By Alan Haber – Pure Pop Radio
Spins and Reviews | 5.16.18
Lisa Mychols | Sugar (2018)
Scheduled for release on June 15 and just in time for summer’s arrival on June 21, Sugar is perhaps the most appropriately titled album of the year–a joyous, harmony-filled singer’s showcase, imbued with sweet songs sung sweetly. This is the sound of pure pop made for a life under sun-drenched skies spreading light and love over lazy mid-year, carefree days.
Sugar is nothing less than Lisa Mychols’ greatest achievement, and that, as has been said before, is really saying something.
One part girl-group aesthetic and one other part sunshine pop, Sugar’s songs, built around gorgeous, rich harmonies and Lisa’s most assured vocals ever, should have no trouble lifting spirits as they entertain. It would be impossible to deny the pleasing power of beauteous creations such as “Loving You” and the full-on, sugary sweet uptempo wonder “Don’t Wanna Close My Eyes.”
And then there is “He’s Got Me Dreaming,” a girl-group confection running atop a steady rock beat, “Domino,” within which rock steady verses meet pop choruses, and “Next to Impossible,” a sweet, bluesy ballad.
It’s a wonder to behold, this album full of wonders. This is your summer album, sung sweetly by one of melodic pop music’s most enduring, endearing talents. Steve Refling produced, played all of the instruments, and co-wrote all of the songs with Lisa. Sugar is sweet. Don’t miss it.
Now Playing in Rotation on Pure Pop Radio: “One Revolution,” “Loving You Baby,” “Domino,” “Don’t Wanna Close My Eyes,” “Goodbye to All Carousels,” “Next to Impossible,” “He’s Got Me Dreaming,” and “Into Oblivion”
Where to Get It: Check back soon for purchase links
David Myhr | Lucky Day (Lojinx, 2018)
A beautifully rendered selection of melody-rich songs from one of melodic pop music’s greatest practitioners, Lucky Day is the sound of a master songwriter’s loving embrace. It is a warmhearted musical journey you will want to take over and over again.
Lucky Day’s 10 lovingly crafted songs, eight written with some of pop music’s top talents while David was on a trip to the United States and two self-scribed, speak to the heart of what matters to melodic pop music fans; all feature beautiful melodies and top-notch playing and singing. All contribute to one of this year’s best albums.
“Room to Grow,” written with Pure Pop Radio favorite Bill DeMain, is about giving a romance all the chances it deserves to prosper. Listening to this song, I hear a rhythmic kinship to Paul McCartney’s “Arrow Through Me.” The background vocals, as the song progresses, suggest a 1930s sort of vibe. The gorgeous harmonica solo, very Stevie Wonder-like, is played with heart and great skill by Mikael Bäckman. It’s quite a delectable stew.
The pretty ballad “Lovebug,” written with another Pure Pop Radio favorite, Linus of Hollywood, who sings background vocals, came about when David arrived at Linus’s home and said hello to the family dog. Linus’s wife said the dog was a lovebug, and therein lay the inspiration for the title of this classic piece of songwriting. The music is pretty, while the lyrics tell a different, bittersweet story–one of a disconnected romance: “I’m under the water and fighting for air/But your gravity’s pulling me down/They tell me I’ll live but I don’t feel alive at all.” It’s quite an achievement.
“The Perfect Place,” one of two songs on Lucky Day written solely by David, soars with an affecting melody, an ultra-catchy chorus, and live strings that ingeniously bring the number to a satisfying, unique conclusion.
And on and on the album goes–one great song after another that you will treasure forever. Produced by Brad Jones, Andreas Dahlbäck and David Myhr, and recorded at Jones’s Alex the Great Recording in Nashville and at studios in Stockholm, Sweden, Lucky Day is a wonderful gift to lovers of melodic pop. And speaking of gifts, CD purchasers should stay tuned after the 10th song plays; a lucky gift awaits.
Now Playing in Rotation on Pure Pop Radio: “Jealous Sun,” “The Perfect Place,” “Lucky Day,” “Wait Until the Moment,” “My Negative Friend,” “Room to Grow,” “If You Really Think It’s Over,” and “Lovebug”
Where to Get It: Preorder at Lojinx, and at Amazon and iTunes; stream the album at Spotify, Tidal, Deezer and Apple Music, beginning May 18.
Vanilla |”Itchykoo Park” | Mystik Knights of Takoma (2018)
(World Radio Premiere on Alan Haber’s Pop Tunes Deejay Show, Thursday, May 17, 8 pm ET on Pop that Goes Crunch Radio)
Jayson Jarmon’s always intriguing outfit returns with another song slated for inclusion on the group’s upcoming Mystik Knights of Takoma collection. This time around, the Vanillians transform the Small Faces’ classic song “Itchykoo Park” by applying a glittery coat of glam inspiration and a straight-ahead rhythm. The result is almost otherworldly, as they gather to breathe new life into Steve Marriott and Ronnie Lane‘s 1967 masterpiece.
Sung with his usual invested, emotional connection to both music and lyrics, guest vocalist Regan Lane, from Strangely Alright, grabs both with total conviction. In the process, he transforms “Itchykoo Park” into a contemporary, psychedelic parable. “It’s all too beautiful,” Lane sings, and he means every syllable. It’s another can’t-miss slice of Vanilla.
Now Playing on Pure Pop Radio
Where to Get It: Available May 18 at Vanilla’s Bandcamp site
Ken Sharp | “She Hates the Beatles” | Single, 2018
After musician and co-producer Fernando Perdomo suggested the title, Ken ran with it and conjured up a guy’s ultimate fear: that the girl he loves hates the Fab Four. From that scary conjuring comes this upbeat, catchy pop song that lyrically, and with a healthy dose of jocularity, pounds the ceremonial nail into a relationship’s coffin.
The song’s lyrics get into the down and dirty of this doomed pairing: “She don’t know John from Paul/But baby what’s the worst of all/She thinks Wings is a TV show and Lennon is a Russian mole.” And, what’s more, to drive her point home even further, the narrator relates that “…when she turns on the radio, she makes me listen to Barry Manilow.” Now, that hurts!
Never mind that “She Hates the Beatles” sounds more like a mashup of ’70s, Partridge Family and Todd Rundgren aesthetics than Beatlesque–this is a fun, catchy ride. Ken and Fernando split the instrumental duties and Ken sings his Beatle-loving heart out. Yeah, yeah, yeah!
Now Playing on Pure Pop Radio
Where to Get It: Bandcamp
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The vibe is decidedly Beatlesque and practically overflowing with clues for you all–the Ringo Starr drum fills, loping Paul McCartney bass line and horns practically beg for a communal gathering in the Church of Fab. All this and Tears for Fears guitars and Tom Petty dust intertwine to elevate this latest in a series of monthly free songs from Lannie Flowers’ label, Spyderpop Records, to enchanting heights.
The fourth song, and new single, to emerge from David Myhr’s new album Lucky Day (coming May 18) is another example of the artist’s mastery of the melodic pop form. Of the four songs we’ve heard so far, this may well be my favorite. An alternately soft and insistent swirl of gorgeous melody, lovely lead and background harmony vocals and bright and shiny production technique, “The Perfect Place” is indeed perfect.
The quartet comprising Pink Hedgehog Records helmsman Simon Felton, Steve Wilson, Marco Rossi, and Chris Rickard delivers a cheery slice of ’60s-styled pure pop that ought to come with a repeat button sewn on its face. Just like David Myhr’s new single (see above), this song is a mix of delights that call out to melodic pop lovers and define the genre. Don’t miss it.
Listen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!
It is nearly impossible to predict what Farrington’s James Patrick will come up with at any given juncture, a surety bolstered by the enigmatic artist’s latest release, a delectable sunshine pop/psych mashup with a lovely melody. A revised version (lyrics and arrangement) of a 1984 track by The Eyes of Mind, a band from the end of the Paisley Underground movement for which Patrick played guitar and sang, this is another feather in Farrington’s considerable cap and a no-brainer for your collection. (Listen to a preview on 
Kyler Schwartz, ’60s music fan extraordinaire, Beach Boys mega-aficionado, and compiler, sequencer and liner note scribe for the esteemed Teensville Records label, has written and recorded, with the help of Pure Pop Radio favorite Jared Lekites (The Lunar Laugh), a knockout sunshine pop single. “West Coast City” is bright, happy harmony pop of the highest order, rooted in, no surprise, Beach Boys joy (and perhaps a pinch of doo-wop spice); “(The Girl’s) Unavailable” bears the stamp of Beach Boys influence towards a jolly, infectious end. Dreamy and top-flight.
Curry Cuts’ third release, after swimming with lite rockers and second British Invasioneers, continues the label’s successful run of specially-curated themed compilations with this gathering of 26 covers of all of the songs featured in James Bond films.
Chris Price | Stop Talking (2017)
Five years on from his first solo album, and after producing Emitt Rhodes and Linda Perhacs, these 14 songs recorded by Price between 2013 and 2016 make up the ironically-titled Stop Talking, which isn’t really what this thinking-man’s popster wants you to do after hearing the catchy “One of Them,” the Paul McCartney-meets-Stephen Bishop-meets-Rupert Holmes “Man Down,” and the tour de force, “Darkness.”
Fun of the Pier | “Cavern Song” and “(In) My Town” (from the forthcoming album, 14:42)
“Cavern Song” is a sprightly toe-tapper about getting into the world famous venue on a number of fronts. Taking to task entitlement (“What d’you mean we have to pay?”), expressing the excitement of being there on social media in the most basic of terms (“Take a photo of a photograph/Now upload it to your page/Oh we’re havin’ such a laugh/Take a selfie on the stage”), and the power of the artist (“And at least I get to work it out/With some lyrics…”), the song is perhaps the very first lively, happy-sounding cautionary tale of 2017. Somewhat recalling the vibe of Paul McCartney’s “Hope of Deliverance,” “(In) My Town” examines life in a small burg under siege, from which youth is unable to break out (“Is it any wonder they can’t meet/The demands of a world unknown”). All three players shine, but let’s give Mark top marks for some quite inventive bass playing.
Strangely Alright | “Now is the Time” (2017)
Crime Scene | “Carnival Queen” and “The Highs and Lows of Love” (2017)
Your Gracious Host | Boomerang (2017) | “Boomerang,” “Honor the Aim,” “Rest of Us in the Third World,” “Spritely,” and “You See Right Through Me” 
Plasticsoul | Therapy (2017) | “Her Raincoat,” “The Girl of Many Tribes,” and “Babylon” 
Love Minus Zero | “Mary Says” 
A buoyant exercise in the art of homage, Bob of the Pops Vol. 1 finds The Junipers’ multi-instrumentalist Robyn Gibson having a good old time putting his warm, wide-eyed spin on 14 favorite songs. This free download on Bandcamp is the bargain release of the year and, quite surely, one of the best collections we’ve heard in ages.
The Beatles’ “Nowhere Man,” certainly a familiar and iconic number, fairly drips with the joy Gibson obviously had recording it. The opening, harmony drenched a cappella couplet is sweetly delivered; the song reveals itself as a modern-day folk song, every harmonic element glimmering with life and hope. The Hollies’ “Listen to Me” adopts a bit of a softer pace than the original, the soft harmonies taking a smidge off of the edge of the proceedings for a bit of a warmer performance.
A collection that purports to be brought to life by such musicians as born-as-anagrams Boryng Bison and Sonny Orbbig, bridges the gap between a Beatles classic and a well-known soundalike homage (The Rutles’ “With a Girl Like You”), and sits comfortably within a wrapper designed to mirror the presentation of the old British Top of the Pops album series (with the Leave it to Beaver-ish “Bob,” a staid pipe in hand, subbing for the usual sexy model depicted), deserves a place in your heart.
Cirrone | Kings for a Night (2017)
The Cool Whips | Baddies (2017)
Lisa Mychols | “Loving You” (2017) 
Red Caravan | “Ho Hum” (2017) 
Anchor and Bear | “Hard to Say You’re Sorry” (2017)
R. Stevie Moore and Jason Falkner | Make It Be (2017) | “Sincero Amore,” “Don’t You Just Know It,” and “Play Myself Some Music” 
Michael Slawter | An Assassination of Someone You Knew (2017) | “Count to 10,” “Too Dumb for You,” and “My Marion” 
The Deep Six | “Brand New Day” (2017) 
Cait Brennan | Third (2017)
Bryan Estepa | “Rattled and Rolled” (2017)
The Wellingtons | End of the Summer (2017)
Kenny Herbert | “I’m Coming Home” (2017)
Pat Walsh | “Bygone Days” (2017)
The Outryders | “Piangi Con Me (& Live for Today)” (With Joe Algeri and Herb Eimerman) (2017) 
Lisa Mychols | “He’s Got Me Dreaming'” and “Don’t Wanna Close My Eyes” (2017) (“He’s Got Me Dreaming” 
Irene Peña | “Shut It Down” (2017) (From Trying Not to Smile) 
Radio Days | “I’m In Love With You, Haruka” and “Teenage Kicks” (Undertones cover) 
The Dahlmanns | “Forever My Baby” and “The Last Time”
The Blood Rush Hour | Who Folds First (2017)
Chuck Berry | “Big Boys” and “Wonderful Woman” (from the forthcoming album, Chuck) (2017)
Lannie Flowers | “Kiss a Memory” b/w “Everything a Man Could Want” (2017)
Carl Funk | The Heart of a Siren (redux) (2016)
The Del Zorros | “Happy Anniversary Baby” (2017)
Mod Hippie | Big Wow (2017) | “Up and Away,” Gone All Day,” and “It Ain’t Like that No More” 
Colman Gota | Fear the Summer (2017) | “What Goes in My Head,” “For a Reason,” “Call It Quits,” and “Fear the Summer” 
Flora Reed | Settle Down (2002) | “Beloved,” “Flowers at My Feet,” “Happiness Is,” “Mutter,” “Sweetly Said,” and “Who Brought You Down”
