By Alan Haber – Pure Pop Radio
Do you hear what I hear? You will when you add the following tasty musical holiday treats, newly released, to your gift lists (and don’t forget yourself; you deserve some gifts, too!).
Christmas will be here soon (there are only 13 shopping days until the big day), so read on and give the gift of holiday pop music!
The Weeklings | “Gonna Be Christmas” (Jem, 2019)
Lefty, Zeek, Rocky and Smokestack usher in the holiday season with a jubilant, Weeklings-ized version of a gorgeous song that first appeared on Zeek’s 2007 solo EP, Christmas Can’t Wait.
Sporting lovely, widescreen harmonies and the catchiest of holiday melodies, this warm, upbeat celebration of the joy felt every December 25th seems like a standard that will garner spins for many years to come.
Smokestack’s larger-than-life drum part and Lefty’s fluid, sliding bass line are particular gifts that drive this quite-alive recording and keep on giving with each successive listen.
It goes without saying at this point in the Weeklings’ career, but for those of you who aren’t aware of who is actually who, Lefty is Glen Burtnik, Zeek is Bob Burger, Rocky is John Merjave, and Smokestack is Joe Bellia. All are veteran musicians working at the peak of their powers, as will be evidenced by the forthcoming, incredible, third Weeklings album, about which I will have much to say in the coming weeks.
Meanwhile, Christmas 2019 is off and running with this classic track from New Jersey’s Fab Foursome.
Where to Get It: Amazon, Apple Music, Google Play. Listen on Spotify
Jamie Hoover | Happy Hoover Days
The Bradburys | “Everywhere It’s Christmastime” b/w “Silver Bells”
(Vandalay, 2019)
Dan Pavelich’s Vandalay Records offers up two delicious doses of Christmas cheer for 2019–a four-song EP from the Spongetones’ and Jamie and Steve’s Jamie Hoover, and a two-track single from Pavelich’s group, the Bradburys.
Hoover, a longtime Pure Pop Radio top favorite (of 25 years standing!), does it all on Happy Hoover Days; he’s responsible for every note played and sung.
Two choice covers–a supercharged take on Gene Autry’s evergreen “Sleigh Bells” and an emotional reading of Emerson, Lake and Palmer’s classic perennial “I Believe in Father Christmas”–sit side by side with an original, medium-paced rocker, “The Real Star,” co-written with Nashville songsmith Catesby Jones , and fifth Spongetone Greg James’ lovely ballad, “There’s a Star,” which appeared in a different version on the Spongetones’ 2001 must-have collection, Mersey Christmas.
Hoover’s always thoroughly invested, emotional vocals and playing drive each of these new recordings. He remains one of indie pop’s most versatile and entertaining writers and performers, a true beacon of artistry who never fails to deliver the goods. This more-than-welcome EP is just another example of how to do it.
The Bradburys, fronted by Vandalay Records’ guiding light, Dan Pavelich, digitally wax a pair of tuneful Christmas classics on a double-A-side single that’s sure to please.
The jangly “Everywhere It’s Christmastime,” penned and sung by Pavelich, is a catchy holiday nugget, built atop a sweet melody and laced with lovely, lyrical lead guitar work by John Scholvin, and an understated yet joyous coda powered by the sound of a choir and seasonal bells.
A cleverly conceived, cheerful cover of another of Christmastime’s perennials, “Silver Bells,” mixes Elvis Presley-fyed verses with ’50s rock ‘n’ roll choruses for a rollicking good time.
Pavelich, who writes and draws the wonderful comic strip Just Say Uncle, has fashioned a must-listen-to pair of holiday songs that are perfect for anyone on your gift list.
Where to Get It: Jamie Hoover’s Happy Hoover Days: Kool Kat Musik | The Bradburys’ “Everywhere It’s Christmastime” b/w “Silver Bells”: Apple Music
The Brothers Steve
“I Love the Christmastime” b/w “Listen Up! It’s Christmastime”
(Big Stir, 2019)
If you’re pining for a pair of catchy, Tsar-torial holiday tunes, The Brothers Steve’s new single is tailor-made for you.
Featuring three members of the much-loved band Tsar, including Steve Coulter, a writer who goes by the nom de plume S.W. Lauden, the Steves’ pair of musical gifts are a glittery holiday treat. The upbeat “I Love the Christmastime” is an ABBA-meets-New-Wave-meets-The-Archies-meets-early Beatles kind of celebration, complete with my favorite instrument, sleigh bells. And the thoughtful ballad, “Listen Up! It’s Christmastime” is driven by a lovely melody.
The 54th in the ongoing series of digital singles released by Big Stir Records is a holiday smash. (Side note: Steve Coulter, using his nom de plume, is the co-editor with musician and writer Paul Myers of Go All the Way, a neat book of essays about power pop by well-known writers and musicians, available at Amazon.)
Where to Hear It and Get It: Big Stir Digital Singles
The Taters | Shiny and Brite (2019)
An aptly-named Christmas album if ever there was one, Shiny and Brite finds Richmond, Virginia’s Taters, a longtime Pure Pop Radio favorite group, bringing their trademark musicality and playful joie de vivre to digital and silver disc formats.
As anyone who has seen the Taters play live and dug their everything-fits-if-we-let-it approach to covers can attest, you never know what you’re going to hear when the group sets to making music. This joyful mix of originals, like the tuneful “Last Lone Noel” and the Roy Orbison-y ballad, “My First Christmas With You,” and Taterized versions of well- and little-known Christmas classics is a holiday treat built on a solid foundation of love and respect for these wonderful songs.
Witness the bouyant cover of the Beach Boys/Ronettes’ “I Can Hear Music,” which features an a cappella break atop a swath of sleigh bells that’s squarely in the classic style of Hawthorne, California’s finest; the gorgeous a cappella mix of “Peace on Earth” and “Silent Night”; the supercharged version of Andrew Lloyd Webber and Tim Rice’s “Christmas Dream,” as originally sung by Perry Como, here incorporating the theme from the television comedy classic Hogan’s Heroes; and the lovely take on “The Little Drummer Boy,” with Chris Mendez’s “50 Ways to Leave Your Lover”-esque drum part.
Craig Evans, Brad Tucker, Gregg Mars and Chris Mendez’s collection of odes to Christmas joy is a wonder to behold and a perfect complement to your holiday soundtrack.
Where to Get It: Bandcamp
Kenny Herbert |”This is Our Christmas” (2019)
A pretty, orchestrated ballad written by Kenny and Bob Heatlie after Kenny and his wife Caroline visited Edinburgh, Scotland’s Princes Street Market, this sounds as though it’s been instilled in the forevermore section of the everlasting vault of holiday song classics since forever ago. Kenny’s lovely vocal and another melody that seems sent from the heavens above ensure this one will be played, well, forevermore.
Where to Get It: Apple Music
The Lunar Laugh | “Christmas Cheer” (2019)
An upbeat, jolly song about the joys of Christmas, this catchy number was recorded on December 21, 2018, live and in person at VZD’s Restaurant and Bar in Oklahoma City, Oklahoma. Written and performed by another Pure Pop Radio favorite group, this song sings.
Where to Hear It and Get It: Bandcamp
The JAC (Featuring the Christmas Crew) | “Broken Gnome” (2019)
Anyone trying to hang on to a strained relationship may find a kindred spirit of sorts in Joe Algeri’s 2019 Christmas offering. Pairing an introspective lyric with an upbeat guitar pop track, “Broken Gnome” charts the course of a soon-to-be-extinguished love-light. Or does it? “What will the new year bring / Just let me be a leaf in the wind / Our light’s burning bright and still / I’m a little scared.” A world-class group of musicians help Joe bring this creation to life: Herb Eimerman, who like Joe is a member of the beloved Britannicas, Stefan Johansson, Lars Brusell, and Andy J Prinkkila.
Where to Hear It and Get It: Bandcamp
The Hangabouts | “Colors of Christmas” (2019)
This always engaging Ann Arbor, Michigan foursome unwraps a warm, soulful soft pop musical gift full of Christmas cheer. Pleasing chords and a lovely melody drive this song about the hues of the holiday (“Lights shine from every frosted window / Melting the winter time blues”). This one will put a smile on your face, for sure.
Where to Get It: Bandcamp
Various Artists | A Kool Kat Kristmas Vol. 3 (Kool Kat, 2019)
Five years on from Vol. 2, Ray Gianchetti’s Kool Kat Musik returns with a third holiday go-round featuring artists that have previously released music on the label. You’re sure to find a few (or more) favorites in this tasty holiday grab bag.
We found more than a few kool kats amongst these offerings: Everet Almond’s uptempo, poppy “Have a Very Very Very Merry Christmas”; The Decibels’ catchy, power pop anthem, “Christmas Wish,” with a neat Roger McGuinn-like guitar solo and a snatch of “Joy to the World” in the close; and The Seasons Greeters’ rocking, Stray Cats-meets-Dave Edmunds “Santa’s Leaving Town.”
More tasty treats: Tommy and the Rockets’ “December Snow,” upbeat and poppy all the way; Ed Ryan’s rocking slice of power pop, “Noel (You’ve Gotta Sing)”; and, last but not least, Emperor Penguin’s truly different country-and-western song, “Lonesome Cowboy,” sounding sort of like the Sons of the Pioneers if they were pop pickers, until, that is, the ending, when the band rocks out. “Merry Christmas to cowboys everywhere!”, indeed. Yee-haw!
Where to Get It: CD: Kool Kat Musik. Listen and download: Futureman Records (Note that $5.00 from the sale of every CD and download goes to the American Cancer Society).
Kai Danzberg and Scott McPherson | “The Day Before Christmas”
(Big Stir, 2019)
Hanover, Germany’s own Kai Danzberg, an increasingly familiar name in melodic pop circles, teams up with Tiny Volcano and Pop 4’s Scott McPherson for a lively co-write that makes quite a lot of merry. It’s a big and happy holiday treat with a poppy heart, sugary and surefooted. Don’t be surprised to find yourself singing along at first listen. Full of joy.
Where to Get It: Big Stir Digital Singles (part of the exclusive Big Stir Holiday Maxi-Single), Bandcamp
Alan Haber’s Pure Pop Radio is the premier website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended in August 2018.
Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.
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By Alan Haber – Pure Pop Radio
You’ve got to be carrying around on your shoulders a teeming bushelful of confidence to name your album Your Favorite Record, but that’s what the regally-named Linus of Hollywood called his very first long player in 1999, an instant soft-pop classic boasting liner notes from none other than soft-pop queen Margo Guryan, who perhaps prophetically asked in those notes, “Can you recall the first time you tasted ice cream?”
New Jersey’s Fab Four let loose some powerful beat-driven sounds recorded at London’s Abbey Road Studios during the making of the quartet’s most recent album, Studio 2. “Anything you want, I’ll be there to give you,” they sing with melodic and harmonic force. “Cause every time I see you, I love you more.” Life, in the moment! Guitars! Sounds-like-Paul-McCartney-is-playing-the-bass bass lines! Keith Moon-y drums! (Really!) And a whole lot of “And Your Bird Can Sing” spirit! (Really!) Another can’t-miss missive most welcome, you can be sure!
Listen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!
It’s another big week for Pure Pop Radio’s specialty shows, all broadcast on the powerhouse Internet radio station Pop that Goes Crunch. Veteran singer-songwriter and performer Graham Gouldman stars in an exclusive wide-ranging interview on Pure Pop Radio: In Conversation, and the romance of trains–and terrific, hit-bound new releases, including a World Internet Radio Premiere of a brand-new track from The Weeklings–power two all-new episodes of Alan Haber’s Pop Tunes Deejay Show.
After hearing the O’Jays’ classic “Love Train” on a favored Internet radio station, I got the idea to explore the romance of trains for a special themed edition of the Pop Tunes Deejay Show. So, I put on my engineer’s hat and placed the pop train on our tracks to deliver an hour’s worth of songs about all kinds of trains and songs with the word “train” in the title. You’ll hear Albert Hammond’s “I’m a Train,” Johnny Cash’s “Train of Love,” P.F. Sloan’s “Lollipop Train (You Never Had It So Good),” the Monkees’ “Last Train to Clarksville,” songs from West Coast Consortium, the Marthas and Arthurs, the Hardy Boys, the Kinks, and a whole lot more. All aboard tonight at 8 pm ET!
Don’t miss a minute of this week’s Pure Pop Radio specialty shows, featuring an exclusive, hour-long interview with Graham Gouldman, and two all-new editions of the Pop Tunes Deejay Show, with the World Internet Radio Premiere of the Weekling’s “In the Moment” in the spotlight on Thursday night. See you on the radio!
Bill Lloyd | It’s Happening Now
The Bye Bye Blackbirds | Take Out the Poison
Karla Kane | King’s Daughters Home for Incurables
Fun of the Pier | 14:42
Kelley Ryan | Telescope
Dave Caruso | Buddha Pesto Manifesto
Cindy Lee Berryhill | The Adventurist
Cait Brennan | Third
The Blood Rush Hour | Who Folds First
Chris Price | Stop Talking
The Weeklings | Live at Daryl’s House Club Vol. 1
Coke Belda | Coke Belda 3 (Gs): A Tribute to the Bee Gees 
Scott Gagner | Pins and Needles
Robyn Gibson | Bob of the Pops Vol. 1 and Vol. 2
Scott Brookman | Smellicopter Two
Dana Countryman | The Joy of Pop
Richard X. Heyman | Incognito
Winterpills | “Colorblind”
Coke Belda | “Operator (That’s Not the Way it Feels)”
The Weeklings | “Paperback Writer”
The Weeklings are legendary here at Pure Pop Radio. They’re also legendary there and everywhere. The foursome’s new single, a top-of-the-pops take on the Beatles’ “Paperback Writer,” is being featured tonight, in fact, on our Pop Tunes Deejay Show at 8 pm ET (click on the Listen link below at the appointed hour).
The Weeklings | “Paperback Writer” (Single, 2017)
New Sincerity Works | Wonder Lust (2017)
Poppermost | Songs for the Different (2017)
Bob Lind | Magellan Was Wrong Pop bard Bob Lind’s latest is a typically heartfelt collection of songs that deliver his always magical one-two punch: emotional lyrics and beautiful melodies, brought to life with stellar arrangements and production, much of it supplied in grand fashion on this album by the Spongetones’ Jamie Hoover. Gorgeous soundscapes abound, such as the romantic, catchy “From the Road,” awash with poppy background harmonies from Hoover and perceptive, picturesque lyrics from Lind (“In moments others call mundane/My soul is warming by your flame/Turning just like a sailor to the harbor/And I will carry back my songs and tales/Of calms and gales/And sing and tell them all/To you”), and Lind’s emotional cover of Tom Paxton’s “Bottle of Wine.”
The Legal Matters | Conrad With this album, the Legal Matters have set a new standard for vocal harmonies in melodic pop music. Andy Reed, Chris Richards, and Keith Klingensmith are the players, and their human voices are their instruments. The songs are sweetly realized, from the opener “Anything,” not the first track on this album tipping its hat to the much-loved Beach Boys vocal vibe, to the upbeat, single-worthy “Short Term Memory,” which tips its drumsticks to Ringo Starr in a delightful fill and puts forth some top-notch electric guitar playing. To listen to this album is a thrilling experience.
The Weeklings | Studio 2 The beat-betrothed, Beatlesque foursome from New Jersey, steeped in the Fab tradition and nom de plumed in the spirit of all that started off holy in Liverpool’s Cavern Club a fair number of years ago, follows up their self-titled long player, affectionately known as Monophonic, with a sterling 12-song set composed of eight superlative originals and four rare John Lennon and Paul McCartney songs not given away to other artists. Recording in Abbey Road’s hallowed Studio 2, where the Beatles made their astounding magic, Glen Burtnik, Bob Burger, John Merjave and Joe Bellia, aka Lefty, Zeek, Rocky and Smokestack, respectively, make considerable Merseyside hay with delightfully brisk and catchy songs steeped in the effervescent spirit of the Fab Four. A splendid time, to be sure.
Caper Clowns | The Buca Bus Delicious pure pop from Odense, Denmark delights with a dozen beautifully written and performed pearls. Lovely melodies and vocal harmonies are always present, particularly on instant classics such as the should-be-hit-bound earworm “A Tale of Romance and Magnetic Trains” and the gorgeous ballad “Lizard Heart.” Debut of the year? Most certainly.
Kenny Herbert | Forever and Beyond A gorgeous, romantic song cycle inspired by Caroline, the love of his life, Forever and Beyond is Herbert’s melodically-charged survey of the power of true love. The 14 songs on offer, encompassing 1930s, 1950s and modern melodic pop vibes, are tremendously affecting, beautifully drawn snapshots of a happy existence. The pretty “Queensferry Girl” and the catchy, McCartney-esque pop song “It’s All Good” shine among a rich collection of gems.
Nick Piunti | Trust Your Instincts Guitars, bass, drums, powerful vocals, and a whole lot of moxie power the pop on Nick’s latest, high-energy collection. These songs make heads turn and hearts embrace its many charms. “One Hit Wonder” is the big, splashy, pure pop hit here, a clear winner on an album full of winners.
Gleeson | Curse My Lucky Stars Austin, Texas band Gleeson have made their White Album, a sparkling collection of songs varied in approach and tone that makes a case for melodic pop being the genre of the moment. Encompassing beautiful balladry, art-pop, rock and retro charm, Curse My Lucky Stars is a marvel.
Teddy Thompson and Kelly Jones | Little Windows A true, modern classic bathed in retro charm, Little Windows’ rewards are many. There is a decidedly romantic notion at play here, one that slips in and out of hand holding echoes of the Everly Brothers at Cadence, Roy Orbison, Porter Wagoner and Dolly Parton, Buck Owens and a thousand other country-pop artists and their golden recordings. These lovely, heartfelt songs, brought to life by two of pop music’s finest vocalists, make up an album that is like a bright lighthouse shining across the sea, drawing you in.
Ray Paul | Whimsicality Thirty-six years after the release of Ray Paul and RPM’s album Go Time, the artist is once again regaling listeners with enticing tales set to everyone’s favorite power pop beat. A delicious mix of originals and well-chosen covers, such as the Grass Roots’ “Temptation Eyes” and Paul McCartney’s “Oh Woman, Oh Why,” meets wonderfully-realized originals like the dynamic “A Fool Without Your Love” and McCartney-esque “Jeannie.” With Ray’s gorgeous melodies and strong vocals out front, this is a treat from first note to last.
Myrtle Park’s Fishing Club | Benches A monumentally towering testament to melodic and harmonic excellence, Benches is a delight from start to finish. There is nothing quite like Kate Stephenson’s take on melodic pop music, just as there is nothing like her soaring imagination, and her ability to express all manner of emotion and make the listener feel. Working in concert with musical partner John Steel, Kate delivers wondrous songs (and three-dimensional vocal harmony stacks) like “Somebody Called Me an Onion,” a smile-inducing, upbeat, energetic pop number with faux-reggae shadings about peeling back the layers to reveal the full, human package of emotion; and the a cappella wonder “Silent Letter,” a tune about inner beauty and the sanctity of thought that doesn’t always have to be laid bare. For those of you keeping score, this is the second Myrtle Park’s Fishing Club album to wear our Favorite Records of the Year mantle. As it should be.
The Nines | Alejandro’s Visions Rolling and then filtering the influence of the music of writers such as George Gershwin and Rodgers and Hart into a mix peppered with the harmony styles of the Beach Boys, the Four Freshmen and even doo-wop, and then topping the resulting flow with his love of artists such as the Electric Light Orchestra and XTC, Steve Eggers has delivered a harmony- and melody-drenched soundtrack to an imaginary film, somewhat of a sequel to the last Nines album, Night Surfer and the Cassette Kids. Standout tracks include the beautiful, bittersweet, old-fashioned “When Our Love Was in Bloom,” stacked deep with gorgeous harmonies and an irresistible melody; and the early rock and roll/pop hybrid “Operator (Coming Home to You),” which sports a meaty, catchy, percussive piano riff, opens with an aural allusion to the Ronettes’ “Be My Baby,” and lays out a delectable Jeff Lynne-ish bridge that will make you smile. Alejandro’s Visions is Eggers’ best and most assured work yet, an immensely satisfying collection that belongs in every melodic pop music fan’s collection.
Seth Swirsky | Circles and Squares Proving that a creative, heartfelt approach to making music will yield magic almost every time, Seth Swirsky has crafted a collection of songs that draws on all of his strengths, and perhaps incorporates a couple of new ones. Moreover, these songs reveal the truth about all of our lives, right from the first track, “Shine,” his statement of purpose, the one that sets the stage for what comes next. And what comes next is winner after winner, such as the lovely confessional and autobiographical “I Don’t Have Anything (If I Don’t Have You),” in which the narrator allows that life means nothing at all without the proverbial “one”: “I’ve got some baseballs/That are pretty rare/Got a swimming pool/And a fast car/But I don’t care/’Cause I don’t have anything if I don’t have you…I’ve got gold records/Hanging on my wall/But without your love/Baby you can have ’em all…” This 16 song collection is the latest expression of craft from one of pop music’s most important artists.
Lucy Wainwright Roche and Suzzy Roche | Mud and Apples A sparkling duo release from Suzzy Roche and her daughter, Lucy Wainwright Roche. Warm harmonies, clever songwriting and the inclusion of beautifully-sung covers such as Paul Simon’s “Bleecker Street” and the Cascades’ “Rhythm of the Rain” push this 11 track masterpiece into hall-of-fame territory. Roches fans will be charmed, and so will everyone else. Surely one of this year’s top expressions of musical joy.
The Monkees | Good Times! Good Times! is a classic-sounding Monkees album that happens to have been released 50 years after Monkeemania began. A mix of recordings based on sessions produced during the group’s heyday and new songs written by top-flight, current songwriters of note, this is a fun listen from start to finish. A shining example of how good this album is: The perky, catchy “You Bring the Summer,” written by XTC’s Andy Partridge, fulfilling a childhood dream. A great album.
Mimi Betinis | Music Sounds and Basement Tapes Vol. 1 Pezband’s Betinis scores with two sterling releases in 2016 that are really two sides of a rather entertaining coin, so they both rate a spot in this Stars of 2016 feature. Music Sounds is a vivid, quite alive offering of melodic treasures. Its songs are wonderfully realized pop confections that hit the hooky bullseye, like “She Wants You,” which surreptitiously recalls the famed intro to the Ronettes’ “Be My Baby” in the intro, and “Summer Love,” a warm love letter and look back to a seasonal romance (that, perhaps unknowingly, taps the sound of 10cc member Eric Stewart’s guitar playing in the solo).
Winterpills | Love Songs The numbers on Winterpills’ seventh album get under your skin; they become you in some celestial kind of way. The vocals of songwriter Philip Price and his wife, guitarist and keyboard player Flora Reed, are the collective glue that holds these proceedings together–the glue that gives them life. Consider “Wanderer White,” a rolling, rhythmic song about a fall from grace, in which Philip takes the lower notes and Flora the higher ones, and “Freeze Your Light,” which starts off as if in a church with a slight, ghostly choral singsong and becomes a folk-into-pop number with a delectable chorus buoyed by the same low-and-high vocals. The poppy bopper and should-be-hit-bound “Celia Johnson” turns the tables with Philip initially taking the high vocal part and Flora following closely. A trumpet and coronet serenade add to the song’s beauty; a lovely, echoed piano part comes in for a beautiful coda. A real treat.
Butch Young | Mercury Man Butch Young’s miraculous, hall-of-fame-worthy album is a modern classic by way of its dazzling array of 1970s-styled instant classic songs, peppered with a mix of Paul McCartney and Harry Nilsson-esque magic. Every one of these Los Angeles-based artist’s songs is a clear winner, like the title track, “Persephone,” “One Foot In,” and “The Fools of May.” Awesome.
The Dowling Poole | One Hyde Park One Hyde Park, the sterling follow-up to the Dowling Poole’s Bleak Strategies, is a virtual tour de force and, if that weren’t enough, it’s an album influenced by sounds from across the pop landscape that doesn’t actually sound like its influences. Witness “Vox Pops,” which incorporates a very Partridge Family-sounding keyboard line and a very Brian May-sounding guitar solo; “Hope and Glory,” an upbeat pop song; and “Bring Back the Glow,” a smooth, rolling ’70s number. Joy from across the pond.
Chris Murphy with Michael Carpenter | “Real Love” This absolutely gorgeous ballad recasting of John Lennon’s song is one of this year’s major triumphs in melodic pop music. For this rendition, the tempo has been slowed, allowing Murphy to lovingly communicate the depth of the emotional lyric. Murphy’s vocal may well be the best vocal performance of the year. His ability to hold a melody line’s final note in such an artful way, to sustain its resonance and maximize its impact on the listener, is something to behold. Recorded with precision and heart by Carpenter on the occasion of singer Kylie Whitney’s wedding (Whitney also sang background vocals), this new version of this wonderful song is proof positive that covers can reveal new layers of emotion not previously brought to the surface.
Emitt Rhodes | Rainbow Ends Forty-three years after his third album, Farewell to Paradise, was released, this new collection surfaces to critical and listener acclaim, and rightly so. Here are songs that feature all of the Rhodes hallmarks: beautiful, catchy melodies; inventive chord changes; and those velvety, smooth, sturdy and emotive vocals. Perhaps this is no more evident than on the emotional ballad “I Can’t Tell My Heart.” Somewhat reminiscent of Mirror‘s “Love Will Stone You,” this is a showcase for Emitt’s committed, vocal delivery; the gorgeous melody and emotional lyrics combine to sketch the breakup of a relationship and a considered plea for the other party to embrace the option to heal. A wonderful surprise and an instant classic. Welcome back to a truly special artist.
Daisy House | Western Man Doug Hammond and his daughter Tatiana’s album for the ages features golden harmonies and great songs that will melt your heart all the way through. The heavenly duo channels the Byrds in the uptempo “She Comes Runnin’ Back” and “Twenty-One,” offers up a catchy, playful vibe with the singalong number “Willow,” and delivers a strong, emotive ballad with the orchestrated tune, “Western Man.” Best news of all: a new album is soon to be released. Happy new year, indeed.
Brain Circus | Brain Circus This smashing collection of impossible-to-resist songs performed in grand style by ace songwriter and keyboard wizard Brian Curtis, late of the much-loved band the Oohs, serves up 13 numbers in all, performed entirely by this transplanted Virginian. The majestic, heartfelt love song “Finally Found the One,” a musical sculpture formed with smiles and tears and a whole lot of heart, is but one highlight. You’ll detect essence of the Beach Boys, Jellyfish and Queen, among other classic touchstones, but this is all Curtis and don’t you forget it.
The Flat Five | It’s a World of Love and Hope This Chicago-based band of harmony-hounds deserves supergroup status, thanks to the members’ affiliation with artists such as Neko Case, NRBQ and the New Pornographers. Welcome a deliciously wondrous assortment of luscious pop dressed in a variety of comfortable musical clothing that runs the gamut from the Manhattan Transfer-meets-hep cat vibe of the delightful “Buglight” to the Paul McCartney retro-sway of “I Could Fall in Love with You” and the pretty back porch balladry of the Roches-like “Bottom Buck.” Pretty special all the way through.
Bent Van Looy | Pyjama Days Based in Paris, France and a member of the band Das Pop, Bent Van Looy’s 2016 release is a lovely, pure poppy collection of sweet-sounding catchy melodies sung with assured style, like the upbeat pop number “My Escape,” beautifully arranged with little Beach Boys vocal flourishes weaved in; “Mr. Fletcher’s Song,” a melodic mid-tempo ballad that wouldn’t sound out of place on a Randy Newman album, and the sumptuous title track, a three-minute genius construct, nicely orchestrated and adorned with a smile-inducing whistle. Pop on.
The Junipers | Red Bouquet Fair This charming collection from the Leicester, United Kingdom band recalls the sweet sunshine pop sound of the 1960s and 1970s in such lovely songs as “Summer Queen” and “Like a Merry-Go-Round.” Red Bouquet Fair is no less than the audio equivalent of smiling at your good fortune on a warm day in the park while sipping cool lemonade (the effect is equally transcendent wherever else you may be). The vocals are enchanting and the instrumentation is perfectly played. Lovely.
Tommy and the Rockets | Beer and Fun and Rock ‘n’ Roll This ace project, featuring 10 pop-rockers, co-written, except for one, by super criminal defense attorney Michael Chaney and Thomas “Tommy” Stubgaard, who plays all of the guitars, bass, and provides handclaps, shake the house, as it were. Check out the catchy, Beach Boys-influenced sunshine anthem “Here Comes Summer,” and a couple of energetic Ramones nods, “Silly Teenage Love” and “You Want Me (But I Don’t Want You)”). Cheery, toe-tapping fun.
The Explorers Club | Together This collection of songs imbued with the spirit of the best of the Beach Boys, the Four Freshman, the Association and other time-honored practitioners of the art is one of the sweetest offerings of the year. Here are songs that are beautiful and beautifully sung, lovely and lovelier still, from Jason Brewer, Wyatt Funderburk, Paul Runyon, Kyle Polk and Mike Williamson. From the southern California harmony- and sun-soaked sound of “California’s Callin’ Ya” to the Four Freshmen-meets-“Graduation Day”-by-way-of-Les Paul ballad “Perfect Day,” Together invites listeners to bathe in the beauty of harmony-filled dreams.