By Alan Haber – Pure Pop Radio
Two copies of Song, the debut CD by Scott McPherson and Jamie Grant, or as they’re known around town, McPherson Grant, were practically itching to wing their way to lucky winners of our latest Pure Pop Radio contest.
And now, the winging shall begin. Congratulations are due to Nadja Witherbee and Gene Good. Let the waiting-by-the-mailbox commence!
More cool Pure Pop Radio contests are coming soon. Stay tuned!
Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features (the 24-hour Pure Pop Radio stream, which ran from 2013 to August 25, 2018, succeeded the weekly Pure Pop Radio show, which began in 1995). Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.
From Tiny Volcano’s Scott McPherson in Tacoma, Washington to Pop Vultures’ Jamie Grant in Toronto, Ontario in Canada and back again, the various song parts created by these two melody wizards flew. All told, they combined to make the magic that informs the duo’s marvelous debut album, Song.
Where to Get It: 
The latest and greatest pure, melodic pop hits are streaming on Pure Pop Radio, but hurry–you have only until August 25 to bop to the catchiest beats in town!
What’s new and now playing in rotation on Alan Haber’s Pure Pop Radio? “California Moon,” Fernando Perdomo’s new single, featuring Pat Sansone (Wilco, Autumn Defense), is top of the pops, as are four standout, propulsive tunes from the Turnback’s soon-to-be-released album, Spinning the Earth in Reverse. 
Speaking of spinning, the Jangle Band’s new single, featuring the Byrdsian “The Guy Who Used to Care,” is playing in hot rotation, as are new songs from Azwel’s latest long player, Phantasmagoria, and new releases from Scott Brookman, Yani Martinelli and Friends; Lannie Flowers (another in his growing line of free songs being released prior to Lannie’s new album coming due in the fall); and McPherson Grant, whose debut album features the Klaatu-ish tune “The Marvelous and Mysterious Adventures of Sir Ollie and His Ox,” supported percussively by Klaatu’s Terry Draper.
New songs from Optiganally Yours, Tsar’s Jeff Whalen, George Usher and Lisa Burns, Michael Slawter, Jeffrey Foskett and Jeff Larson, Sean Solo, Miami Dan and the Hayes Street Band, Farrington, Wilkerson, Tony Valentino, and many more of your favorite artists are also being featured in these last 11 days of broadcasting.
Pure Pop Radio plays the greatest melodic pop music from across the decades, 24 hours a day (until August 25). Listen by clicking on the Live365 Listen Now button at left. Hear us once and you’ll be a listener for life. Join us, won’t you? You’ll be glad you did!
per Clowns | The Buca Bus Odense is the third-largest city in Denmark, which is important should you or I be traveling to that country with the desire to visit its largest cities. Another reason to visit Odense would be to soak up the atmosphere that undoubtedly inspired this talented quartet to craft this wonderful melodic pop collection. The highlights are too numerous to mention in toto, but here are a few favorites: “A Tale of Romance and Magnetic Trains,” a pure pop delight of the toe-tapping variety; “Mirror Me,” an uptempo driver which wouldn’t be out of place on a Deacon Blue album; “Sleeping on the Edge of the Rainbow,” a beautiful burst of charming balladry, and “The Significance of Teacups,” wholly McCartney-esque (and ELO-esque with a Brian May-type guitar solo)–an earworm that simply won’t let go. Lovely melodies and harmonies and, well, everything, await your ears. Take a well-deserved bow, Rick Kingo, Peter Højgaard, Christian Højgaard and Skipper Storm; you’ve made one of this year’s most assured collections of musical treasures.
Now playing in rotation on Pure Pop Radio: Nearly the entire album: “Pockets,” “A Tale of Romance and Magnetic Trains,” “All We Ever Do is Run,” “The Significance of Teacups,” “Sleeping on the Edge of the Rainbow,” “A Forest of Letters,” “Mirror Me,” “Dressed in Flaws,” “When I’m Alive,” and “Lizard Heart”
McPherson Grant | “Big Picture People” Hot off the presses and just emerged from the so-top-secret-you-need-two-passwords-to-get-in laboratory where magic, naturally, sprouts eternal, comes “Big Picture People,” maybe the catchiest earworm yet from the dynamic duo of Scott McPherson and Jamie Grant. With a determined piano opening topped with percussion effects that manages to sweetly recall two Paul McCartney tunes–“Tomorrow” and “Silly Love Songs”–this is the catchy thing of the moment. The lyrics incorporate allusions to McPherson Grant’s song titles and, with tongue planted firmly in cheek, point to the not-actually-nailed-down release date for their forthcoming album (“The melodies slay/Release date delayed/It’s such a bummer”).
Kurt Baker Combo | In Orbit His combo at his side, bashing out a wicked run of hard-charging riffs and tunes, Kurt Baker is back with his rocking rhythm guitar and committed Elvis Costello-vibing vocals. The results are, as you would expect and, furthermore, require, breathless and immediate, from the seventies Bad Company-by-way-of-Raspberries “Baby’s Gone Bad” to the very Katrina and the Waves bopper, “Rusty Nail.” Co-produced in Spain by Kurt and Jorge Colldan, and released on Little Steven Van Zandt’s Wicked Cool Records, In Orbit is a pop and roll dream come true.
Pacific Soul Ltd. | The Dance Divine Kind of a melting pot of sounds, incorporating pop, soul, and everything seventies, this trio, bringing together the talents of Cockeyed Ghoster Adam Marsland, Teresa Cowles, who, by the way, played legendary bassist Carol Kaye in the Brian Wilson biopic Love and Mercy, and recording artist Norman Kelsey. The “Sugar, Sugar” vibe of the Cowles-sung “We Go High” sits alongside the dance romp “Sunset Golden Love” and the Box Tops-y rocker “Pacific Soul Time”on an album that not only makes you feel the groove, it practically turns it on its catchy head.
Rob Martinez | New Love Environment Pure, catchy pop crafted in Reseda, California at Adam Marsland’s Karma Frog Studios. Albuquerque, New Mexico popster Martinez works through tasty nuggets that promote replayability and will undoubtedly put smiles on the faces of listeners. There are many highlights, but pushing for the top spot is “Love Life,” a musical love letter to the Partridge Family. Sweet.
TUNS | TUNS What happens when Sloan’s Chris Murphy, Super Friendz and Flashing Light’s Matt Murphy, and the Inbreds’ Mike O’Neill trio it up and let loose their pop smarts? Pop and roll ensues on a driving collection of snappy, upbeat songs that burrow into your subconscious. Top-flight collection bodes well for future releases.
The Nines | “When Our Love Was in Bloom” A heavenly treat from the ever-increasingly-versatile Steve Eggers, who sets his sights this time around on the sounds that brought joy to listeners in the years spanning 1948-1962. This beautiful number, a sad, romantic lament, musically recalls the pleasures of Joe and Noel Sherman’s “Graduation Day,” which was first a hit for the Four Freshman and covered by artists as diverse as Bobby “Boris” Pickett, the Arbors, and the Beach Boys. The opening á cappella couplet, which gives way to light orchestral accompaniment, is among the most thrilling 10 seconds of vocal joy experienced in melodic pop music this year. A trailer for the Nine’s next album releasing in August, this is going to be in your head long after the calendar turns this December 31.
Bill Shaouy | The Other Town An extraordinary selection of songs and performances from this intensely talented member of the online Theme Music community. Beautiful, widescreen arrangements reveal pretty melodies, clever chord changes, and smooth vocals for a most satisfying listening experience. A sincere paean to truth, justice, the American way, and honesty, “Lois Lane,” which opens with a killer a cappella section and a Byrdsian guitar figure, pushes all of the requisite melodic pop buttons as it strikes a blow for integrity (“Reporters once shined/A light on power great and small/If we kept each other honest/We wouldn’t need Superman at all”). The brief and lovely “We Know Not Where” strikes a blow for companionship and adventure experienced together, no matter the destination (“I see south grass/You see west sun/Rolling on as/We sing together”). Joined by Brandi Ediss, Keith Klingensmith, Paul Melançon, Matt Brown, Torbjorn Petersson, Joe Giddings, and other well-known Themesters, Shaouy has produced a top-tier collection.
Ray Paul | Whimsicality Ray Paul’s importance to the melodic pop community as a promoter of the music to radio programmers, a visionary record label owner, and a vital recording artist are immeasurable. Sixteen years after releasing his ace compilation CD, The Charles Beat, and 36 years after Ray Paul and RPM’s album Go Time, Ray is once again an artist, regaling listeners with enticing tales set to everyone’s favorite power pop beat. Whimsicality, one of this year’s best albums, is a delicious mix of originals and well-chosen covers, such as the Grass Roots’ “Temptation Eyes” and Paul McCartney’s “Oh Woman, Oh Why,” which features the contributions of Emitt Rhodes. Of Ray’s originals, the dynamic “A Fool Without Your Love” and Paul McCartney-esque “Jeannie” are only two highlights, all placing gorgeous melodies and Ray’s strong voice out front. A treat from first note to last.
McPherson Grant | “The Love of Her Life” A sleepy, waking dream of a Bacharachian love song about memories and the light that shines within the heart of a partner whose loss seems overbearing (“In time/You’ll find/The sky slowly clears/That the rain/And your pain/Will soon disappear”). Orchestrated with slightly subdued panache, this is another winner from the recently-appointed duo whose album is in the cards at some point down the line. Hopefully soon.
Scott McPherson’s May 10 appearance on Pure Pop Radio: In Conversation
Pure Pop Radio: In Conversation, the premiere melodic pop interview program hosted by Alan Haber, airs Tuesday nights at 8 pm ET. Archived, podcast versions of interviews are posted on the 
Scott’s first pick, the Partridge Family’s “I Think I Love You,” kicks off the proceedings, and Elton John’s “Bennie and the Jets”closes them. There’s a whole lot of jam in between; we know you’ll be charmed and amused.
