Alan Haber's Pure Pop Radio is the premier website covering the melodic pop scene with in-depth reviews of new and new-to-you releases. Pure Pop Radio plays the greatest melodic pop in the universe 24 hours a day.
Have you tuned in to Pure Pop Radio to hear the catchy mix of melodic wonders being sung by melodic pop’s brightest stars? Good! We’re glad to have you along on our radio-riffic journey.
More of the greatest melodic pop in the universe is being added to Pure Pop Radio’s mix every day. Since last Tuesday, when we returned to the airwaves after a long layoff, refreshed and invigorated and full of joyous optimism, we have added a considerable number of new and new-to-you tracks that your ears will no doubt have been craving.
Winterpills‘ catchy new single, “Golden Waves”; tracks from John Howard’s classic-sounding new album, To the Left of the Moon’s Reflection, a thinking person’s lineup of lovely, melodic songs (it has just been announced that Kool Kat Musik will be releasing this long-player on CD); songs from two brand-new albums from the Explorers Club, one sporting brand-new, harmony-rich numbers, and the other reaching into pop music’s history for covers of classic recordings by the Turtles and Paul Revere and the Raiders, among other bright lights.
And Pure Pop Radio favorites from the past, such as Nelson Bragg’s “What She’s Done to Him,” from Nelson’s 2012 classic album; Oberon Rose’s “Wunjo,” the title song from the group’s same-named 2012 long-player; and a quartet of catchy songs from Poppermost, circa 2015, including the wonderfully-named “Patti’s Record World.”
And there is more…much more, in fact, such as new songs from Pop 4’s Kirk Adams,Caper Clowns, and MISSYFIT, Pure Pop Radio Hall of Famer Roger Klug’s latest project, which recasts Creedence Clearwater Revival’s “Who Has Seen the Rain” as a Phil Spector production sung by Mia Gentile in a decidedly warm Ronettes kind of way.
You might expect there to be even more where all of the above came from, and you would be right. Pure Pop Radio is your 24-hour-a-day source for the greatest melodic pop music in the universe. Tune in by clicking on the player below (check out the last few songs played, and don’t forget to save the player to your desktop or tablet).
Thanks for listening. Your next favorite song, or one of your current favorites, is now playing…on Pure Pop Radio!
Alan Haber’s Pure Pop Radio is the premier website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features.
Pure Pop Radio brings the greatest melodic pop music in the universe to your waiting ears, 24 hours a day.
Or should that read somethings? Because we’ve burrowed deep into the Pure Pop Radio prize closet for a three-pack of melodic goodness on CD, and you can win. It’s Friday giveaway time, people!
First up in our prize pack is Caper Clowns’ latest album, their sophomore collection entitled A Salty Taste to the Lake. Eleven tasty melodic morsels, including top tracks like the poptastic “Sacre Bleu,” tell the tale of a band that is turning heads from sea to shining sea.
Next up for offer, we have America’s Heritage: Home Recordings/Demos 1970-1973, which presents embryonic versions of such top tracks as “Riverside” and “Ventura Highway.”
And finally, we’re offering up the CD reissue of Laura Nyro’s classic Eli and the Thirteenth Confession, which features Nyro classics like “Sweet Blindness,” “Eli’s Comin’,” and “Stoned Soul Picnic.” Three demos complete the package.
You can be the winner of this Pure Pop Radio prize pack by filling out the form below and sending it to us so that it reaches our mailbox by tomorrow, Saturday, February 23, at 2 pm ET.US residents only. Type “Prize Pack” in the Comment field, and don’t forget to include your email address where noted.
Good luck! Coming up next week here on the Pure Pop Radio website: Reviews and more!
Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended last August.
Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.
Caper Clowns | “Second to None” b/w “Verboten” (2019)
The hits just keep on coming! The fourth single from Caper Clowns’ fantastic sophomore long-player, A Salty Taste to the Lake (one of our Favorite Records of the Year: Stars of 2018), is a double dose of delight. The album’s catchy, uptempo popper, “Second to None,” is supported by the previously-unavailable “Verboten,” a truly astonishing slice of pop complexity composed of three distinct sections, all circling a decidedly Beatlesque-by-way-of-the-Rembrandts beacon. The first section lays all of the song’s catchy cards on the table; it’s followed by a lovely, wordless, 30-second bridge, and the third piece of the puzzle, similar to the first but, perhaps, a bit sweeter.
Caper Clowns’ b-sides continue to marvel, in much the same way that their a-sides do. Odense, Denmark’s favorite sons continue to prove that they can do no wrong.
Sons of Morning | “Cold and Blue” b/w “Evangeline” (Big Stir, 2019)
Sounding as if they were plucked from the set list of a band playing school dances in the late 1950s or early 1960s, Connecticut popsters Sons of Morning’s latest songs are of a piece. “Cold and Blue” is a dreamy ballad about hopeful, forever love, and “Evangeline” is a rather stark statement of amour.
The 11th in the ongoing series of digital singles being released by the fine folks at Big Stir, this is pop balladry like it used to rock the house. Savory, sweet joy.
Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended last August.
Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.
About said list…it was the subject of my one and only New Year’s resolution: to keep the number of entries to 15. Well, good luck with that, I told myself, and wouldn’t you know it…I couldn’t make that work. How about 20? No? Okay then, how about 22? Twenty-two it is.
My annual list of the year’s best full-length releases collects what are, to me, the absolute top of the pops–the very bestest of the bunch. I liked and loved and adored many more long players, of course, but these are the ones I thought about and returned to the most.
As in past years, my favorite records of the year are listed in random order. I’ve never been able to compile lists of any kind in order of importance, size, or weight; my number five of today might drop to number 11 or rise two spots tomorrow, depending on my mood. So, random order it is.
Here are some truly exceptional releases–Pure Pop Radio’s Favorite Records of the Year: The Stars of 2018, presented randomly, all shiny and bright, all perfect for a place in your collection of great melodic pop music. A gathering of honorable mentions appears after the main list.
David Myhr | Lucky Day (Lojinx, 2018) A beautifully rendered selection of melody-rich songs from one of melodic pop music’s greatest practitioners, Lucky Day is the sound of a master songwriter’s loving embrace.
A warmhearted musical journey, Lucky Day’s 10 lovingly crafted songs, written solo and with some of melodic pop’s top writers, feature beautiful melodies and top-notch playing and singing. All contribute to one of 2018’s best albums. “Room to Grow,” written with Pure Pop Radio favorite Bill DeMain, about giving a romance all the chances it deserves to prosper, is just one gorgeous example of the treasures on offer.
Produced by Brad Jones, Andreas Dahlbäck and Myhr, Lucky Day is a wonderful gift to lovers of melodic pop.
The Cherry Drops | Good to the Last Drop (2018) On-air and mobile deejay Vern Shank’s melange of bubblegum and sunshine pop populates the Cherry Drops’ third welcome, rousing collection of smile-inducing songs that simultaneously evoke memories of favorite old songs and create memories of new numbers written and performed in the manner of the ’60s and ’70s.
Featuring co-writes with fellow Cherry Drop Joshua Cobb and classic popsters such as the Archies’ Ron Dante, the Grass Roots’ Mark Dawson, and the late Gary DeCarlo of Steam, and choice covers of treasured hit classic numbers, Good to the Last Drop is a mighty fun ride.
“One More Try” is a Paul McCartney-esque mid-tempo slice of pure pop topped with Queen-styled electric guitar runs. “Feels Like Summer Love” is a loving nod to ’60s Beach Boys balladry, maybe the truest such tip of the hat in recent memory. The harmonies are gorgeous. The Cherry Drops pay homage to the Lovin’ Spoonful’s classic “You Didn’t Have to Be So Nice,” bringing in original Spoonful member Steve Boone on bass and opening with a lovely a cappella-over-keyboard opening.
Mothboxer | Open Sky (2018) Dave Ody’s outfit stretches into some of the most creative, expression-filled songs of its long history on an album steeped in clever songcraft. A coming together and pulling apart experience built around surprising chord changes and elastic melodies, set against primarily alternative instrumental backings, Open Sky is aptly named.
Among the many highlights: “Sunshine Sound,” a slow-to-mid tempo song set sound-wise vaguely in the Beach Boys’ Holland era, and “Million Miles Away,” perhaps the most immediate sounding song on the album, a piano-based tune with harmony vocals that shine.
Alice Bierhorst | Ready for My Close-Up (2018) The followup to 2016’s The Beacon is an even more astute collection of piano-based musical wizardry from this New York-based artist. High art meets accessible in these 10 songs that recall the works of early Carly Simon, Claire Hamill and Laura Nyro.
The title song is a pleasing, dramatic collision of Broadway and British folk. “Save It for a Rainy Day” is a slow burn of a ballad that shows off Bierhorst’s dynamic vocal range. “Beginners” is a drawing room waltz that rolls atop Peter Kiesewalter’s lively arrangement.
Call it all classical pop or singer-songwriter musings for the 2010s, but do call it yours by adding Ready for My Close-Up to your collection of smart pop. Bierhorst’s melodies reach the highest heights; Bierhorst is ready for her close-up, and then some.
Danny Wilkerson | Wilkerson (Spyderpop, 2018) Working together with Bleu, who produced this superlative pure pop platter and co-wrote the songs, Danny Wilkerson, the always-and-forever Pengwin, has whipped up a self-titled opus that is by far this year’s most affecting collection of catchy, melodic earworms.
Wilkerson is a thing of wonder. Any and all, for that matter, of these dazzling songs could, and do, serve as examples of how to do it. Like the dynamic leadoff track, “Everybody Loves to Love,” a masterful piece of writing and statement of melodic purpose that begins drawing breath as if it were arranged by Burt Bacharach and goes on to incorporate a variety of tempos and approaches during its alluring five-and-one-half minutes.
All told, Wilkerson is nothing less than a good thing. It is, in fact, a great thing, and another feather in the cap of the mighty Spyderpop record label.
McPherson Grant | McPherson Grant (2018) Paying sweet homage to the melodic pop ruling class headed by Harry Nilsson, Paul McCartney, Klaatu, Brian Wilson and the like, Scott McPherson and Jamie Grant–their last names fused together in joyous harmony–have crafted almost an hour’s worth of sturdy earworms. Endlessly endearing songs like the lovely and charming “Housekeeper,” about cleaning up a romantic life gone sour and empty and honestly assessing the less-than-attractive situation ensure repeatability.
Cut from the catchy cloth of so many ’70s classics, the perky “Come Around Again,” about learning to realize and revel in the bountiful joy in front of one’s face, is propelled by Zak Nilsson’s drums and a sunny disposition that wouldn’t feel out of place during the summer months. And speaking of summer, “Let’s Drive to Summer” recounts a slow-growing, toe-tapping Beach Boys-by-way-of-Holland road course from cold Canada to warm Florida (“We’ll just follow the coast/Our sandals and shorts in tow/Waiting till the palms wave hello”).
Produced, written, played, arranged and recorded by Scott and Jamie (and don’t ask who did what; it’s a mystery even to both halves of the duo), and featuring guest turns by Zak Nilsson and Klaatu’s Terry Draper and Dee Long, Song travels the path negotiated by so many artists who came before them, but in a way that is significantly and characteristically their own. Song is a marvel.
The Davenports | Don’t Be Mad at Me (2018) Scott Klass and crew’s fourth long player, arriving 18 years after their smashing debut, Speaking Of, is the usual collection of literate, assured, thinking person’s pop songs. Anchored by the masterful title song, a tremendously enriching melodically-charged experience about a family light whose world has slowed to a crawl, who is needing help to maneuver through her days, this album swims in waters populated with one incredibly rich song after another.
“Away From Me,” sporting a typically attractive Klass melody, is a vaguely countryish construct about saying goodbye to one side of one’s personality, supported by strings that bend somewhat ominously around the melody. And “I Don’t Know What to Do,” an insanely catchy kind of left-field number co-written by Klass and David Myhr, is built around a clever, rocky riff and does its business in just over two minutes. It’s quite ingenious.
Caper Clowns | A Salty Taste to the Lake (2018) The mighty Caper Clowns are back with their sophomore long player, another well-crafted collection of top-flight melodic pop gems. From the undeniably catchy opening confection “The Way I Dream,” which sports a clever acoustic guitar riff and an enchanting melody, to “Sacre Bleu,” a piano-based, harmony wonder that sounds like the kind of song radio should be embracing and sending up to the top of the charts, A Salty Taste to the Lake is a winner all the way. That makes two in a row. Good job, guys.
Les Bicyclettes de Belsize | The Twelve Days of Christmas (2018) A late-year surprise and not only a charming, top-flight holiday-themed album but one of the best melodic pop albums of the year, Charlie Darling’s collection of original from-the-heart Christmas songs will warm you like a heaping cup of peppermint candy cane-flavored good cheer.
Bittersweet holiday tales told in pretty swaths of lovingly rendered melody, and sung with an everyman’s sweetness, color this delightful song cycle; sincere, understated orchestration, a literary approach to lyrical conceits, and a pinch of sleigh bells catch the ear time and again in lovely slow- and mid-tempo-ballads.
Darling’s vocals, sort of a contemporary cross between the tones of the Big Dish’s Steven Lindsay and Pet Shop Boys’ Neil Tennant, are key to making songs like gentle ballads “Every Christmas,” about missing a love gone away grab hold of your heart. And then the artist changes course: “Andy Partridge (From XTC)” is a spirited pop sprint substituting the names of pop and rock bands through the ages for the various creatures evidenced in “The Twelve Days of Christmas” (Three Dog Night, the Dave Clark Five, Gang of Four, Nine Inch Nails and Joe Strummer (strumming), among them).
One of the best albums of the year, Christmas-oriented or not? Yes, indeed.
Bill Lloyd | Working the Long Game (Spyderpop, 2018) Bill Lloyd, one of melodic pop’s most distinguished practitioners of the art, has released one of the very best albums of 2018, with which you will fall in love.
Working the Long Game’s dozen melodic pearls, whether written solo or with top song scribes like 10cc’s Graham Gouldman, Cheap Trick’s Tom Petersson, and Wanderlust’s Scot Sax, are gorgeous, instantly classic gems of the Lloydian variety. Like the co-write with Graham Gouldman, “What Time Won’t Heal,” about letting love in again after a relationship withers away (“What time won’t heal/Love will repair/And if you open up your heart/You’ll find it there”).
The closer, “Shining,” is a beautiful ballad of the one-man-band variety that features some lovely sixties-inspired guitar lines and harmonies. The narrator sings about his true love and you will feel the emotion. It’s all fantastic, so get ready to fall in love.
Fernando Perdomo | Zebra Crossing (2018) Recorded in famed Abbey Road Studios and in Perdomo’s own Reseda Ranch Studios, the wearer of many musical hats’ fourth album is a rich tapestry of styles centered around the artist’s considerable composing and instrumental prowess. It’s a clear winner.
Highlights are many. The gorgeous ballad, “I’m Here,” is as good and classy an opening track as one could imagine; a strong melody and emotive vocals make the proceedings shine. The poppy “Sometimes I Feel Like Nothing at All,” cowritten by Beach Boys lyricist Stephen Kalinich, is an inviting tune topped by sensitive strings. And popster Ken Sharp guests on guitar on the should-be-a-radio-hit “Find Love,” a spectacular upbeat, McCartneyesque pop song.
Speaking of Fab connections, an all-in, emotionally reverent cover of George Harrison’s “While My Guitar Gently Weeps,” credited to the Zebra Crossing All Star Band, finds guest vocalists Diane Birch, Shawn Lee, and Jason and Daphna Rowe and lead guitarist Perdomo taking center stage for a thrilling album closer. What better Beatles track to cover for an album named in tribute to the area in front of the studio the Fabs called home?
Mick Terry | Days Go By (Kool Kat, 2018) Mick Terry’s Days Go By is 2018’s standout pure melodic pop album. It’s filled with the kind of songs that used to jump out of transistor radios way back in the when.
Every one of these 10 songs is golden. Witness: “Emily Come Back,” an upbeat, poppy tune that’s sure to please and features this album’s title in the lyric. “Everybody’s Talking” is an upbeat, sixties influenced Motown-meets-Billy Joel song (think around the time of Joel’s An Innocent Man album), a toe-tapping classic if ever I heard one. And “Friends Like That” is another upbeat gem with a great melody, handclaps, horns and a crazy, meaty guitar solo.
Working with producer Jim Boggia, Terry has produced a clear, melodic winner.
Astral Drive | Astral Drive (Lojinx, 2018) Longtime producer and songwriter Phil Thornalley has made nothing less than the Todd Rundgren album that Todd Rundgren never made in the 1970s. Astral Drive is nothing less than one of the best albums of 2018.
Astral Drive finds Phil Thornalley doing most of the heavy lifting for a joyous tour de force composed of original songs that echo the catchy sounds that the Hermit of Mink Hollow made all those many years ago. Thornalley, a legendary producer and songwriter whose lengthy list of credits includes co-writing Natalie Imbruglia’s “Torn,” fell in love with Todd Rundgren’s music when he heard Todd’s song “Useless Begging.” The rest, as they say, is history.
Astral Drive’s go-to, so-much-fun-to-listen-to song “Summer of ’76” practically demands that you sing along, whether you know the words or not. You will love, with all of your heart, the warm ballad “Wishing I Could Change the World,” which honors the classic Todd-meets-Philly-Soul bond, and the glorious, melody-infused, upbeat “Love is Real.”
One of 2018’s biggest and happiest surprises, without a doubt.
Michael Simmons | First Days of Summer (2018) Musician and high school educator Michael Simmons, from Yorktown Lads and the much-missed sparkle*jets u.k., has crafted a stylistically diverse collection of songs that expertly lays out the artist’s diverse musical vision and dedication to craft.
From the opening and closing near-perfect, soft-pop bookends “Do Your Best to Care,” a keyboard driven toe-tapper featuring a determined, jazzy electric guitar solo, and the sleepy, closing ballad “Center of the Spiral,” which ends as if a turntable’s needle has become comfortably stuck in a loop within a record’s runoff wax, First Days of Summer speaks to melody-hungry melodic pop fans.
What shines brightly and decisively from within these dozen tracks is the passion that Michael Simmons has for making and playing music (he played most of the instruments on this album). He would do well to keep at this music thing and start planning his next collection with due haste.
Linus of Hollywood | Cabin Life (2018) Nearly 20 years after his debut long player landed on planet Earth, Linus of Hollywood has served up 10 scoops of tasty, melodic treats on Cabin Fever, his delightful fifth effort that really, truly is the kind of thing that puts a spring in your step.
Some heartfelt words of wisdom are imparted in the fast-paced pop song “Won’t Let It Get Me Down,” played and sung with gusto. Cabin Life’s tender closing ballad, “It Was You,” details a love story for the ages. Beautifully sung and dedicated to Linus’s wife Augusta, the emotional arrangement marries delicate orchestration to nimble acoustic guitar playing as Linus sings about his true soul mate. “I finally got out of my own way,” he sings. “Everything just felt so easy/And I left behind my yesterday/You saved me from myself, believe me.”
“Drive up to the hills/Take that winding road/I think I remember where it goes,” the title song sings. And that winding road? It goes to one of 2018’s very best albums–Linus of Hollywood’s lovely Cabin Life.
Dana Countryman | Cabaret of Love (Sterling Swan, 2018) The year is not complete without a musical missive from melodic pop music’s melody and harmony king. Dana Countryman’s Cabaret of Love is one of 2018’s top long players, a joyous song cycle that surveys the feeling that unites us all: love.
Every number is a winner in this Cabaret of Love. “Just See If I Care” is a happy-sounding, hit-the-road-Jill Merseybeat-styled rocker featuring the Spongetones’ Jamie Hoover singing along and playing lead guitar in quite a Fab way. The heartfelt Four Freshmen homage, “The Night I Fell in Love With You,” is an unforgettable, romantic number with an affecting tea room orchestra arrangement and warm lead vocal sung by Tim Smolens from I.S.S. (Ideal Social Situation).
Cabaret of Love is chock full of guest star turns from such pop favorites as Klaatu’s Terry Draper (who turns in a top-shelf, particularly romantic lead vocal on “I’ll Be Shining Above You”), Klaatu’s Dee Long (electric guitar on “Shout”), and Tiny Volcano’s Scott McPherson (vocals on “You’re Still Number One”).
Cabaret of Love is a glorious gift for music lovers everywhere.
Carpenter Smith and Jones | Petty (Big Radio, 2018) Petty is a sincere and lovely celebration of the music of one of rock’s most magnanimous songwriters and performers, now sadly departed. It is a triumphant achievement, performed with heart by Michael Carpenter and songbirds Abby Smith and Sophie Jones.
The trio’s earthy vocal blend and the perhaps more deliberate pacing of the songs combine to amplify the emotions contained within the lyrics and music for a particularly engaging listen.
“Runnin’ Down a Dream” is recast as a slow, sometimes moody shuffle, a vocal workout bolstered by bracing electric guitars and Carpenter’s forceful drums. “Don’t Come Around Here No More” finds itself swimming atop a dreamy landscape played out with only nimble electric guitar backing beneath the trio’s emotional vocals (the final harmony stack is a joy to behold). And the Traveling Wilburys’ “End of the Line,” which closes this collection, takes on a singalong gospel tone; handclaps and joyous, freeing vocals abound. Prepare for an emotionally uplifting listening experience.
The Grand Levé | The Grand Levé (2018) Göran Hjertstedt, who made the quite grand The Grand Levé with Europe’s (the Swedish rock band, not the continent) Ian Haugland, Ulf Holmberg, Göran Holmberg, Staffan Ebbesten, and Jonas Karlberg, is a music making veteran (best known for the equally grand Longplayer).
Although The Grand Levé fairly obviously shares cell structure with the music of Jeff Lynne, 10cc, Queen, Tom Petty and other members of the usual suspects club, and traffics in motifs pioneered during such periods as the 1960s and 1700s (note the classically-inclined first track, “And Light Appeared,” which straddles influences by either consciously or subconsciously quoting Elton John), the artist Hjertstedt is his own man, and The Grand Levé is his album.
Dig the Electric Light Orchestra vibe of “All in the City.” “Free” is very melody-rich Tom Petty, and “Yesterday Man” is very pure pop and Göran Hjertstedt by way of Longplayer. The mutli-retro “Two to Tango,” a bluesy drawing room number about love and dancing that namechecks Fred Astaire and Ginger Rogers, is another slice of joy.
The Grand Levé makes its mark because its sound pictures, drawn with love and affection, tell an affecting, collective tale. The Grand Levé is nothing less than a triumph for fans of melodic pop music.
Louise Goffin | All These Hellos (2018) An exceptional dialog driven by melody and emotion, All These Hellos is a steamer trunk full of memories placed under a microscope to help us figure our place under the sun.
Anchored by Goffin’s lovely, fragile vocals and superb playing from star musicians such as Fernando Perdomo, these 10 songs are quite an attractive showcase for superlative songwriting. The artist is clearly invested in these slices of reflective pop; such is the strength of communication with the listener.
Goffin embraces her pop side with a number of straight ahead, upbeat charmers. “Good Times Call” is a soulful and very catchy sixties-esque pop number about being in love and feeling it. “Life Lessons,” another upbeat pop tune with piano at its core and punctuated by horns, is about being true to yourself and following your heart. And the title song is an inviting mid-tempo number about needing the memories of a childhood place to fade.
A wonderfully rich collection of songs; a terrific album.
Super 8 | Hi Lo (Futureman, 2018) Paul Ryan, d/b/a Super 8, ended 2018 with another top-flight recording–his third of the year–collecting 11 strong songs about employing hopefulness along one’s path through life.
“Angels and Neil Diamond” is a tremendous piece of writing, an easygoing, acoustic look back on childhood’s glory days, reliving one’s youth through good times and bad. It’s a lovely, affecting song that is followed by proof that the title is holly holy. Ryan presents a clever take on Diamond’s wonderful “Cherry, Cherry,” which is pretty life affirming on its own, especially in Ryan’s recasting of the tune as part garage, part coffee house, and all Super 8.
The Rolling Stones nod, “Good Times” (“Had enough of the bad times”), is a happy stroke in the running order, as is the pop-folk hybrid “Bob Dylan Said That,” about getting by in life with your own vision, and, no doubt, following on from what you’ve learned from the bard’s poetry.
The hits just keep on coming; you’ll love every one of them, delivered in Ryan’s emotive style. And for those of you wondering why the man didn’t go for four albums in a single year, just remember…there’s always this year.
The Grip Weeds | Trip Around the Sun (Jem, 2018) This dynamic collection, recorded at the Grip Weeds’ home base, House of Vibes in Highland Park, New Jersey, pushes across the finish line a dozen high energy songs. The band has upped the level of urgency normally associated with their work. In other words, business as usual, with a bit more zing.
In the well-appointed, melody-drenched opener, “Vibrations,” the stage is set with a mix of chiming guitars and rich harmony parts. Not for the first time on this album, I felt as though I were listening to Free Design vocalizing decades after that group’s 1960s and 1970s heyday. The effect that the Grip Weeds have achieved with this song alone is hall-of-fame worthy.
So it should hardly come as a surprise that the band’s deft weaving together of yesterday’s musical signposts and today’s contemporary approaches continue throughout these songs. Take the poppy “After the Sunrise,” for example, which slides from tender acoustic to more upbeat electric guitar stances so expertly, with a lovely melody and sweet harmonies in tow.
The whole pop-rocking ball of wax rolls into the exhaustive closer, the six-minute-long title track, which states its introductory case firmly opened in widescreen, Who territory and concludes with all instruments and vocals blazing and coming together in an impassioned burst of emotion. What a welcome shout of energetic joy this album brings!
Vegas With Randolph | Legs & Luggage (2018) Legs & Luggage is Vegas With Randolph’s best album yet. It is a marvel. This is a new-phase VWR album that thunders across the plains with harder-edged chutzpah than their previous releases. The guitars are louder and the sound is more aggressive. The sound is more purposeful, but just as catchy and fun as always.
For this new album, the band has recorded songs with flashy hooks just as they have done all along, but this time around, there is perhaps a little more oomph spitting out of the engine. This new-phase VWR is a well-oiled and rocking machine.
It’s not just the sound of this thing, it’s the words sung sweetly, confidently, meaningfully and powerfully all the way through, telling stories of a scholarly seductress (“She’s An Intellectual”), completely fulfilling forever love (“I Have You”), and riding the roller coaster of love even though it might tug back (“Jacob”). Then, there’s “Three Red Hooks,” presenting the power of music as a metaphor for confident performance with perhaps this album’s most creative lyrics (“Rock steady/Kick it like Eddie/Didn’t know if he meant Van Halen or Vedder/But whatever/While we’re together/We’d better turn it up loud/And kick it on out”).
This album is titled Legs & Luggage because the songs are largely about transitioning from one thing to another, about taking chances, about moving on from here to there—about transporting emotion packed neatly, or otherwise, in virtual compartments. Legs & Luggage functions as a bridge to the next chapter in Vegas With Randolph’s life; how that reality will manifest itself is unknown at present. But manifest itself it will.
Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended this last August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy New Year!
More than 100 new and new-to-you songs, including the latest releases from your favorite melodic pop music artists, have been added to the Pure Pop Radio playlist.
At the top of the list are two new songs, released as a single, from Paul McCartney’s forthcoming album, Egypt Station–the stomping rocker “Come On to Me” and the tender ballad, “I Don’t Know.” But that’s not all!
Also spinning now in rotation are the latest from the Doughboys, a frantic, pumping take on the Rolling Stones’ “Play With Fire,” and both sides of Caper Clowns fantastic new single–“Sacre Bleu” and “Something of Value.” You will also hear, throughout our broadcast day, the new single from the Outryders, featuring Joe Algeri; Terry Draper’s catchy earworm “Latitude Adjustment,” featuring background vocals from Pure Pop Radio favorite Ray Paul; and Kai Danzberg’s “My Beautiful Day,” written with Dana Countryman.
You want more? You’ve got it: Nick Lowe’s new four-sided single, featuring the twangy, upbeat “Tokyo Bay”; Trip Wire’s “Act Fast”; the b-side of Bill Lloyd’s new single, “The Bridesmaid’s Song,” with special guest Raelyn Nelson; tracks from the sprawling new compilation, The Co-Op Communique Vol. 4, including John T. McMullan’s “The Thought of Your Name”; Dana Countryman’s new summer single, the lovely “Summer Sand”; and tracks from the Davenports’ most-welcome new album, Don’t Be Mad at Me.
With all that, we’re just scratching the surface of the catchy tunes you’ll discover when you tune in to Pure Pop Radio, the 24-hour Internet radio station playing the greatest melodic pop music from the ’60s, ’70s and today, with a special emphasis on the latest releases you want to hear.
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By Alan Haber – Pure Pop Radio
(Originally posted 01.03.17)
2016 was a terrific year for melodic pop music from both new and heritage artists, perhaps the best in recent memory. My list of 28 Favorite Records of the Year from 27 artists–The Stars of 2016–is presented below in random order.
It has long been my view that ranking entries on best-of-the-year lists is an impossible task, at least for me. If I made such a list on Monday, would the number nine entry still be in that slot on Tuesday? Perhaps not. Sometimes, I fear, agonizing over a particular placement would be akin to splitting hairs and not particularly a worthwhile enterprise. So, I’ll go with I like these a lot instead.
Here are my Favorite Records of the Year–The Stars of 2016–in no specific order. All are more than worthy of your time, and all should be added to your core collection of the greatest melodic pop music in the universe.
And now, on with the show…
The Stars of 2016
Bob Lind | Magellan Was Wrong Pop bard Bob Lind’s latest is a typically heartfelt collection of songs that deliver his always magical one-two punch: emotional lyrics and beautiful melodies, brought to life with stellar arrangements and production, much of it supplied in grand fashion on this album by the Spongetones’ Jamie Hoover. Gorgeous soundscapes abound, such as the romantic, catchy “From the Road,” awash with poppy background harmonies from Hoover and perceptive, picturesque lyrics from Lind (“In moments others call mundane/My soul is warming by your flame/Turning just like a sailor to the harbor/And I will carry back my songs and tales/Of calms and gales/And sing and tell them all/To you”), and Lind’s emotional cover of Tom Paxton’s “Bottle of Wine.”
The Legal Matters | Conrad With this album, the Legal Matters have set a new standard for vocal harmonies in melodic pop music. Andy Reed, Chris Richards, and Keith Klingensmith are the players, and their human voices are their instruments. The songs are sweetly realized, from the opener “Anything,” not the first track on this album tipping its hat to the much-loved Beach Boys vocal vibe, to the upbeat, single-worthy “Short Term Memory,” which tips its drumsticks to Ringo Starr in a delightful fill and puts forth some top-notch electric guitar playing. To listen to this album is a thrilling experience.
The Weeklings | Studio 2 The beat-betrothed, Beatlesque foursome from New Jersey, steeped in the Fab tradition and nom de plumed in the spirit of all that started off holy in Liverpool’s Cavern Club a fair number of years ago, follows up their self-titled long player, affectionately known as Monophonic, with a sterling 12-song set composed of eight superlative originals and four rare John Lennon and Paul McCartney songs not given away to other artists. Recording in Abbey Road’s hallowed Studio 2, where the Beatles made their astounding magic, Glen Burtnik, Bob Burger, John Merjave and Joe Bellia, aka Lefty, Zeek, Rocky and Smokestack, respectively, make considerable Merseyside hay with delightfully brisk and catchy songs steeped in the effervescent spirit of the Fab Four. A splendid time, to be sure.
Caper Clowns | The Buca Bus Delicious pure pop from Odense, Denmark delights with a dozen beautifully written and performed pearls. Lovely melodies and vocal harmonies are always present, particularly on instant classics such as the should-be-hit-bound earworm “A Tale of Romance and Magnetic Trains” and the gorgeous ballad “Lizard Heart.” Debut of the year? Most certainly.
Kenny Herbert | Forever and Beyond A gorgeous, romantic song cycle inspired by Caroline, the love of his life, Forever and Beyond is Herbert’s melodically-charged survey of the power of true love. The 14 songs on offer, encompassing 1930s, 1950s and modern melodic pop vibes, are tremendously affecting, beautifully drawn snapshots of a happy existence. The pretty “Queensferry Girl” and the catchy, McCartney-esque pop song “It’s All Good” shine among a rich collection of gems.
Nick Piunti | Trust Your Instincts Guitars, bass, drums, powerful vocals, and a whole lot of moxie power the pop on Nick’s latest, high-energy collection. These songs make heads turn and hearts embrace its many charms. “One Hit Wonder” is the big, splashy, pure pop hit here, a clear winner on an album full of winners.
Gleeson | Curse My Lucky Stars Austin, Texas band Gleeson have made their White Album, a sparkling collection of songs varied in approach and tone that makes a case for melodic pop being the genre of the moment. Encompassing beautiful balladry, art-pop, rock and retro charm, Curse My Lucky Stars is a marvel.
Teddy Thompson and Kelly Jones | Little Windows A true, modern classic bathed in retro charm, Little Windows’ rewards are many. There is a decidedly romantic notion at play here, one that slips in and out of hand holding echoes of the Everly Brothers at Cadence, Roy Orbison, Porter Wagoner and Dolly Parton, Buck Owens and a thousand other country-pop artists and their golden recordings. These lovely, heartfelt songs, brought to life by two of pop music’s finest vocalists, make up an album that is like a bright lighthouse shining across the sea, drawing you in.
Ray Paul | Whimsicality Thirty-six years after the release of Ray Paul and RPM’s album Go Time, the artist is once again regaling listeners with enticing tales set to everyone’s favorite power pop beat. A delicious mix of originals and well-chosen covers, such as the Grass Roots’ “Temptation Eyes” and Paul McCartney’s “Oh Woman, Oh Why,” meets wonderfully-realized originals like the dynamic “A Fool Without Your Love” and McCartney-esque “Jeannie.” With Ray’s gorgeous melodies and strong vocals out front, this is a treat from first note to last.
Myrtle Park’s Fishing Club | Benches A monumentally towering testament to melodic and harmonic excellence, Benches is a delight from start to finish. There is nothing quite like Kate Stephenson’s take on melodic pop music, just as there is nothing like her soaring imagination, and her ability to express all manner of emotion and make the listener feel. Working in concert with musical partner John Steel, Kate delivers wondrous songs (and three-dimensional vocal harmony stacks) like “Somebody Called Me an Onion,” a smile-inducing, upbeat, energetic pop number with faux-reggae shadings about peeling back the layers to reveal the full, human package of emotion; and the a cappella wonder “Silent Letter,” a tune about inner beauty and the sanctity of thought that doesn’t always have to be laid bare. For those of you keeping score, this is the second Myrtle Park’s Fishing Club album to wear our Favorite Records of the Year mantle. As it should be.
The Nines | Alejandro’s Visions Rolling and then filtering the influence of the music of writers such as George Gershwin and Rodgers and Hart into a mix peppered with the harmony styles of the Beach Boys, the Four Freshmen and even doo-wop, and then topping the resulting flow with his love of artists such as the Electric Light Orchestra and XTC, Steve Eggers has delivered a harmony- and melody-drenched soundtrack to an imaginary film, somewhat of a sequel to the last Nines album, Night Surfer and the Cassette Kids. Standout tracks include the beautiful, bittersweet, old-fashioned “When Our Love Was in Bloom,” stacked deep with gorgeous harmonies and an irresistible melody; and the early rock and roll/pop hybrid “Operator (Coming Home to You),” which sports a meaty, catchy, percussive piano riff, opens with an aural allusion to the Ronettes’ “Be My Baby,” and lays out a delectable Jeff Lynne-ish bridge that will make you smile. Alejandro’s Visions is Eggers’ best and most assured work yet, an immensely satisfying collection that belongs in every melodic pop music fan’s collection.
Seth Swirsky | Circles and Squares Proving that a creative, heartfelt approach to making music will yield magic almost every time, Seth Swirsky has crafted a collection of songs that draws on all of his strengths, and perhaps incorporates a couple of new ones. Moreover, these songs reveal the truth about all of our lives, right from the first track, “Shine,” his statement of purpose, the one that sets the stage for what comes next. And what comes next is winner after winner, such as the lovely confessional and autobiographical “I Don’t Have Anything (If I Don’t Have You),” in which the narrator allows that life means nothing at all without the proverbial “one”: “I’ve got some baseballs/That are pretty rare/Got a swimming pool/And a fast car/But I don’t care/’Cause I don’t have anything if I don’t have you…I’ve got gold records/Hanging on my wall/But without your love/Baby you can have ’em all…” This 16 song collection is the latest expression of craft from one of pop music’s most important artists.
Lucy Wainwright Roche and Suzzy Roche | Mud and Apples A sparkling duo release from Suzzy Roche and her daughter, Lucy Wainwright Roche. Warm harmonies, clever songwriting and the inclusion of beautifully-sung covers such as Paul Simon’s “Bleecker Street” and the Cascades’ “Rhythm of the Rain” push this 11 track masterpiece into hall-of-fame territory. Roches fans will be charmed, and so will everyone else. Surely one of this year’s top expressions of musical joy.
The Monkees | Good Times! Good Times! is a classic-sounding Monkees album that happens to have been released 50 years after Monkeemania began. A mix of recordings based on sessions produced during the group’s heyday and new songs written by top-flight, current songwriters of note, this is a fun listen from start to finish. A shining example of how good this album is: The perky, catchy “You Bring the Summer,” written by XTC’s Andy Partridge, fulfilling a childhood dream. A great album.
Mimi Betinis | Music Sounds and Basement Tapes Vol. 1 Pezband’s Betinis scores with two sterling releases in 2016 that are really two sides of a rather entertaining coin, so they both rate a spot in this Stars of 2016 feature. Music Sounds is a vivid, quite alive offering of melodic treasures. Its songs are wonderfully realized pop confections that hit the hooky bullseye, like “She Wants You,” which surreptitiously recalls the famed intro to the Ronettes’ “Be My Baby” in the intro, and “Summer Love,” a warm love letter and look back to a seasonal romance (that, perhaps unknowingly, taps the sound of 10cc member Eric Stewart’s guitar playing in the solo).
Basement Tapes Vol. 1 collects tracks that Mimi has been working on over the years, like “Ray of Light,” a melodic sweetness that sounds like an Andy Partridge outtake off of XTC’s Nonsuch album, and simply lovely covers (Paul McCartney’s song for Mary Hopkin, “Goodbye,” and the Hudson Brothers’ “So You Are a Star” are glorious). Saying that some heritage artists are only getting better as time passes by can sound like rather an empty assertion, but my, how that phrase does indeed fit snug as a bug, listening to Music Sounds and Basement Tapes Vol. 1.
Winterpills | Love Songs The numbers on Winterpills’ seventh album get under your skin; they become you in some celestial kind of way. The vocals of songwriter Philip Price and his wife, guitarist and keyboard player Flora Reed, are the collective glue that holds these proceedings together–the glue that gives them life. Consider “Wanderer White,” a rolling, rhythmic song about a fall from grace, in which Philip takes the lower notes and Flora the higher ones, and “Freeze Your Light,” which starts off as if in a church with a slight, ghostly choral singsong and becomes a folk-into-pop number with a delectable chorus buoyed by the same low-and-high vocals. The poppy bopper and should-be-hit-bound “Celia Johnson” turns the tables with Philip initially taking the high vocal part and Flora following closely. A trumpet and coronet serenade add to the song’s beauty; a lovely, echoed piano part comes in for a beautiful coda. A real treat.
Butch Young | Mercury Man Butch Young’s miraculous, hall-of-fame-worthy album is a modern classic by way of its dazzling array of 1970s-styled instant classic songs, peppered with a mix of Paul McCartney and Harry Nilsson-esque magic. Every one of these Los Angeles-based artist’s songs is a clear winner, like the title track, “Persephone,” “One Foot In,” and “The Fools of May.” Awesome.
The Dowling Poole | One Hyde ParkOne Hyde Park, the sterling follow-up to the Dowling Poole’s Bleak Strategies, is a virtual tour de force and, if that weren’t enough, it’s an album influenced by sounds from across the pop landscape that doesn’t actually sound like its influences. Witness “Vox Pops,” which incorporates a very Partridge Family-sounding keyboard line and a very Brian May-sounding guitar solo; “Hope and Glory,” an upbeat pop song; and “Bring Back the Glow,” a smooth, rolling ’70s number. Joy from across the pond.
Chris Murphy with Michael Carpenter | “Real Love” This absolutely gorgeous ballad recasting of John Lennon’s song is one of this year’s major triumphs in melodic pop music. For this rendition, the tempo has been slowed, allowing Murphy to lovingly communicate the depth of the emotional lyric. Murphy’s vocal may well be the best vocal performance of the year. His ability to hold a melody line’s final note in such an artful way, to sustain its resonance and maximize its impact on the listener, is something to behold. Recorded with precision and heart by Carpenter on the occasion of singer Kylie Whitney’s wedding (Whitney also sang background vocals), this new version of this wonderful song is proof positive that covers can reveal new layers of emotion not previously brought to the surface.
Emitt Rhodes | Rainbow Ends Forty-three years after his third album, Farewell to Paradise, was released, this new collection surfaces to critical and listener acclaim, and rightly so. Here are songs that feature all of the Rhodes hallmarks: beautiful, catchy melodies; inventive chord changes; and those velvety, smooth, sturdy and emotive vocals. Perhaps this is no more evident than on the emotional ballad “I Can’t Tell My Heart.” Somewhat reminiscent of Mirror‘s “Love Will Stone You,” this is a showcase for Emitt’s committed, vocal delivery; the gorgeous melody and emotional lyrics combine to sketch the breakup of a relationship and a considered plea for the other party to embrace the option to heal. A wonderful surprise and an instant classic. Welcome back to a truly special artist.
Daisy House | Western Man Doug Hammond and his daughter Tatiana’s album for the ages features golden harmonies and great songs that will melt your heart all the way through. The heavenly duo channels the Byrds in the uptempo “She Comes Runnin’ Back” and “Twenty-One,” offers up a catchy, playful vibe with the singalong number “Willow,” and delivers a strong, emotive ballad with the orchestrated tune, “Western Man.” Best news of all: a new album is soon to be released. Happy new year, indeed. Where to Get It:Bandcamp
Brain Circus | Brain Circus This smashing collection of impossible-to-resist songs performed in grand style by ace songwriter and keyboard wizard Brian Curtis, late of the much-loved band the Oohs, serves up 13 numbers in all, performed entirely by this transplanted Virginian. The majestic, heartfelt love song “Finally Found the One,” a musical sculpture formed with smiles and tears and a whole lot of heart, is but one highlight. You’ll detect essence of the Beach Boys, Jellyfish and Queen, among other classic touchstones, but this is all Curtis and don’t you forget it.
The Flat Five | It’s a World of Love and Hope This Chicago-based band of harmony-hounds deserves supergroup status, thanks to the members’ affiliation with artists such as Neko Case, NRBQ and the New Pornographers. Welcome a deliciously wondrous assortment of luscious pop dressed in a variety of comfortable musical clothing that runs the gamut from the Manhattan Transfer-meets-hep cat vibe of the delightful “Buglight” to the Paul McCartney retro-sway of “I Could Fall in Love with You” and the pretty back porch balladry of the Roches-like “Bottom Buck.” Pretty special all the way through.
Bent Van Looy | Pyjama Days Based in Paris, France and a member of the band Das Pop, Bent Van Looy’s 2016 release is a lovely, pure poppy collection of sweet-sounding catchy melodies sung with assured style, like the upbeat pop number “My Escape,” beautifully arranged with little Beach Boys vocal flourishes weaved in; “Mr. Fletcher’s Song,” a melodic mid-tempo ballad that wouldn’t sound out of place on a Randy Newman album, and the sumptuous title track, a three-minute genius construct, nicely orchestrated and adorned with a smile-inducing whistle. Pop on.
The Junipers | Red Bouquet Fair This charming collection from the Leicester, United Kingdom band recalls the sweet sunshine pop sound of the 1960s and 1970s in such lovely songs as “Summer Queen” and “Like a Merry-Go-Round.” Red Bouquet Fair is no less than the audio equivalent of smiling at your good fortune on a warm day in the park while sipping cool lemonade (the effect is equally transcendent wherever else you may be). The vocals are enchanting and the instrumentation is perfectly played. Lovely.
Tommy and the Rockets | Beer and Fun and Rock ‘n’ Roll This ace project, featuring 10 pop-rockers, co-written, except for one, by super criminal defense attorney Michael Chaney and Thomas “Tommy” Stubgaard, who plays all of the guitars, bass, and provides handclaps, shake the house, as it were. Check out the catchy, Beach Boys-influenced sunshine anthem “Here Comes Summer,” and a couple of energetic Ramones nods, “Silly Teenage Love” and “You Want Me (But I Don’t Want You)”). Cheery, toe-tapping fun.
The Explorers Club | Together This collection of songs imbued with the spirit of the best of the Beach Boys, the Four Freshman, the Association and other time-honored practitioners of the art is one of the sweetest offerings of the year. Here are songs that are beautiful and beautifully sung, lovely and lovelier still, from Jason Brewer, Wyatt Funderburk, Paul Runyon, Kyle Polk and Mike Williamson. From the southern California harmony- and sun-soaked sound of “California’s Callin’ Ya” to the Four Freshmen-meets-“Graduation Day”-by-way-of-Les Paul ballad “Perfect Day,” Together invites listeners to bathe in the beauty of harmony-filled dreams.
Harmony-filled dreams… Ah, as ever, they feel so right. With 2016 now in our collective rearview mirror, it is time to look ahead into what is just around the corner. Your favorite artists, and those new to the melodic pop scene, are itching to get going…to release their latest creations, crafted with a mix of melody, harmony, and keen performance.
Already, I have heard a few upcoming albums that I predict will knock your socks off. Nick Bertling, who records under the name Bertling Noise Laboratories, has been making a name for himself with a few rather extraordinary platters; the Lab’s latest, releasing later this month, is a covers collection called, in a nod to the great Harry Nilsson, A Little Touch of Bertling in the Night. This is a sweet mélange of favorite songs from yesterday, filtered through today’s singular sensibilities. It is uniquely Bertling, and you’re going to love it.
Dana Countryman, of whom much has been said throughout these pages, all of it sweeping-me-off-my-feet good, is about to release in 10 days, through Australia’s Teensville Records, his passion project, a tribute to the 1960s girl group and Brill Building sounds that continue to bring joy to ears around the world. Dana Countryman’s Girlville!: New Songs in the Style of Yesterday’s Hits will transport you back to a much simpler time, perhaps, when melody and joy were king. Lisa Mychols, Swan Dive’s Molly Felder, and Lisa Jenio are just three of the vocalists that help to bring Dana’s vision to life on an album that you will hug tightly. Look for Dana to appear on Pure Pop Radio: In Conversation soon to talk about this landmark release.
Bill DeMain, whose solo music and treasured albums with Molly Felder as Swan Dive will always have a place here on Pure Pop Radio, has a new record that will soon be released. After hearing and playing on the air a bonus track from Beans, a lovely arrangement of the Beach Boys’ “Wendy,” we hope the release date comes very soon.
The Word is Love
“Spread the word,” the Beatles sang back in 1965. They were talking about love, not melodic pop music written and recorded in the 2010s, but they might as well have been looking forward, as should we all.
In 2017, we look forward to bringing you more of the greatest melodic pop music from the ’60s to today. We’re on the job 24-hours-a-day, seven days a week, 365 days a year. A click of any of the Listen links that follow will connect you with our stream. Spread the word about Pure Pop Radio, if you will and, if you haven’t already, please click the Follow button on the homepage of this very website to ensure that you will be notified by email every time we make a post.
Thanks for reading our list of our Favorite Records of the Year: The Stars of 2016. Add them all to your collection; your ears will thank you, as will I.
Caper Clowns | The Buca Bus Odense is the third-largest city in Denmark, which is important should you or I be traveling to that country with the desire to visit its largest cities. Another reason to visit Odense would be to soak up the atmosphere that undoubtedly inspired this talented quartet to craft this wonderful melodic pop collection. The highlights are too numerous to mention in toto, but here are a few favorites: “A Tale of Romance and Magnetic Trains,” a pure pop delight of the toe-tapping variety; “Mirror Me,” an uptempo driver which wouldn’t be out of place on a Deacon Blue album; “Sleeping on the Edge of the Rainbow,” a beautiful burst of charming balladry, and “The Significance of Teacups,” wholly McCartney-esque (and ELO-esque with a Brian May-type guitar solo)–an earworm that simply won’t let go. Lovely melodies and harmonies and, well, everything, await your ears. Take a well-deserved bow, Rick Kingo, Peter Højgaard, Christian Højgaard and Skipper Storm; you’ve made one of this year’s most assured collections of musical treasures. Now playing in rotation on Pure Pop Radio: Nearly the entire album: “Pockets,” “A Tale of Romance and Magnetic Trains,” “All We Ever Do is Run,” “The Significance of Teacups,” “Sleeping on the Edge of the Rainbow,” “A Forest of Letters,” “Mirror Me,” “Dressed in Flaws,” “When I’m Alive,” and “Lizard Heart” When and Where to Get It: iTunes, imusicAmazon UK (mp3 download). Listen on Spotify
McPherson Grant | “Big Picture People” Hot off the presses and just emerged from the so-top-secret-you-need-two-passwords-to-get-in laboratory where magic, naturally, sprouts eternal, comes “Big Picture People,” maybe the catchiest earworm yet from the dynamic duo of Scott McPherson and Jamie Grant. With a determined piano opening topped with percussion effects that manages to sweetly recall two Paul McCartney tunes–“Tomorrow” and “Silly Love Songs”–this is the catchy thing of the moment. The lyrics incorporate allusions to McPherson Grant’s song titles and, with tongue planted firmly in cheek, point to the not-actually-nailed-down release date for their forthcoming album (“The melodies slay/Release date delayed/It’s such a bummer”).
Surprising, lively, catchy, and clever (check out the slightly psychedelic/vaudevillian bridge), you won’t be able to get this song out of your head.
As a special treat, click on the audio transport thingy that follows to hear me discuss this song with Scott, and hear “Big Picture People” in its entirety. Meanwhile, look forward to the forthcoming McPherson Grant album, coming real soon. I know I will.
Now playing in rotation on Pure Pop Radio
When and Where to Get It: Look for “Big Picture People” to appear on the forthcoming McPherson Grant album
Kurt Baker Combo | In Orbit His combo at his side, bashing out a wicked run of hard-charging riffs and tunes, Kurt Baker is back with his rocking rhythm guitar and committed Elvis Costello-vibing vocals. The results are, as you would expect and, furthermore, require, breathless and immediate, from the seventies Bad Company-by-way-of-Raspberries “Baby’s Gone Bad” to the very Katrina and the Waves bopper, “Rusty Nail.” Co-produced in Spain by Kurt and Jorge Colldan, and released on Little Steven Van Zandt’s Wicked Cool Records, In Orbit is a pop and roll dream come true. Now playing in rotation on Pure Pop Radio: “Baby’s Gone Bad,” “Modern Day Rock ‘n’ Roll,” and “Rusty Nail” When and Where to Get It: Kool Kat Musik, Amazon, iTunes
Pacific Soul Ltd. | The Dance Divine Kind of a melting pot of sounds, incorporating pop, soul, and everything seventies, this trio, bringing together the talents of Cockeyed Ghoster Adam Marsland, Teresa Cowles, who, by the way, played legendary bassist Carol Kaye in the Brian Wilson biopic Love and Mercy, and recording artist Norman Kelsey. The “Sugar, Sugar” vibe of the Cowles-sung “We Go High” sits alongside the dance romp “Sunset Golden Love” and the Box Tops-y rocker “Pacific Soul Time”on an album that not only makes you feel the groove, it practically turns it on its catchy head. Now playing in rotation on Pure Pop Radio: “Pacific Soul Time,” “Road Trip,” “Sunset Golden Love,” “Tomorrow Brings Tonight,” and “We Go High” When and Where to Get It: Karma Frog Records
Rob Martinez | New Love EnvironmentPure, catchy pop crafted in Reseda, California at Adam Marsland’s Karma Frog Studios. Albuquerque, New Mexico popster Martinez works through tasty nuggets that promote replayability and will undoubtedly put smiles on the faces of listeners. There are many highlights, but pushing for the top spot is “Love Life,” a musical love letter to the Partridge Family. Sweet. Now playing in rotation on Pure Pop Radio: “Hangin’ On the Line,” Hard to Take,” “Love Life,” “and “When She Comes to Town,” another Partridge in the pop tree When and Where to Get It: Karma Frog Records
TUNS | TUNS What happens when Sloan’s Chris Murphy, Super Friendz and Flashing Light’s Matt Murphy, and the Inbreds’ Mike O’Neill trio it up and let loose their pop smarts? Pop and roll ensues on a driving collection of snappy, upbeat songs that burrow into your subconscious. Top-flight collection bodes well for future releases. Now playing in rotation on Pure Pop Radio: “Back Among Friends,” “Lonely Life,” “Mind Your Manners,” and “I Can’t Wait Forever” When and Where to Get It: Amazon, Kool Kat Musik, iTunes