Where to Get It: Coming soon…
And now for something completely different? Not completely, actually, because this heartfelt, loving tribute to the sounds of 1960s girl groups shares the same depth of commitment and heart that Dana Countryman put into his much-loved pop songs trilogy, concluded in 2015 with Pop 3! Welcome to My Time Warp!.
We’ve said it before and we’ll say it again: Our most favorite thing in the world is to take receipt of music from both new and heritage melodic pop artists, spin it, and add it to our ever-growing playlist. Every day is akin to unwrapping presents; the treasures contained within these virtual packages are sweet gifts that we’re thrilled to be able to pass on to you.
Vanilla | “On a Night Like This” Jayson Jarmon’s ace outfit is once again releasing one song a month on the way toward completing their next album, this time around mystically titled Mystik Nights of Takoma, a moniker that conjures up images of a bunch of lodge brothers and their bartenders, all decked out in bright red smocks and fezzes, gathered around a glowing, weathered oak table late into the night, imbibing and chewing the fat and bottomless tubs of Turkish Taffy until last call or the inevitable call home that starts with “Um, can I get a ride?”
But first things first. The bouncy “On a Night Like This,” a typically catchy Vanilla number about a guy whose words can’t be trusted when the bubbly is flowing his way, is sung with smooth pop finesse by Tube Top’s Gavin Guss, who is ably supported by Jayson, who wrote the song and slings a sweet acoustic guitar and nifty solos over his shoulder; Sean Gaffney, who plays electric guitars, bass, and sings backing vocals; Dana Sims, who mans the drums; and Eric Robert, who makes the Hammond B3 sing. What a melody! What a song!
Stepford Knives | “I Don’t Want Her (Anymore)” Jamie Hoover’s latest project, with Otis Hughes, is the wonderfully-named Stepford Knives, which may or may not call to mind an image of sharp tools exhibiting zero emotion that still manage to live on the cutting edge. These Stepford Knives, however, are full of emotion and pop goodness, delivering a powerful take on a great song from the late David Enloe, guitarist for the Woods.
Erik Voeks | “Being in Love With You” and “She Was Doomed” Just released and already reaching top-flight status here at Pure Pop Radio, this classic-sounding one-two pop punch continues Erik’s run of great new songs. “Being in Love With You,” about a relationship at odds with itself, starts out as a tender ballad and quickly becomes a power pop number with teeth, and a great, hooky melody.
Kenny Herbert | “3 Days of Summer (Woodstock ’69)” Hot on the heels of the release of his wonderful new album, the romantic song cycle Forever and Beyond, Kenny Herbert returns with a rocking, sentimental look at the magic of Woodstock. Cleverly inserting Crosby, Stills and Nash harmony bits that also echo Stephen Stills’ “Love the One You’re With” amidst the lyrical look back at a very different and well-remembered time, Kenny sings about the historic festival and the devoted music fans who endured three days of mud and rain and peace and harmony and came together as one.
The Monkees | Good Times! We just reviewed this fantastic release by Micky, Mike, Davy and Peter (read Alan’s take 
Alan Haber’s Pure Pop Radio is the original 24-hour Internet radio station playing the greatest melodic pop music from the ’60s to today. From the Beatles to the Monkees, the Posies, McPherson Grant, the Connection and the New Trocaderos, we play the hits and a whole lot more. Tune in by clicking on one of the listen links below.
Kenny Herbert | Forever & Beyond “And there was love, love, love, love/Anyone could see that there was love/Love all over me,”sang Danny Wilson in their song “The Second Summer of Love,” and truer words have never been spoken, for love, love, love, love is what there is, what lives within us, what shines above and around us, what makes us whole.
Euro Trash | “Mature” From Norway comes a band with much promise, as evidenced by their new single, “Mature.” This power-popping number is all about the guitars, and the guitars, too; the singalong chorus and the infectious melody and harmonies are powerful and the song is hooky indeed. The whole thing gets under your skin lickety-split. So, of course, we’re playing this one in rotation. (Thanks to Caddy’s Tom Dahl for tipping this one our way.)
Gleeson | Curse My Lucky Stars Whether or not it was their intention, the members of Austin, Texas band Gleeson have made their White Album. Here it is, a sparkling collection of songs varied in approach and tone that makes a case for melodic pop being the genre of the moment. Encompassing beautiful balladry, art-pop, rock and retro charm, Curse My Lucky Stars is a marvel.
Timmy Sean | “My Jaded Love” After a year’s worth of new recordings that lit up the sky in 2015, master musician Timmy Sean returns with the first of 25-plus new numbers in 2016–roughly half of last year’s output. Amazing. And, to use a well-worn baseball metaphor, this first song, a Hall and Oates seventies-styled slice of soulful pop, hits the proverbial it out of the park. Listen especially for a truly lovely bridge toward the end, the way that Timmy varies the lead vocal line as the song plays out, and a brief, wisp of an a cappella burst that, taken together, prove beyond a shadow of a doubt that this man, as he was in 2015, is the musician to watch and listen to in 2016. Simply irresistible.
Family Values | Time Stands Still Small packages are filled with great things. In this case, Norway’s Family Values, working with producer Tom Dahl (Caddy), offers up an EP housing a quartet of ultra-catchy songs reminiscent of Teenage Fanclub and the Merrymakers. “Paris Syndrome,” “Take Some Time Now, Carolina,” “Time Stands Still,” and “Watch the Sunrise” are all top of the pops here at Pure Pop Radio. Wonderful.
7Horse | Livin’ in a Bitch of a World Rising from the ashes of Pure Pop Radio fave Dada, Joie Calio and Phil Leavitt now trade in a similar musical mindset. Their music is a mix of rock and roll and pop. The pair’s keen sense of melody and song structure are always placed center stage. Our playlist is now adorned with four songs from this album: “Two Stroke Machine,” “One Week,” “Drift,” and “She’s So Rock and Roll,” a beat-driven, guitar-fueled rave-up that could have been big on FM radio in the ’70s. Sweet.
Adam Walsh – “Wish You Were Here” Pure Pop Radio favorite Adam Walsh continues to turn out delectable takes on songs he loves; his version of Pink Floyd’s “Wish You Were Here” turns this tune into a folk-rock testament with Adam’s always-commanding voice up front where it belongs. We continue to be nothing less than knocked out by the quality of this man’s output.
The Looking | Lead Me to the Water Americana, yes, but wrapped in a country-pop wrapper and perfect for Pure Pop Radio. Led by Indiana-born Todd Carter, these songs are catchy numbers played with passion. Carter listened to Syd Barrett’s “Dark Globe,” Husker Du and the Circle Jerks and wound up embracing country music on the way to crafting this wonderful album. We’re playing six songs in rotation: “Not Your Friend”; “Clouds”; “You and Me”; “Bone to Pick,” an orchestrated gem; “Burning Doves,” and the title track. Great stuff.
Solarflairs | “Carnival” Elisabeth Eickhoff’s Memphis, Tennessee outfit Solarflairs returns to Pure Pop Radio just three weeks after we added the group’s “Spirit of Johnny” to our playlist. We’re happy to bring you this teriffic new song, an upbeat number with a great melody and spirit, as part of our rotation.
Hartley Mandel | “Brother of Mine” Co-written by Hartley and Klaatu’s Terry Draper, “Brother of Mine” is a nostalgic, personal song inspired by Hartley’s late brother. The song’s beautiful melody and Hartleys vocals carry the day. A lovely track, produced by Terry, who also plays the instruments, now in rotation.
Butch Young | Mercury Man Never, never, never tell us that the album is a goner–Butch Young’s miraculous, hall-of-fame-worthy Mercury Man instantly announces itself as one of the best albums of 2016 with its dazzling array of 1970s-styled instant classics, peppered with a mix of Paul McCartney and Harry Nilsson-esque magic. Every one of these Los Angeles-based artist’s songs is a clear winner. We’re playing all of them in rotation: the title track, “Persephone,” “One Foot In,” “Dime Store Jesus,” “The Fools of May,” “Child of Nature,” “Sunday Driver,” “Mohammed on Top of the Mountain,” “Algernon,” “Asteroid,” “Wonderful Life,” and “Starlit Lullaby.” Astounding and really terrific.
The Doughboys | “Rock On” And here they come, barreling in from outer space or some wild and untamed structure being held together by bailing wire and chewing gum somewhere in the outer reaches, wherever that might be. It’s the Doughboys, and they’re rough and tumbling with garage-rock fever inside and around David Essex’s ’70s classic with Richie Heyman’s pounding drums, Myke Scavone’s wailing blues harp, Gar Francis’s rocking guitars and Mike Caruso’s bopping bass. Recorded by the Grip Weed’s Kurt Reil at his House of Vibes studio with widescreen, in-your-face fervor, this is another classic track from New Jersey’s in-the-pocket foursome. Rock on, indeed.
Herb Eimerman | “Soft Landing” This beautiful, heartfelt song, Herb’s first new recording of 2016, was written in remembrance of his father. Supported by Stefan Johansson and Joe Algeri, who also mixed and produced, and featuring some of the sweetest background harmonies you’ve heard in a very long time, “Soft Landing” will stay with you always.
Cotton Mather | “The Cotton Mather Pledge” The latest in a series of new songs from this venerable Austin, Texas band roars right in with a sneaky cymbal wash straight out of Ringo Starr’s “It Don’t Come Easy” and quickly settles into an energetic pop and roll number starring Robert Harrisons’ slightly-scratchy, fuzzed-out, attention-getting vocal. Dig the Beatle-esque, Rubber Soul-ish guitar harmony at about 1:40. Playing as we speak in rotation, it’s burning up our airwaves.
The Lunar Laugh | “Nighthawks and Mona Lisa” Jared Lekites and Connor Anderson are in a light country mood for this breezy, melodic, mid-tempo number slated to be included on the Lunar Laugh’s upcoming second album. It’s another keeper from the stars of Oklahoma City pop.
Erik Voeks – “She Loved Her Jangle Pop” and “Blue Water” Erik Voeks’ “My Dentist” is one of the stone-cold classics from Pure Pop Radio’s early days; these new songs are even better. “She Loved Her Jangle Pop” is a joyous, upbeat hookasaurus, as catchy as anything out there. “Blue Water” trades a slow and studied opening for a more upbeat pace, complete with a beautiful melody and more than a hint of Prefab Sprout in its DNA. New Erik Voeks is always a good thing. A great thing, actually.
The Del Zorros | “Go Ahead and Ask Me” Monty and Stede continue on in the time-honored Zorros-riffic tradition with another lovely, easygoing and typically tuneful song with another catchy melody that comes from, well, we don’t know where, but keep going there boys, will you? Now playing in rotation, as if there were any doubt.
The Lost Boys | “China in the Sink” This rollicking pop-rocker, all dressed up in catchy clothes, screams radio airplay, which is just what we’re giving it. Instantly memorable, with one of those indelible hooks and a short-and-sweet running time–1:49–this is a clear winner. A hit waxing if ever we heard one. Dynamic and quite wonderful.
The Big Believe | “You Already Are” We’ve been playing Amanda Thompson’s lovely songs for awhile and loving each one like the gorgeous creatures they are. This one is arguably Amanda’s best yet, a big, atmospheric and emotional ballad with hints of Kate Bush peeking out from its floorboards. Keep ’em coming, please.
Sons of Morning | Sons of Morning Here’s a nice surprise that made us smile. We like this band’s sound, which dips into many catchy musical nooks and crannies. How did they get their sound? Here’s how the band’s website puts it: “Painstaking efforts were made to achieve the desired feel for this album. All tube amps, a choice selection of just the right stringed instruments… drums that sound like drums, recording methods, and production were all key elements in presenting an album with the warmth of the analog days…” We’d say that about sums it up. We’re playing four songs: “He Wore Black,” a tribute to Johnny Cash; “Not a Sound,” “Hard Livin’,” and “Outta My Head,” a tune that could have been on the Association’s first album (no foolin’).
First, there is the song, a nearly perfect expression of love, as Brian Wilson might put it, getting to the heart of it; a joyous celebration of melody and harmony and the ability that one or two or three people have to summon that joyousness from their collective core and build something that will live within us always.
Tricia Countryman and singer John Hunter Phillips show their love for melody and harmony with their transcendent version of Brian Wilson and Mike Love’s “Goin’ On,” which originally appeared as the opening track on the Beach Boys’ Keepin’ the Summer Alive, an album teeming with delights, in 1980. Produced by Dana Countryman, these nearly four minutes of bliss stop everything around it in their tracks.
