Reviews: 6.11.19: Songs and Stories from Ray Paul, Smith and Jones, and Kenny Herbert

By Alan Haber – Pure Pop Radio

Ray Paul | Bloody Rubbish (Kool Kat Musik, 2019)

The slim, trendy, smiling pop art-ish musician, drawn with angles, feet slipped into Beatle boots and holding a familiar looking bass is depicted on the cover of his album as a guy you should get to know if you don’t know him already. He’s peddling some so-called bloody rubbish, or so says the title. Don’t believe him.

The musician depicted in smart, cartoony fashion on the cover of Bloody Rubbish is Ray Paul, still and always head muckety-muck at Permanent Press, known by pop fans as one of the premier indie record labels, the original concern sadly gone but certainly not forgotten. Bloody Rubbish is a smashing collection of 10 choice Paul classics drawn from throughout his four-decade-plus career. Said classics, it should be noted, are neither bloody nor rubbish.

Sequenced in a kind of time traveling back-and-forth fashion, Bloody Rubbish begins with “I Need Your Love Tonight,” a track first issued in 2017, a rousing, very catchy and full of guitars side sporting a typically passionate Paul vocal and one of his patented can’t-get-it-out-of-your-head melodies. Guitars and strong vocals are the backbone of every recording contained herein.

The thing about Paul’s output is that many or most of his recordings could come from any year, slab of vinyl or shiny compact disc. So his 1978 single on Euphoria Records–“Lady Be Mine Tonight” b/w “Hold It”–is absolutely interchangeable with “I Love It (But You Don’t Believe It)” from 2016’s superb platter, Whimsicality; 1980’s up-tempo and Badfinger-ish “Brokenhearted,” and 1981’s “How Do You Know?” b/w the early XTC-ish “Keep it Confidential,” released on Permanent Press. All of these choice tracks are included here, and all are divine examples of Paul’s mastery of the pop form.

Bloody Rubbish serves up three previously-unreleased rarities for the Paul collector and, really, any fan of melodic, rocking pop: “Love Me,” a moody, melodic, mid-tempo Paul song waxed in 1977 at Euphoria Sound Studios, and two live tracks with his new band from 2017–“Standing on the Edge of Goodbye” and a passionate cover of the rocking “Open Up Your Door,” both billed as by Ray Paul and RPM (the latter song is a cover of Richard and the Young Lions’ 1966 single).

Kudos to Ray Gianchetti at Kool Kat Musik for releasing this compendium of “bloody rubbish,” which comes in a nattily-attired jewel case with a four-page booklet sporting thumbnails of Ray Paul releases and an array of eye-catching photos.

And kudos to you, smart pop people, for catching on to some of the finest uptempo pop recordings that have had the opportunity to seep into your consciousness over the past four-plus decades. This Bloody Rubbish is bloody fantastic.

Where to Get It: Kool Kat Musik, Amazon

Smith and Jones | Something Worth Learning
(Childless Mother Records, 2019)

Last year’s Petty by Carpenter Smith and Jones, a loving tribute to Tom, was a big hit here at Pure Pop Radio, and for good reason: its passionate takes on some of Petty’s most beloved songs spoke to us, and probably spoke to you, too.

That very same passion is renewed and celebrated here on Abby Smith and Sophie Jones’ sophomore duo collection, Something Worth Learning, produced by Michael Carpenter. The album’s twelve songs, chronicling the ups and downs and sideway glances of relationships, speak to all types of hearts, however they beat and tumble.

Carpenter’s production is crisp and clear and alive, bringing Smith’s songs to life with just the right combination of instruments and depth of solo and harmony vocals. The trio of Carpenter, Smith and Jones is a shining example of fate drawing on a colorful canvas.

The album kicks off with the lively and upbeat “As I Am,” a catchy bubblegummy concoction that should for all the world be called Progressive Partridge (Family). This take-me-as-I-am song gets these proceedings off to a catchy start.

There are more five-star songs and performances on Something Worth Learning than on most albums being released these days. Case in point: “One Last Time,” a beautifully rendered ballad very much in the early Joni Mitchell style. With just piano and voice, this tale of a broken relationship plays out with sure emotion after the relationship is in tatters. But the girl pines for one final positive memory (“You could tell me I’m beautiful / Just one last time”).

Another Mitchell-esque song, a ballad entitled “In the Middle of the Night,” pairs solo piano and voice as a poetic dreamscape takes hold of listeners’ senses; in these words lie all emotions tethered in a relationship. These words, written by Smith, are monumentally sound and descriptive: “In the middle of the night / I go walking in the rain / Leave my pillows to their dreaming / My sheets, to lovers’ stains / Just a passing storm that’s all.” And then, there is this: “In the midnight of my memory / I hear that black bird singing / Softly as a lovers’ touch / A kiss upon my ear / Hear that melody rise and fall / Lovers and losers / She sings for us all.” Quite simply gorgeous.

“Love Lives in Darkness,” an emotional ballad, plays right out of the Mary Chapin Carpenter playbook–a very good thing. Even the vocal is Carpenter-esque, circa her Come On Come On album from 1992. About love lived in shadow, the song barely reaches out to light (“We raise it up on a stolen Sunday / We raise it up with an early morning embrace / Before the day is woken / Before a word is spoken”). The deeper truth? “A love lived in shadows / Is a love built on lies.”

The liveliest song on this album, relentlessly clever and smile-inducing, is the bouncy “Last Night I Saw Jesus (The Book of the Boss),” a tongue-in-cheek hosanna shot straight from around the world to Asbury Park, New Jersey’s favorite son, Bruuuuuuuuce Springsteen. Over a hippety-hop bass line and sure-footed finger snaps come the rousing huzzahs: “Come on, head on down to tenth avenue / And find a place on the church pew / We’re singing a hymn from the book of the boss / Oh he saved me and he’s gonna save you too.” And, if you were wondering, this song’s lyrics make it crystal clear: Bruce is “looking good for his age.”

Something Worth Learning, played by Abby Smith, Sophie Jones and Michael Carpenter, along with Matt Ferry, is something well worth having.

Where to Get It: Bandcamp, Amazon, iTunes

Kenny Herbert | “Like Marilyn” (2019)

Pure Pop Radio favorite Kenny Herbert is back with perhaps one of my favorite of his most recent creations–contemporary pop with more than a dash of 1930s and 1940s pizazz.

A delectable horn section, orchestration, plonking piano, and Kenny’s honey-coated vocal, full of love, power this toe-tapper inspired by Kenny’s wife Caroline, who, he says, “has the best smile in the world.” Making this song’s dazzling chart sing are Pilot’s David Paton on bass; Bob Heatlie, making the brass and strings come alive; Martin Wykes on drums, and Rab Howat playing guitar and singing background vocals. David Valentine, who plays piano, also produced at Heartbeat Studios in Edinburgh, Scotland.

Another great one, Kenny.

Where to Get It: iTunes

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended last August.

Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.

Reviews: 3.5.19: The Big Believe Meets Tania, Kenny Herbert is the Luckiest Man in the World, and the Well Wishers are Feeling Fine

By Alan Haber – Pure Pop Radio

The Big Believe | “Tania Was a Truth Teller”
b/w “Girl With Cassettes” (2018)

A paean of four-on-the-floor Blondie in 2018? That’s the engine driving the intrigue-laced “Tania Was a Truth Teller,” the first of the two top tracks that make up The Big Believe’s late-2018 pop blast; both were mixed in you-are-there stereo by Fritz Catlin of the band 23 Skidoo. (Dig the pop art cover by Peter Quinnell.)

Meeting by the bridge in the dead of night, Tania has the answers to the questions at hand. But can she be trusted? “Tania was a truth teller,” the narrator notes. “She liked to dress like a feller.” She lives “on and on and on and on,” but is she the real thing? “I thought I saw Tania on the high road/But it was just the sunlight in my eyes.” Hmm… A mystery in song, and a catchy one at that, featuring The New Pornagraphers’ Todd Fancey on guitar.

Fancey also features on “Girl With Cassettes,” a fast, fizzy and loud pop-rocker about the girl who dazzles her way to point b from point a with nary a care (“She drives through the red/She stops at the green/Is blinded by everything in between”). She’s the girl “in the green t-shirt” who’s got her eyes transfixed on the one who can make things happen: “Oh if only they knew what a boy can do/To the girl who collects cassettes, cassettes, cassettes.” OMD meets Duran Duran in this grand, imaginative romp.

The Big Believe, aka Amanda Thompson, is working on the band’s second album, Juggernaut, to be released later this year. You’d better…believe we’re psyched.

Where to Get It: 7-inch with mp3 download: The Big Believe’s website; iTunes, Amazon

Kenny Herbert | “The Luckiest Man in the World” (2019)

I have been absolutely delighted and enriched to have the music of Kenny Herbert in my life for going on 15-plus years. His melodic prowess is virtually unequaled. Everything he releases speaks directly to my heart.

“The Luckiest Man in the World,” just released, is another classic creation from up Edinburgh, Scotland way–a beautifully realized mid-tempo ballad about the love he shares with his beloved wife Caroline. With music surrounding them, they are charmed, and so is the listener.

Produced by Bob Heatlie and featuring Rab Howat singing backgrounds, “The Luckiest Man in the World” expresses Kenny’s thoughts through clever lyrics, such as this clever verse invoking the Chairman of the Board: “Feel like the luckiest man in the world/
I’ve got my music and my beautiful girl/Feel like Sinatra playing the Sands/I’m gonna love you like no other man.”

The cover art for this truly wonderful song, among Kenny’s best, says it all, really; it depicts Kenny and Caroline in dreamy silhouette and was lensed this year in Liverpool, home of the Fab Four.

Enjoy a lovely, live acoustic version of “The Luckiest Man in the World,” performed by Kenny at the water’s edge in St. Fillans in Scotland’s central highlands:

Add this song to your collection? By all means.

Where to Get It: iTunes

The Well Wishers | “Feelin Fine” b/w “Second Hand News” (2019)

Jeff Shelton’s outfit returns with a snappy, poppy, upbeat, guaranteed-to-please popper that keeps the beat going with pure joy on its mind. “Feelin Fine” raises the stakes with a very R.E.M.-ish feel, a catchy chorus, and some widescreen harmony touches. The Wishers’ take on Fleetwood Mac’s “Second Hand News” is basically a reverent tip-of-the-hat to one of those Lindsey Buckingham earworms that takes up permanent residence in there. Must’ve been fun to record.

Where to Get It: Bandcamp

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended last August.

Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.

Need Gift Ideas for the Melodic Pop Fans In Your Life? For You? We’ve Got ’em, All This Week

By Alan Haber – Pure Pop Radio

We are now officially in the 2018 holiday gift giving season. I know…it seems like only yesterday, blah blah blah… Well, it does, but here we are again, faced with making those decisions that, year after year, are just plain hard to make.

Well, we’re here to make it all easier for you. We’re here to help you to choose gifts for the melodic pop fans in your lives (and for yourself). Relax. Below, you’ll find  new reviews of new 2018 releases, in-depth as always, along with links that will take you to the very websites from which you can purchase them. You’ll also find links to previously posted reviews of albums you should consider.

Be with us every day this week. There’s a whole lot of gold out there from which to choose the perfect melodic pop presents for your friends and loved ones. Let’s get started.

Mikah Wilson | Sunshine Grooves
(You are the Cosmos, Burger Records, 2018)
A real find, Los Angeles’s Mikah Wilson pretty much defines the state of sunshine pop in 2018. Let’s just say that if your jam is 1960s Beach Boys, Curt Boettcher, current sensations the Wrecking Two and their like-minded compatriots, this will be your jam, too. Comprising “Sunshine Grooves” and the two songs contained on the “Sweet Jules” single (“Sweet Jules” and “Look at the Way”), this is the soft-pop EP of the moment. Don’t miss it.

black box Where to Get It: You are the Cosmos, Bandcamp

Various Artists | White Lace and Promises: The Songs of Paul Williams
(Curry Cuts, 2018)

Curry Cuts’ loving tribute to singer, songwriter and all-around entertainer guy Paul Williams, White Lace and Promises, releases on December 7 in digital form and around a week or so later in physical form and on streaming platforms. I’ve already sung its virtues here, where I waxed poetic about some of the tracks. I’ve now heard the entire megillah, so it seems prudent for me to wax poetic some more.

It’s obvious, to me at least, that the artists who have signed on to Andrew Curry’s latest tribute harbor a great affection for Paul Williams’ work; each of the 23 tracks here functions as a great big hug, a happy thank you to the artist for doing what he does so very well.

Here are some of my favorites, standout tracks all:
* “Someday Man.” Zach Jones turns in an affectionate, somewhat faster version than Paul Williams’ cut
* “You and Me Against the World.” Lisa Mychols ramps up the tempo on this classic. The harmonies and electric guitars really shine
* “Rainy Days and Mondays.” Cliff Hillis sings this lovely song, made famous by Karen and Richard Carpenter, solo
* “I Won’t Last a Day Without You.” Chris Price gives the Carpenters’ version a bit of a run for its money, turning in a lead vocal that is sincere and without question his best yet
* “You Give a Little Love.” This song from famed film Bugsy Malone gets a joyous Broadway kind of treatment from the Corner Laughers’ Karla Kane, and it’s fabulous
* “An Old Fashioned Love Song.” Cait Brennan turns one of Paul Williams’ greatest songs into a deeply-felt, alternative romp, centered around Cait’s intense, emotional vocal

“You know you’re gonna be remembered for the things that you say and do,” Karla Kane sings as part of “You Give a Little Love.” Wise words that have deep meaning. The world is going to remember the great works of musical art that Paul Williams and his collaborators have given to the world; here, 23 artists have paid homage to that art, and we, the world’s listeners, are the grateful recipients. White Lace and Promises: The Songs of Paul Williams is essential listening.

black box Where to Get It: Releases December 7 in digital form and about a week later in physical form and on streaming platforms; you can pre-order on Curry Cuts’ Bandcamp page

Karla Kane | “Goodguy Sun” b/w “Sisters of the Pollen”
(Big Stir, 2018)
Bkarla kane - sisters of the pollen coverkarla-kane-goodguy-sun-coverig Stir Records, helmed by good guy Rex Broome and good gal Christina Bulbenko from the Armoires, have set into motion a series of delicious digital singles with this double-sided wonder from the Corner Laughers’ Karla Kane, whose 2017 folk-pop solo album, King’s Daughters Home for Incurables, was a big spinner on Pure Pop Radio.

“Goodguy Sun,” written by Cleaners from Venus’s Martin Newell, is a charmingly melodic, very British mid-tempo ballad with the Bye Bye Blackbirds’ Bradley Skaught playing alongside usual fellow travelers Khoi Huyhn and KC Bowman (Gina Sperindle contributes lovely vocal harmony). Kane’s “Sisters of the Pollen,” a mesmerizing folk-pop pearl recorded with husband Huyhn, closes out with an a cappella workout and the actual sound of bees doing their business. Delicious.

black box Where to Get It: Bandcamp, Big Stir Records

Irwin | Ride On (2018)
Jamie and Steve’s Jamie Hoover worked with Bill Irwin, from late-1980s-1990s Georgia pop-rockers Impulse Ride, to produce this tasty EP, pairing four new tracks with two previously unreleased Impulse Ride tracks from 1994. The new tracks, mostly mid-tempo, tuneful slices of pop, were written by Irwin and Hoover and feature both on a variety of instruments. Of the new songs, “King,” a soulful Beatlesque power ballad with Paul McCartney-inspired bass and an indelible melody, and “Georgia Peach,” an easygoing sway of an Americana-soaked pop song with a lovely, joyous melody, are tops.

black box Where to Get It: CD Baby, Amazon

Kenny Herbert | “I’m Growing Old With You” (2018)
Kenny Herbert’s charming pop confections were a mainstay of my playlists throughout Pure Pop Radio’s 23-year history. I continue to be enthralled by everything Kenny adds to his considerable, collectible catalog. His latest release is a typically melodic, uptempo love song, inspired by Caroline, the love of his life. It has a lovely Bobby Goldsboro-meets-Gallagher and Lyle vibe about it. It’s one of those very special recordings that just makes you feel good to be alive.

Here’s a live take on this wonderful song:

Where to Get It: iTunes

More Great 2018 Releases, Perfect for Gift Giving

We’ve reviewed many terrific 2018 releases, any of which would make great gifts for the melodic pop fans in your life. Here are just a few (click on the links to read our reviews and then add the releases to your shopping list):

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995 and ended this past August. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today. Happy holidays!

 

New on Pure Pop Radio 05.11.17: Cait Brennan, Bryan Estepa, The Wellingtons, Kenny Herbert, Pat Walsh, and More

new on pp banner hybrid 2-use this one, it's fixed

Spins and Reviews | 05.11.17
By Alan Haber – Pure Pop Radio

cait brennab thirdCait Brennan | Third (2017)
Quite simply, and before I say anything specific about Cait Brennan’s miraculous, astounding, audacious new album, the pairing of this one-of-a-kind artist and multi-instrumentalist and ace producer Fernando Perdomo is surely one of those fortified-in-heaven happenings that make life on earth a wonderful thing. Captain Obvious here, in other words.

Soaking up the atmosphere at Memphis, Tennessee’s legendary Ardent Studios, where, it may be hard to believe, Big Star only scratched the surface of artists who waxed classic recordings, Brennan and Perdomo made the magic that lines the virtual walls of Brennan’s new album, Third.

It’s one thing to have great songs when going into a studio–any studio–but it’s another to have the chutzpah and the moxie to make them so great that they emerge on disc fully-formed as state-of-the-art classics, which is exactly how the baker’s dozen songs on Third turned out.

What the hell was in the water when Brennan and Perdomo cooked up the ingredients that, stirred in just the right way, made the amazing “Catiebots Don’t Cry” a reality? Because more of that kind of crafting, okay? This gut-wrenching you-love-her-I-love-her-what-are-we-gonna-do-about-it slow-to-mid-tempo burner is a skewed kind of aromatic love song that would have been great had it just been delivered with Brennan singing solo over a gutsy piano track, but with the considered pop and roll stew played out with Perdomo, whose delicious ’70s-styled wah-wah guitar lines are something to behold, and Brennan, whose multi-tracked, three-dimensional vocal harmony stacks are a thing of beauty, it’s something else entirely that dares you and your band to even try to better it. And, I would bet the house on this, you won’t ever.

The equally amazing and spitfire rave-up that is “Shake Away” carries on the rich vocal harmony tradition set by “Catiebots Don’t Cry” in the form of a Motown/Stax-fortified rave-up, and believe me, this thing about getting love right shakes, baby, in a kind of boom-boom way. There’s a whole lot of shaking going on in this pounding number charged with maximum voltage; this thing is practically, deliberately breathless. Speaking of breathless, “A Hard Man to Love” is defiantly so; the grounding, pounding piano pushes the proceedings along until every element gets toppled by the late-song, packed-tight verse that Brennan sings so precise and quick. It outdoes that old Federal Express fast-talking spokesperson, leaving him flat in the dust.

Not every song on Third bristles with quick temperament: “Perish the Thought” is a thoughtful ballad that closes with a clarion a cappella call to arms that will send shivers up and down your spine. And “Bad at Apologies,” a mid-tempo ballad about attraction at all costs (“Another minute without him/I would probably die”), pours buckets of emotion on the flames of obsessive love.

A roller coaster ride through all of life’s travails, Third is an emotional wake up call for all humans negotiating the pathways of their existence. That it pops and rolls like the best works of melodic art is a given. Cait Brennan’s third go-round is astonishing, bold, and seemingly effortless. Captain Obvious, signing out.

black box Now playing on Pure Pop Radio: “Bad at Apologies,” “He Knows Too Much,” “At the End of the World,” “A Hard Man to Love,” “Catiebots Don’t Cry,” “Shake Away,” “The Angels Lie,” and “Perish the Thought”
black box Where to Get It: Amazon, Omnivore Store

bryan estepa rattled and rolledBryan Estepa | “Rattled and Rolled” (2017)
Just 11 days shy of a year ago, we added tracks from Sydney, Australia singer-songwriter Bryan Estepa’s wonderful album, Every Little Thing. He returns to Pure Pop Radio with this fine, melodic track, on which he is joined by ace musician Michael Carpenter; Bryan slings the guitars, Michael slings everything else (he also produced, recorded, mixed & mastered). What stands out most of all are Bryan’s astoundingly assured vocal, always on target; Michael’s humming Hammond organ; and the fact that the proceedings were recorded in just eight hours. Echoing the sensibilities of The New Pornographers, Tom Petty, and Bob Dylan, this killer track whets our appetites for more. So, off with you then, Bryan Estepa.

black box Now playing on Pure Pop Radio
black box Where to Get It: Bandcamp

The Wellingtons End of the Summer front coverThe Wellingtons | End of the Summer (2017)
Today’s second entry from Australia (Melbourne, this time) finds this lively quintet returning to the pop boards with their first album in six years. While the songs are, by and large, a bit too loud for our humble airwaves, four are absolutely perfect. “1963” is a cheery, upbeat, happy-sounding jangly charmer with an intoxicating melody. “She Rides the Bus” is a mid-tempo ballad swirling in Beatlesque ambiance. “So Easy” rides the ABBA waves for a ba-ba-esque celebration of catchy. And the hooky title song would sound good, well, on the radio. So, let’s spin it, shall we?

black box Now playing on Pure Pop Radio: “End of the Summer,” “1963,” “So Easy,” and “She Rides the Bus”
black box Where to Get It: Kool Kat Musik, Bomp Store

kenny herbert i'm comin homeKenny Herbert | “I’m Coming Home” (2017)
One of our favorite singer-songwriters working today, Kenny Herbert continues to write and record wonderful songs that come from the heart. His latest, written and recorded with David Paton (Pilot) and Nobby Clark is a typically pretty tune. Lovely harmonies, a sumptuous melody, and a catchy chorus are in tow. Gorgeous.

black box Now playing on Pure Pop Radio
black box Where to Get It: iTunes

pat walsh bygone daysPat Walsh | “Bygone Days” (2017)
Another Pure Pop Radio favorite, Pat Walsh always delights with his wonderfully melodic songs. “Bygone Days” features another carefully modulated vocal, another terrific melody. Another, another and on and on. Beautiful.

black box Now playing on Pure Pop Radio
black box Where to Get It: Not currently available. Listen on YouTube

Also added to the Pure Pop Radio playlist and currently spinning in rotation:

the outryders - let's live for today The Outryders | “Piangi Con Me (& Live for Today)” (With Joe Algeri and Herb Eimerman) (2017) Bandcamp

lisa mycholsLisa Mychols | “He’s Got Me Dreaming'” and “Don’t Wanna Close My Eyes” (2017) (“He’s Got Me Dreaming” CD Baby; “Don’t Wanna Close My Eyes” CD Baby)

irene pena Irene Peña | “Shut It Down” (2017) (From Trying Not to Smile) Patreon

radio days i'm in love with you haruka Radio Days | “I’m In Love With You, Haruka” and “Teenage Kicks” (Undertones cover) Bandcamp

the dahlmanns forever my babyThe Dahlmanns | “Forever My Baby” and “The Last Time”
Pop Detective Records

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Favorite Records of the Year: Stars of 2016

favorite records of the year - stars of 2016

By Alan Haber – Pure Pop Radio
(Originally posted 01.03.17)

2016 was a terrific year for melodic pop music from both new and heritage artists, perhaps the best in recent memory. My list of 28 Favorite Records of the Year from 27 artists–The Stars of 2016–is presented below in random order.

It has long been my view that ranking entries on best-of-the-year lists is an impossible task, at least for me. If I made such a list on Monday, would the number nine entry still be in that slot on Tuesday? Perhaps not. Sometimes, I fear, agonizing over a particular placement would be akin to splitting hairs and not particularly a worthwhile enterprise. So, I’ll go with I like these a lot instead.

Here are my Favorite Records of the Year–The Stars of 2016–in no specific order. All are more than worthy of your time, and all should be added to your core collection of the greatest melodic pop music in the universe.

And now, on with the show…

The Stars of 2016

bob lind magellanBob Lind | Magellan Was Wrong Pop bard Bob Lind’s latest is a typically heartfelt collection of songs that deliver his always magical one-two punch: emotional lyrics and beautiful melodies, brought to life with stellar arrangements and production, much of it supplied in grand fashion on this album by the Spongetones’ Jamie Hoover. Gorgeous soundscapes abound, such as the romantic, catchy “From the Road,” awash with poppy background harmonies from Hoover and perceptive, picturesque lyrics from Lind (“In moments others call mundane/My soul is warming by your flame/Turning just like a sailor to the harbor/And I will carry back my songs and tales/Of calms and gales/And sing and tell them all/To you”), and Lind’s emotional cover of Tom Paxton’s “Bottle of Wine.”

Where to Get It: Amazon

Legal Matters cover conradThe Legal Matters | Conrad With this album, the Legal Matters have set a new standard for vocal harmonies in melodic pop music. Andy Reed, Chris Richards, and Keith Klingensmith are the players, and their human voices are their instruments. The songs are sweetly realized, from the opener “Anything,” not the first track on this album tipping its hat to the much-loved Beach Boys vocal vibe, to the upbeat, single-worthy “Short Term Memory,” which tips its drumsticks to Ringo Starr in a delightful fill and puts forth some top-notch electric guitar playing. To listen to this album is a thrilling experience.

Where to Get It: Kool Kat Musik, Amazon, iTunes, CD Universe

the weeklings studio 2The Weeklings | Studio 2 The beat-betrothed, Beatlesque foursome from New Jersey, steeped in the Fab tradition and nom de plumed in the spirit of all that started off holy in Liverpool’s Cavern Club a fair number of years ago, follows up their self-titled long player, affectionately known as Monophonic, with a sterling 12-song set composed of eight superlative originals and four rare John Lennon and Paul McCartney songs not given away to other artists. Recording in Abbey Road’s hallowed Studio 2, where the Beatles made their astounding magic, Glen Burtnik, Bob Burger, John Merjave and Joe Bellia, aka Lefty, Zeek, Rocky and Smokestack, respectively, make considerable Merseyside hay with delightfully brisk and catchy songs steeped in the effervescent spirit of the Fab Four. A splendid time, to be sure.

Where to Get It: Kool Kat Musik, Amazon

caper clowns 2Caper Clowns | The Buca Bus Delicious pure pop from Odense, Denmark delights with a dozen beautifully written and performed pearls. Lovely melodies and vocal harmonies are always present, particularly on instant classics such as the should-be-hit-bound earworm “A Tale of Romance and Magnetic Trains” and the gorgeous ballad “Lizard Heart.” Debut of the year? Most certainly.

Where to Get It: iTunes, imusic, Amazon UK (mp3 download)

kenny herbert forever and beyondKenny Herbert | Forever and Beyond A gorgeous, romantic song cycle inspired by Caroline, the love of his life, Forever and Beyond is Herbert’s melodically-charged survey of the power of true love. The 14 songs on offer, encompassing 1930s, 1950s and modern melodic pop vibes, are tremendously affecting, beautifully drawn snapshots of a happy existence. The pretty “Queensferry Girl” and the catchy, McCartney-esque pop song “It’s All Good” shine among a rich collection of gems.

Where to Get It: Kenny’s website, iTunes

TYIFinal2Nick Piunti | Trust Your Instincts Guitars, bass, drums, powerful vocals, and a whole lot of moxie power the pop on Nick’s latest, high-energy collection. These songs make heads turn and hearts embrace its many charms. “One Hit Wonder” is the big, splashy, pure pop hit here, a clear winner on an album full of winners.

Where to Get It: Kool Kat Musik, Amazon, iTunes and Bandcamp

gleeson curse my lucky starsGleeson | Curse My Lucky Stars Austin, Texas band Gleeson have made their White Album, a sparkling collection of songs varied in approach and tone that makes a case for melodic pop being the genre of the moment. Encompassing beautiful balladry, art-pop, rock and retro charm, Curse My Lucky Stars is a marvel.

Where to Get It: Bandcamp

teddy thompson and kelly jonesTeddy Thompson and Kelly Jones | Little Windows A true, modern classic bathed in retro charm, Little Windows’ rewards are many. There is a decidedly romantic notion at play here, one that slips in and out of hand holding echoes of the Everly Brothers at Cadence, Roy Orbison, Porter Wagoner and Dolly Parton, Buck Owens and a thousand other country-pop artists and their golden recordings. These lovely, heartfelt songs, brought to life by two of pop music’s finest vocalists, make up an album that is like a bright lighthouse shining across the sea, drawing you in.

Where to Get It: Teddy Thompson store, Amazon, and iTunes

ray paul whimsicalityRay Paul | Whimsicality Thirty-six years after the release of Ray Paul and RPM’s album Go Time, the artist is once again regaling listeners with enticing tales set to everyone’s favorite power pop beat. A delicious mix of originals and well-chosen covers, such as the Grass Roots’ “Temptation Eyes” and Paul McCartney’s “Oh Woman, Oh Why,” meets wonderfully-realized originals like the dynamic “A Fool Without Your Love” and McCartney-esque “Jeannie.” With Ray’s gorgeous melodies and strong vocals out front, this is a treat from first note to last.

Where to Get It: Kool Kat Musik, Amazon, and iTunes

myrtle park's fishing coverMyrtle Park’s Fishing Club | Benches A monumentally towering testament to melodic and harmonic excellence, Benches is a delight from start to finish. There is nothing quite like Kate Stephenson’s take on melodic pop music, just as there is nothing like her soaring imagination, and her ability to express all manner of emotion and make the listener feel. Working in concert with musical partner John Steel, Kate delivers wondrous songs (and three-dimensional vocal harmony stacks) like “Somebody Called Me an Onion,” a smile-inducing, upbeat, energetic pop number with faux-reggae shadings about peeling back the layers to reveal the full, human package of emotion; and the a cappella wonder “Silent Letter,” a tune about inner beauty and the sanctity of thought that doesn’t always have to be laid bare. For those of you keeping score, this is the second Myrtle Park’s Fishing Club album to wear our Favorite Records of the Year mantle. As it should be.

Where to Get It: Myrtle Park’s Fishing Club’s website, Amazon, and iTunes

the nines alejandro's visionsThe Nines | Alejandro’s Visions Rolling and then filtering the influence of the music of writers such as George Gershwin and Rodgers and Hart into a mix peppered with the harmony styles of the Beach Boys, the Four Freshmen and even doo-wop, and then topping the resulting flow with his love of artists such as the Electric Light Orchestra and XTC, Steve Eggers has delivered a harmony- and melody-drenched soundtrack to an imaginary film, somewhat of a sequel to the last Nines album, Night Surfer and the Cassette Kids. Standout tracks include the beautiful, bittersweet, old-fashioned “When Our Love Was in Bloom,” stacked deep with gorgeous harmonies and an irresistible melody; and the early rock and roll/pop hybrid “Operator (Coming Home to You),” which sports a meaty, catchy, percussive piano riff, opens with an aural allusion to the Ronettes’ “Be My Baby,” and lays out a delectable Jeff Lynne-ish bridge that will make you smile. Alejandro’s Visions is Eggers’ best and most assured work yet, an immensely satisfying collection that belongs in every melodic pop music fan’s collection.

Where to Get It: Kool Kat Musik, CD Baby, and Amazon (mp3)

seth swirsky new album coverSeth Swirsky | Circles and Squares Proving that a creative, heartfelt approach to making music will yield magic almost every time, Seth Swirsky has crafted a collection of songs that draws on all of his strengths, and perhaps incorporates a couple of new ones. Moreover, these songs reveal the truth about all of our lives, right from the first track, “Shine,” his statement of purpose, the one that sets the stage for what comes next. And what comes next is winner after winner, such as the lovely confessional and autobiographical “I Don’t Have Anything (If I Don’t Have You),” in which the narrator allows that life means nothing at all without the proverbial “one”: “I’ve got some baseballs/That are pretty rare/Got a swimming pool/And a fast car/But I don’t care/’Cause I don’t have anything if I don’t have you…I’ve got gold records/Hanging on my wall/But without your love/Baby you can have ’em all…” This 16 song collection is the latest expression of craft from one of pop music’s most important artists.

Where to Get It: seth.comKool Kat Musik, Amazon, and iTunes

lucy wainwright roche and suzzy roches mud and applesLucy Wainwright Roche and Suzzy Roche | Mud and Apples A sparkling duo release from Suzzy Roche and her daughter, Lucy Wainwright Roche. Warm harmonies, clever songwriting and the inclusion of beautifully-sung covers such as Paul Simon’s “Bleecker Street” and the Cascades’ “Rhythm of the Rain” push this 11 track masterpiece into hall-of-fame territory. Roches fans will be charmed, and so will everyone else. Surely one of this year’s top expressions of musical joy.

Where to Get It: Bandcamp

the monkees good timesThe Monkees | Good Times! Good Times! is a classic-sounding Monkees album that happens to have been released 50 years after Monkeemania began. A mix of recordings based on sessions produced during the group’s heyday and new songs written by top-flight, current songwriters of note, this is a fun listen from start to finish. A shining example of how good this album is: The perky, catchy “You Bring the Summer,” written by XTC’s Andy Partridge, fulfilling a childhood dream. A great album.

Where to Get It: Amazon and iTunes

mimi bettinis music soundsmimi betinis basement tapesMimi Betinis | Music Sounds and Basement Tapes Vol. 1 Pezband’s Betinis scores with two sterling releases in 2016 that are really two sides of a rather entertaining coin, so they both rate a spot in this Stars of 2016 feature. Music Sounds is a vivid, quite alive offering of melodic treasures. Its songs are wonderfully realized pop confections that hit the hooky bullseye, like “She Wants You,” which surreptitiously recalls the famed intro to the Ronettes’ “Be My Baby” in the intro, and “Summer Love,” a warm love letter and look back to a seasonal romance (that, perhaps unknowingly, taps the sound of 10cc member Eric Stewart’s guitar playing in the solo).

Basement Tapes Vol. 1 collects tracks that Mimi has been working on over the years, like “Ray of Light,” a melodic sweetness that sounds like an Andy Partridge outtake off of XTC’s Nonsuch album, and simply lovely covers (Paul McCartney’s song for Mary Hopkin, “Goodbye,” and the Hudson Brothers’ “So You Are a Star” are glorious). Saying that some heritage artists are only getting better as time passes by can sound like rather an empty assertion, but my, how that phrase does indeed fit snug as a bug, listening to Music Sounds and Basement Tapes Vol. 1.

Where to Get Them: Pop Music Sounds and CD Baby

winterpills love songsWinterpills | Love Songs The numbers on Winterpills’ seventh album get under your skin; they become you in some celestial kind of way. The vocals of songwriter Philip Price and his wife, guitarist and keyboard player Flora Reed, are the collective glue that holds these proceedings together–the glue that gives them life. Consider “Wanderer White,” a rolling, rhythmic song about a fall from grace, in which Philip takes the lower notes and Flora the higher ones, and “Freeze Your Light,” which starts off as if in a church with a slight, ghostly choral singsong and becomes a folk-into-pop number with a delectable chorus buoyed by the same low-and-high vocals. The poppy bopper and should-be-hit-bound “Celia Johnson” turns the tables with Philip initially taking the high vocal part and Flora following closely. A trumpet and coronet serenade add to the song’s beauty; a lovely, echoed piano part comes in for a beautiful coda. A real treat.

Where to Get It: Winterpills’ web store and iTunes

butch youngButch Young | Mercury Man Butch Young’s miraculous, hall-of-fame-worthy album is a modern classic by way of its dazzling array of 1970s-styled instant classic songs, peppered with a mix of Paul McCartney and Harry Nilsson-esque magic. Every one of these Los Angeles-based artist’s songs is a clear winner, like the title track, “Persephone,” “One Foot In,” and “The Fools of May.” Awesome.

Where to Get It: Kool Kat Musik, CD Baby, and iTunes

the dowling poole one hyde parkThe Dowling Poole | One Hyde Park One Hyde Park, the sterling follow-up to the Dowling Poole’s Bleak Strategies, is a virtual tour de force and, if that weren’t enough, it’s an album influenced by sounds from across the pop landscape that doesn’t actually sound like its influences. Witness “Vox Pops,” which incorporates a very Partridge Family-sounding keyboard line and a very Brian May-sounding guitar solo; “Hope and Glory,” an upbeat pop song; and “Bring Back the Glow,” a smooth, rolling ’70s number. Joy from across the pond.

Where to Get It: Bandcamp, Amazon, and iTunes

chris murphy and michael carpenter real love sleeveChris Murphy with Michael Carpenter | “Real Love” This absolutely gorgeous ballad recasting of John Lennon’s song is one of this year’s major triumphs in melodic pop music. For this rendition, the tempo has been slowed, allowing Murphy to lovingly communicate the depth of the emotional lyric. Murphy’s vocal may well be the best vocal performance of the year. His ability to hold a melody line’s final note in such an artful way, to sustain its resonance and maximize its impact on the listener, is something to behold. Recorded with precision and heart by Carpenter on the occasion of singer Kylie Whitney’s wedding (Whitney also sang background vocals), this new version of this wonderful song is proof positive that covers can reveal new layers of emotion not previously brought to the surface.

Where to Get It: iTunes and CD Baby

emitt rhodes rainbows endEmitt Rhodes | Rainbow Ends Forty-three years after his third album, Farewell to Paradise, was released, this new collection surfaces to critical and listener acclaim, and rightly so. Here are songs that feature all of the Rhodes hallmarks: beautiful, catchy melodies; inventive chord changes; and those velvety, smooth, sturdy and emotive vocals. Perhaps this is no more evident than on the emotional ballad “I Can’t Tell My Heart.” Somewhat reminiscent of Mirror‘s “Love Will Stone You,” this is a showcase for Emitt’s committed, vocal delivery; the gorgeous melody and emotional lyrics combine to sketch the breakup of a relationship and a considered plea for the other party to embrace the option to heal. A wonderful surprise and an instant classic. Welcome back to a truly special artist.

Where to Get It: Amazon and iTunes

daisy house western manDaisy House | Western Man Doug Hammond and his daughter Tatiana’s album for the ages features golden harmonies and great songs that will melt your heart all the way through. The heavenly duo channels the Byrds in the uptempo “She Comes Runnin’ Back” and “Twenty-One,” offers up a catchy, playful vibe with the singalong number “Willow,” and delivers a strong, emotive ballad with the orchestrated tune, “Western Man.” Best news of all: a new album is soon to be released. Happy new year, indeed.
Where to Get It: Bandcamp

brain circus use this jpeg instead of the other oneBrain Circus | Brain Circus This smashing collection of impossible-to-resist songs performed in grand style by ace songwriter and keyboard wizard Brian Curtis, late of the much-loved band the Oohs, serves up 13 numbers in all, performed entirely by this transplanted Virginian. The majestic, heartfelt love song “Finally Found the One,” a musical sculpture formed with smiles and tears and a whole lot of heart, is but one highlight. You’ll detect essence of the Beach Boys, Jellyfish and Queen, among other classic touchstones, but this is all Curtis and don’t you forget it.

Where to Get It: Bandcamp

the flat fiveThe Flat Five | It’s a World of Love and Hope This Chicago-based band of harmony-hounds deserves supergroup status, thanks to the members’ affiliation with artists such as Neko Case, NRBQ and the New Pornographers. Welcome a deliciously wondrous assortment of luscious pop dressed in a variety of comfortable musical clothing that runs the gamut from the Manhattan Transfer-meets-hep cat vibe of the delightful “Buglight” to the Paul McCartney retro-sway of “I Could Fall in Love with You” and the pretty back porch balladry of the Roches-like “Bottom Buck.” Pretty special all the way through.

Where to Get It: Amazon, iTunes, and Bandcamp

bent van looy pyjama daysBent Van Looy | Pyjama Days Based in Paris, France and a member of the band Das Pop, Bent Van Looy’s 2016 release is a lovely, pure poppy collection of sweet-sounding catchy melodies sung with assured style, like the upbeat pop number “My Escape,” beautifully arranged with little Beach Boys vocal flourishes weaved in; “Mr. Fletcher’s Song,” a melodic mid-tempo ballad that wouldn’t sound out of place on a Randy Newman album, and the sumptuous title track, a three-minute genius construct, nicely orchestrated and adorned with a smile-inducing whistle. Pop on.

Where to Get It: Bandcamp

the junipers red bouquet fairThe Junipers | Red Bouquet Fair This charming collection from the Leicester, United Kingdom band recalls the sweet sunshine pop sound of the 1960s and 1970s in such lovely songs as “Summer Queen” and “Like a Merry-Go-Round.” Red Bouquet Fair is no less than the audio equivalent of smiling at your good fortune on a warm day in the park while sipping cool lemonade (the effect is equally transcendent wherever else you may be). The vocals are enchanting and the instrumentation is perfectly played. Lovely.

Where to Get It: Amazon, iTunes, and Bandcamp

tommy and the rocketsTommy and the Rockets | Beer and Fun and Rock ‘n’ Roll This ace project, featuring 10 pop-rockers, co-written, except for one, by super criminal defense attorney Michael Chaney and Thomas “Tommy” Stubgaard, who plays all of the guitars, bass, and provides handclaps, shake the house, as it were. Check out the catchy, Beach Boys-influenced sunshine anthem “Here Comes Summer,” and a couple of  energetic Ramones nods, “Silly Teenage Love” and “You Want Me (But I Don’t Want You)”). Cheery, toe-tapping fun.

Where to Get It: Kool Kat Musik, Amazon, and CD Baby

explorers clubThe Explorers Club | Together This collection of songs imbued with the spirit of the best of the Beach Boys, the Four Freshman, the Association and other time-honored practitioners of the art is one of the sweetest offerings of the year. Here are songs that are beautiful and beautifully sung, lovely and lovelier still, from Jason Brewer, Wyatt Funderburk, Paul Runyon,  Kyle Polk and Mike Williamson. From the southern California harmony- and sun-soaked sound of “California’s Callin’ Ya” to the Four Freshmen-meets-“Graduation Day”-by-way-of-Les Paul ballad “Perfect Day,” Together invites listeners to bathe in the beauty of harmony-filled dreams.

Where to Get It: Kool Kat Musik, Amazon, and iTunes

The Road Ahead

Harmony-filled dreams… Ah, as ever, they feel so right. With 2016 now in our collective rearview mirror, it is time to look ahead into what is just around the corner. Your favorite artists, and those new to the melodic pop scene, are itching to get going…to release their latest creations, crafted with a mix of melody, harmony, and keen performance.

Already, I have heard a few upcoming albums that I predict will knock your socks off. Nick Bertling, who records under the name Bertling Noise Laboratories, has been making a name for himself with a few rather extraordinary platters; the Lab’s latest, releasing later this month, is a covers collection called, in a nod to the great Harry Nilsson, A Little Touch of Bertling in the Night. This is a sweet mélange of favorite songs from yesterday, filtered through today’s singular sensibilities. It is uniquely Bertling, and you’re going to love it.

Dana Countryman, of whom much has been said throughout these pages, all of it sweeping-me-off-my-feet good, is about to release in 10 days, through Australia’s Teensville Records, his passion project, a tribute to the 1960s girl group and Brill Building sounds that continue to bring joy to ears around the world. Dana Countryman’s Girlville!: New Songs in the Style of Yesterday’s Hits will transport you back to a much simpler time, perhaps, when melody and joy were king. Lisa Mychols, Swan Dive’s Molly Felder, and Lisa Jenio are just three of the vocalists that help to bring Dana’s vision to life on an album that you will hug tightly. Look for Dana to appear on Pure Pop Radio: In Conversation soon to talk about this landmark release.

Bill DeMain, whose solo music and treasured albums with Molly Felder as Swan Dive will always have a place here on Pure Pop Radio, has a new record that will soon be released. After hearing and playing on the air a bonus track from Beans, a lovely arrangement of the Beach Boys’ “Wendy,” we hope the release date comes very soon.

The Word is Love

“Spread the word,” the Beatles sang back in 1965. They were talking about love, not melodic pop music written and recorded in the 2010s, but they might as well have been looking forward, as should we all.

In 2017, we look forward to bringing you more of the greatest melodic pop music from the ’60s to today. We’re on the job 24-hours-a-day, seven days a week, 365 days a year. A click of any of the Listen links that follow will connect you with our stream. Spread the word about Pure Pop Radio, if you will and, if you haven’t already, please click the Follow button on the homepage of this very website to ensure that you will be notified by email every time we make a post.

Thanks for reading our list of our Favorite Records of the Year: The Stars of 2016. Add them all to your collection; your ears will thank you, as will I.

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New on Pure Pop Radio 8.31.16

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Spins and Reviews | 8.31.16 | by Alan Haber

We’re playing these, and many thousands more, in rotation…

ryan allen and his extra arms basement punkRyan Allen and His Extra Arms | Basement Punk For his third album as the multi-instrumentalist with more upper limbs than a normal person would know what to do with, Ryan Allen rolls through eleven supercharged sides, plucking at guitar and bass strings, covering the circumference of keyboards, and bashing the bejeezus out of drum parts. In other words, it’s another exciting showcase for the amazing Mr. Allen, who is featured prominently on Nick Piunti’s new album. This album, out September 30, takes charge with strong melodies and ace playing and never lets up. “Gimmie Some More” kicks out a popped-up jam with lots of guitars and a sweet riff; “People Factory” is equally strong, and “Everything (In Moderation)” is a mid-tempo, melodic gem that closes out the proceedings. Mixed and mastered by Pure Pop Radio favorite Andy Reed, this one’s what we used to, and still do, call a keeper.
black box Now playing in rotation on Pure Pop Radio: “Chasing a Song,” “Mal n’ Ange,” “Gimme Sum More,” “People Factory,” “Gorgeous with Guitars,” and “Everything (In Moderation).”
black box When and Where to Get It: September 30 at Kool Kat Musik and Bandcamp.

vegas with randolph free your soulVegas With Randolph | “Free Your Soul” Our favorite Washington, D.C.-area popsters ramp up the electric guitars for a balls-to-the-wall rocker driven by runaway drums, plucking bass and the usual catchy melody. This tale of giving into the positive side of the eternal equation (“Sometimes it’s best to just let go/So free your soul”) will most certainly get you out of bed in the morning. Another VWR winner.
black box Now playing in rotation on Pure Pop Radio.
black box When and Where to Get It: Bandcamp.

kenny herbert 3 bridgesKenny Herbert | “3 Bridges Queensferry Crossing” This typically lovely song from Kenny Herbert, about the three Forth bridges in Scotland, is a hearty tale and well worth reading about (click here for the full story). “3 Bridges Queensferry Crossing” celebrates the bridges, and as Kenny says, “the people who built it and the new Queensferry Crossing which is opening May 2017.” The song’s cover illustration depicts Kenny’s wife’s grandfather David Rendall who, Kenny points out, “worked on the Forth Rail Bridge for 30 years as the bridge carpenter until 1969. Davie’s father Thomas Rendall also worked on the bridge from 1903; he was a painter and lamplighter.” A little history and a lot of melody make for a heartwarming experience.
black box Now playing in rotation on Pure Pop Radio.
black box Where to Get It: iTunes.

poppermost kelly green sundayPoppermost | “Kelly Green Sunday” The first new song from Alex Oliver, Roy Rendahl and Debbie Sanchez in two years is a welcome treat, an acoustic melding of southern California and uptempo folk influences emanating a kind of warm hootenanny atmosphere and sending out a message of old-fashioned love (“Oh Kelly Green, every time you think of me/Please keep Sunday just for you and me”). Joyous.
black box Now playing in rotation on Pure Pop Radio.
black box Where to Get It: Bandcamp.

orbis maxOrbis Max | “Lonely,” “I Call Your Name,” “All of Me,” and songs from Orbis Max and Friends Beginning their shared trek playing covers back in 1973 in Poway, California, the group’s various members have connected in the here and now via the Internet to record their own songs. New members Dennis George, Rod Bennett and Bruce Walker have joined original Maxers such as Craig Carlstrom and Don Baake to release Orbix Max and Friends, a vibrant collection of catchy numbers like the upbeat, poppy “You May be the One” and “Don’t Tell Me It’s Over.” The group’s latest song, not on the album, is “Lonely,” a horn-infused Stax-meets-Motown soul-pop slice of joy. Two other songs, also not on Orbix Max and Friends, are choice covers of the Beatles’ “I Call Your Name,” and the old jazz standard “All of Me.” Fun stuff.
black box Now playing in rotation on Pure Pop Radio: From Orbis Max and Friends: “Standing Next to You,” “You May be the One,” “Glad She Found Me,” “Without You,” “Don’t Tell Me It’s Over,” and “Start All Over Again.” Tracks not on the album: “I Call Your Name” and “All of Me.”
black box Where to Get It: CD Baby and iTunes.

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John Woloschuk and Kenny Herbert In Conversation Interviews Now Available for Listening and Downloading

Pure Pop Radio: In Conversation on PodOMatic!

Last week’s interviews with Klaatu’s John Woloschuk and singer-songwriter Kenny Herbert on Pure Pop Radio: In Conversation are now available for listening and downloading on our PodOmatic podcast page.

kenny herbert 2kenny herbert forever and beyondKenny Herbert, one of our most favorite singer-songwriters, spoke to Alan Haber last Monday night about his phenomenal concept album, Forever and Beyond, a gorgeous, romantic song cycle inspired by Caroline, the love of his life. The Edinburgh, Scotland native talks about Forever and Beyond’s origins, the involvement of Pilot’s David Paton, and offers up a tour of his musical life. You won’t be surprised to find that the Beatles figure rather prominently in his thinking.

john woloschuk with bassKlaatu’s John Woloschuk returned to Pure Pop Radio: In Conversation last Tuesday night to talk about and play some of his favorite pop songs from years gone by. This is a rare chance to hear what one of pop music’s greatest songwriters and performers thinks about such songs as the Hollies’ “Bus Stop,” the Kinks’ “A Well Respected Man,” Donovan’s “Hurdy Gurdy Man,” and a pair of Beatles classics. John played 14 songs in all; you won’t want to miss a revolution of this classic interview.

Spotify playlists are included with each interview, so you can hear the tunes discussed.

Head on over to Pure Pop Radio: In Conversation’s PodOmatic podcast page to listen to and download Alan’s extensive, in-depth interviews with Klaatu’s John Woloschuk and singer-songwriter Kenny Herbert. You’ll love both of them.

Pure Pop Radio: In Conversation, the premiere melodic pop interview program hosted by Alan Haber, airs Tuesday nights at 8 pm ET. Archived, podcast versions of interviews are posted on the In Conversation PodOmatic podcast page; click here to listen to other shows previously broadcast on Pure Pop Radio.

alan-mic-zeeAlan Haber’s Pure Pop Radio is the original 24-hour Internet radio station playing the greatest melodic pop music from the ’60s to today. From the Beatles to the Monkees, the Posies, McPherson Grant, the Connection and the New Trocaderos, we play the hits and a whole lot more. Tune in by clicking on one of the listen links below.

Listen to Pure Pop Radio on the go using your Android and iOS devices! Download Our Mobile App.

Click on the image to listen to Alan Haber's Pure Pop Radio through players like iTunes

Click on the image to listen to Alan Haber’s Pure Pop Radio through players like iTunes