Reviews | 10.10.18: McPherson Grant’s Song

review with graphic and by alan haber final sharpened smallestalan headshot from school

Win McPherson Grant’s debut CD…Enter below!

McPherson Grant | Song (2018)
mcpherson grant album coverFrom Tiny Volcano’s Scott McPherson in Tacoma, Washington to Pop Vultures’ Jamie Grant in Toronto, Ontario in Canada and back again, the various song parts created by these two melody wizards flew. All told, they combined to make the magic that informs the duo’s marvelous debut album, Song.

Paying sweet homage to the melodic pop ruling class headed by Harry Nilsson, Paul McCartney, Klaatu, Brian Wilson and the like, McPherson Grant–their last names fused together in joyous harmony–have crafted almost an hour’s worth of sturdy earworms. Endlessly endearing songs like the lovely and charming “Housekeeper,” about cleaning up a romantic life gone sour and empty (“I wish that she’d come everyday/The mess I make should want her to stay”) and honestly assessing the less-than-attractive situation (“Yeah, I know that I will be missing you/Like I’m missing two spoons”), ensure repeatability. (Videos for the songs talked about in this review appear below; all, and more, were created by the multi-talented Jamie Grant.)

Cut from the catchy cloth of so many ’70s classics, the perky “Come Around Again,” about learning to realize and revel in the bountiful joy in front of one’s face, is propelled by Zak Nilsson’s drums and a sunny disposition that wouldn’t feel out of place during the summer months. And speaking of summer, “Let’s Drive to Summer” recounts a slow-growing, toe-tapping Beach Boys-by-way-of-Holland road course from cold Canada to warm Florida (“We’ll just follow the coast/Our sandals and shorts in tow/Waiting till the palms wave hello”).

A loving nod to the wonder of, among other things, Klaatu, “The Marvelous and Mysterious Adventures of Sir Ollie and His Ox” marries vaudeville, Queen, opera and a contemporary chorus in a musical ceremony celebrating the life-affirming nature of melodic pop. Klaatu’s Terry Draper essays the drums on this standout track; his Klaatu compatriot, Dee Long, plays keyboards and sings on Song’s opening salvo, “Little Green Men,” about charting a course and extending life in space (“Like Jane and Tarzan we’ll be new age Martians/Like Brad and Janet on our forbidden planet/Making little green men”).

Produced, written, played, arranged and recorded by Scott and Jamie (and don’t ask who did what; it’s a mystery even to both halves of the duo), Song travels the path negotiated by so many artists who came before them, but in a way that is significantly and characteristically their own.

“It’s the day that you’ve been waiting for,” the duo energetically warble, along with background vocalists Clara and Robin Moir, within the confines of the energetic pop-rocker “It’s the Day.” Speaking of the day, this is the day for discovering your new favorite record. McPherson Grant are here.

black box Where to Get It: Tiny Volcano’s Web Shop, Kool Kat Musik

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Win McPherson Grant’s debut CD, Song, from Tiny Volcano’s Scott McPherson and Pop Vultures’ Jamie Grant. Two copies are up for grabs. To enter, fill in the form below (be sure to include your email address and type “MG” in the Comment field) and send it in by this Friday, October 12 at 5 pm ET. Only one entry per person. U.S. only. Good luck!

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. The 24-hour Pure Pop Radio stream, which ran from 2013 to August 25, 2018, succeeded the weekly Pure Pop Radio show, which began in 1995. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.

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