Alan Haber's Pure Pop Radio is the premier website covering the melodic pop scene with in-depth reviews of new and new-to-you releases. Pure Pop Radio plays the greatest melodic pop in the universe 24 hours a day.
Have you tuned in to Pure Pop Radio to hear the catchy mix of melodic wonders being sung by melodic pop’s brightest stars? Good! We’re glad to have you along on our radio-riffic journey.
More of the greatest melodic pop in the universe is being added to Pure Pop Radio’s mix every day. Since last Tuesday, when we returned to the airwaves after a long layoff, refreshed and invigorated and full of joyous optimism, we have added a considerable number of new and new-to-you tracks that your ears will no doubt have been craving.
Like:
Winterpills‘ catchy new single, “Golden Waves”; tracks from John Howard’s classic-sounding new album, To the Left of the Moon’s Reflection, a thinking person’s lineup of lovely, melodic songs (it has just been announced that Kool Kat Musik will be releasing this long-player on CD); songs from two brand-new albums from the Explorers Club, one sporting brand-new, harmony-rich numbers, and the other reaching into pop music’s history for covers of classic recordings by the Turtles and Paul Revere and the Raiders, among other bright lights.
And Pure Pop Radio favorites from the past, such as Nelson Bragg’s “What She’s Done to Him,” from Nelson’s 2012 classic album; Oberon Rose’s “Wunjo,” the title song from the group’s same-named 2012 long-player; and a quartet of catchy songs from Poppermost, circa 2015, including the wonderfully-named “Patti’s Record World.”
MISSYFIT
And there is more…much more, in fact, such as new songs from Pop 4’s Kirk Adams,Caper Clowns, and MISSYFIT, Pure Pop Radio Hall of Famer Roger Klug’s latest project, which recasts Creedence Clearwater Revival’s “Who Has Seen the Rain” as a Phil Spector production sung by Mia Gentile in a decidedly warm Ronettes kind of way.
You might expect there to be even more where all of the above came from, and you would be right. Pure Pop Radio is your 24-hour-a-day source for the greatest melodic pop music in the universe. Tune in by clicking on the player below (check out the last few songs played, and don’t forget to save the player to your desktop or tablet).
Thanks for listening. Your next favorite song, or one of your current favorites, is now playing…on Pure Pop Radio!
Alan Haber’s Pure Pop Radio is the premier website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features.
Pure Pop Radio brings the greatest melodic pop music in the universe to your waiting ears, 24 hours a day.
John Howard | Cut the Wire (You are the Cosmos, 2019)
In the end and at the end, when we take stock of ourselves, when we reflect on a life lived on purpose and with purpose, we remain the product of what we achieved; our footprint is the culmination of a life lived in so many ways.
John Howard’s gorgeous, wistful song cycle, Cut the Wire, draws on the idea of living a life affected by love and pain and faith and belief in the self, in others, and in the stars; it’s about innocence lost and remembered, and found again. Pretty melodies, rich harmonies, emotional vocal leads and an intimately pastoral sound, evoking the early, baroque songs of Elton John and brought to life by poetic lyrics deeply reasoned, take your breath away as the hearts of these songs beat.
In Cut the Wire’s breezy, thoughtful opener, “So Here I Go,” a life is lived with the controls set at full steam ahead, no matter what may occur along the way (“Nothing ever takes the time / You think that it will take / Nothing ever lives in head and heart / Nothing ever feels / The way you think that it will feel / Nothing ever ends the way it starts”). It is, when all is said and done, a song about hope (“So here I go…”).
All of Cut the Wire’s songs are ultimately about hope or joy, celebration or remembering, in one way or another. The title song, a beautiful, melody-rich ballad that revels in a sweet childhood that changed when adulthood set in, cautions how important it is to hold on to good memories and keep them alive (“I told my sister we were eagles / She laughed and tapped me on the head / I combed her hair and heard the seagulls / I dreamed of sand-dunes in my bed / And it was on the day / That childhood ran away / The day they laid the wire”).
“Keep Going, Angel,” a happy mid-tempo number with lovely chords that increases in intensity as it plays on, is all about believing in life and all of its possibilities, no matter what (“Keep believing in believing / That anything can happen / And it most probably will”). “Idiot Days” looks back from the position of a grown-up to the days when consequence of action wasn’t a present state of mind (“‘Who did you hurt back then?’ / Oh there’s too many to mention / From my Idiot Days”).
Perhaps the centerpiece of Cut the Wire is the emotionally gripping piano ballad, “Becoming,” in which a partner muses about how he and his relationship have changed and longs for how it used to be. He finally figures it all out and comes to a peaceful place (“This morning I held your hand / And told you we were lucky / We were older / We were frightened / But we were lucky / You waited for a moment / And then you smiled / You squeezed it back and suddenly I knew / It was still you and me together / In our anger / In our confusion / In our weaknesses”).
The brilliant stroke of Cut the Wire is that its emotional stories are told with sweet, heartfelt melodies at their core, and sung with a voice that conveys the truths of life that most everyone can relate to and even learn from. On this, his 16th studio album, Howard draws breath from the fabric of life in a most enriching and entertaining way.
The third release from California quartet Anchor and Bear follows last year’s top-flight album, Raincoats and Gold, with a delicious serving of differently-flavored pop songs, all of them quite delectable and delivered in catchy style by Katy Pearson, Brian Bringelson, Eric White, and Kenny Bringelson.
“Want Your Love” is a sprightly confection, with gorgeous harmonies, about being overcome by love. “Broken Arrow” is a meaty pop rocker spiced with a bit of funk about, as near as I can tell, a loner musician who has lost his music mojo and is disconnected from his friends.
“Disconnect the Phone,” Arrow’s jewel, all shiny and bright and catchy, is a classic slice of pop that should be a slam dunk at radio. Telling the story of a relationship’s disconnect, the song is ingeniously composed of several distinct sections that work together to put a huge smile on your face (the sweet-sounding opening is reminiscent of a familiar online ringtone). And “Magic” is a quite catchy pop rocker with heavy guitars.
Throughout the program, Katy and Brian’s vocals unite harmoniously, a perfectly matched pair communicating joy to listeners. And with Arrow, Anchor and Bear is continuing to build a fine catalog of releases.
Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended last August.
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