By Alan Haber – Pure Pop Radio
Gretchen’s Wheel
Moth to Lamplight: A Tribute to Nada Surf
(Futureman, 2019)
Listening to this new collection, a tribute to rockers Nada Surf, with less-than-zero knowledge of the band or its songs, turns out to be the smartest move I’ve made in awhile.
Going in blind, I was able to judge the songs on their own merits and I didn’t have to play the Which Version is Better? game. These are the only versions of eight of Nada Surf’s songs I know. But as good as the songs are, and they are very good, I was mostly taken with Lindsay Murray’s vocals and musicianship.
Lindsay’s ability to weave together harmony lines into living, breathing stacks of joy would be hard to beat under any circumstance. Throughout the eight songs she’s tackled on this album, her vocals, lead and otherwise, shine like the brightest objects in the sky (and quite happily recall the vocal timbre of Aimee Mann). Lindsay’s musicianship is stellar; her bass playing, especially, is inventive and serves the songs to a tee (she also plays the guitars and keyboards with aplomb; Nick Bertling plays the drums and provides the solid bottom end in his usual, top-flight way).
These eight, mostly upbeat songs live and breathe and come alive through a steady, deliberate mix of guitars, bass, drums and a smattering of keyboard flourishes. Top contenders for favedom here at Pure Pop Radio headquarters are the mid-to-fast-paced “See These Bones,” sporting a mix of tempting rhythms and a tremendous vocal harmony performance, and the closing, acoustic “Rushing,” in which Lindsay’s lush harmony vocals and acoustic guitar take center stage to phenomenal effect; she ought to make this track her audio business card–sing to impress and all that.
So, being new to Nada Surf, but not new to Gretchen’s Wheel and the magic that Lindsay Murray employs to dazzle her listeners, turns out to be a recipe for a half-hour well spent. Purchase Moth to Lamplight: A Tribute to Nada Surf beginning this Friday, and see if you don’t agree.
Where to Get It (Releases March 22): Bandcamp
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Lannie Flowers | “Anything But Love” (SpyderPop Records, 2019)
Song number 12 in the series of free numbers being released during the run-up to Lannie Flowers’ upcoming album, Home, is a typically engaging treat, this time played out as a supercharged sorta-waltz telling the story of a guy stuck in that age-old I’m-in-love-but-I-messed-up-so-can-I-come-back, can-I-huh? turnabout. The guy knows the score, but he isn’t sure how to turn his situation into a win (“Why is it so hard/To admit that I was wrong,” he wonders.)
Another slice of engaging melodic pop from one of our most cherished singer-songwriters. And it’s a free download from the SpyderPop Records website. What are you waiting for?
Where to Get It: SpyderPop Records
Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended last August.
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Where to Get It: 
Bill Lloyd’s May 3 appearance on 
Pure Pop Radio: In Conversation, the premiere melodic pop interview program hosted by Alan Haber, airs Tuesday nights at 7 pm ET (4 pm PT). Archived, podcast versions of interviews are posted on the 
The dozen suits of clothes, if you will, on Lloyd*ering are spiffy to the max, showing, in addition to Bill’s ability to make another artist’s song his own, the wide breadth of musical styles Bill adores and cherishes. So, there are easy jumps on this collection from covering songs from the dB’s and Wreckless Eric to classics from Harry Nilsson and the Lovin’ Spoonful. You get Bill’s take on Bobby Fuller’s “Let Her Dance” and, in the next breath, the Beatles’ “Across the Universe.” Always, you get the sound of Bill Lloyd, the golden payoff for your price of admission.
Bill Lloyd | Lloyd*ering (SypderPop, 2016)
A sweet, country-flavored reimagining of Nilsson’s “The Lottery Song,” capped by a highly satisfying, a cappella close, is only one of the highlights of an equally sweet bunch. A weighty take on Badfinger’s “Lonely You” draws out the sadness in Pete Ham’s lyric, surrounding it with ramped up electric guitars and a deeply-felt drum track. A reverent take on the Byrds’ “The World Turns All Around Her” celebrates, with an energetic presence, the song’s gorgeous melody, golden-voiced harmony vocals, and deft electric guitar work.
