By Alan Haber – Pure Pop Radio
Astral Drive | “Wishing I Could Change the World”
(Lojinx, 2019)
Phil Thornalley, Britain’s champion of 1970s-era Todd Rundgren, returns as his Astral Drive nom de plume with a joyful Dave Bascombe (Tears for Fears) radio remix of “Wishing I Could Change the World,” originally waxed for 2018’s self-titled Astral Drive album. Also on board: two new tracks.
A plea for love becoming the constant that makes everything alright (“I keep wishing that the world would change / Love come pouring down like gentle rain / I’m still praying / Dreaming like every boy and girl / Wishing we could change the world”), the song’s jubilant, hopeful arrangement, and yearning vocal signify the coming of a melodic pop standard that really can change the world.
Accompanying the Bascombe-ized “Wishing I Could Change the World” are two new tracks, easily slottable into your growing Astral Drive collector’s bucket. A passionate, slowed-down take on the classic “Up On the Roof,” complete with Thornalley’s Rundgren-ized, understated vocal harmony stacks, draws new levels of emotion from the lyric (“Right smack dab in the middle of town / I’ve found a paradise that’s trouble proof”). The roof, in the case of Goffin and King’s classic song, is the perennial happy place, where hope triumphs over the alternative.
“Who Loves You,” essentially a new song (an unfinished number that didn’t make the Astral Drive album), “…is about how life can change in a heartbeat and how insecurity can haunt us just as easily as love can lift us,” according to Thornalley, quoted on the Lojinx website. Another Rundgren-esque number and as good as anything on the Astral Drive album, “Who Loves You” is a question perhaps best asked…up on the roof, where the answer should become clear.
Another melodic triumph for Astral Drive, this new single shines a light on the world at large, praying for love to conquer all.
Where to Get It: Lojinx, Amazon, iTunes
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Butch Young | “Captain Serious” b/w “Beautiful Dreamer”
(Big Stir, 2019)
For all the sour, sad sack boys and girls out there, Butch Young’s eminently catchy, sweet-with-the-sour, Brian Wilson-with-a-touch-of-George Harrison ditty “Captain Serious,” about a guy to whom a smile is just a frown turned upside down, is your song. For everyone else, this song is a melodic pop confection par excellence from a Pure Pop Radio favorite.
I quote lyrics fairly often in my reviews, because I believe the words married to music are just as important in the long run, if not more so. Young’s depiction of this much-too-serious captain of his industry includes some rather clever wordsmithing. To wit: “Captain Serious / Is looking sour as a lime or a grape / His face is dour as some days-old lemonade / Left to spoil in the rain”. And this: “Oh, did your mom make you so? / She never really let you play your rock ‘n’ roll / Oh, did your Dad come home / And catch you reading Tolstoy all alone?”
The flip of this sterling Big Stir digital single, “Beautiful Dreamer,” a wonderful, dramatically orchestrated, catchy ELO-ish ballad, charts the course of a person who hides within sleep to avoid doom and gloom (“Bad feelings bottled up and then / An imminent calamity / Run baby, run”). Will these bad feelings pass, beautiful dreamer? “Have another wink or two / Before you spring to life / When will you open up / Your heart to see / The spell you’re under?”
Young’s 2016 album, Mercury Man, was a big hit for me, and was one of the bright stars of my Favorite Records of the Year: Stars of 2016 feature. I wrote: “Butch Young’s miraculous, hall-of-fame-worthy album is a modern classic by way of its dazzling array of 1970s-styled instant classic songs, peppered with a mix of Paul McCartney and Harry Nilsson-esque magic. Every one of these Los Angeles-based artist’s songs is a clear winner, like the title track, ‘Persephone,’ ‘One Foot In,’ and ‘The Fools of May.'”
I also said Mercury Man was awesome. And so are these incredible, miraculous songs that make up the 31st Big Stir digital single offering (both are earmarked for an album release next year). Don’t miss this one.
Where to Listen and Get ’em: Big Stir Digital Singles (scroll to the second entry)
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Farrington | Pictures of Pretty Things (2019)
This monumental, audacious bundle of retro-fueled imagination, wackadoo musical composition and performance closes with a majestic, classically-influenced instrumental in which impassioned orchestration and lyrical guitar work play as the audience exits the auditorium–you being the audience and your music listening room being the auditorium.
But don’t exit the auditorium just yet: hang in there for the last 12 seconds of this album’s title track, the very last track, when a burst of packed-tight harmony voices shouting “Pretty things!” bounces off the walls like a Spalding® High-Bounce Handball. It’s a reminder of what you’ve just heard: a never-mind-the-boundaries kind of album in which glam meets pop meets rock meets all sorts of other stuff, too.
Farrington’s Pictures of Pretty Things packs a box set’s worth of ideas and musical manipulations into just about 35 minutes of–what’s the word I used up top? Audacious? Well, audacious it all is, without a doubt.
Farrington, aka mad musical scientist James Patrick, works his magic in a Queen frame of mind, singing like a glam superstar with a pure pop heart. And save for a few harder-edged rockers, the artist stays put squarely in a melodic pop sandbox which, for my tastes, is an eminently satisfying domicile.
Piano and other keyboards, played with passion, save for one song, by Farrington, majorly drive these songs, although the drums, played by co-producer Marcos de la Cruz, also pack quite a desirable punch. Anthony King, playing a good chunk of the guitar and bass parts, and other fine folks, including Kai Danzberg and Fernando Perdomo, help to make this astounding mix of great songs and performances a towering achievement. These songs are all about the sound and how the hooks aplenty grab hold of you and don’t let go.
Achieving towering status are any number of top-drawer tunes, including the ultra-poppy “The Love Show,” a mid-tempo Queen-tinged song which is ultimately about love, love, love; the power-poppy “Long Way to Nowhere,” ultimately about the power of music (“Blondie dancing in a heart of glass / She makes me dizzy”); and “When I Was You,” an uptempo beat-driven pop song about ultra-disappointment in a doomed relationship (“I wish you were dead, she said / Yeah, I guess the feeling is more than mutual / So take me back to yesterday / When I was you”).
These songs are all about the sound; frankly, I’m not entirely sure what most of these songs are about, but they sure sound good as good can be. “Blue,” a mid-tempo pop-rocker bops ahead with a decidedly Sweet “Love is Like Oxygen” vibe that is intensely infectious. And “Violins,” another poppy pick-to-click, tells the tale of a girl in a shaky relationship who finds solace in the sound of violins (“She listens to violins / And her imagination runs wild again / She listens to violins / The music makes her smile again”).
A box set’s worth of magical ideas imaginatively whipped into shape by a mad musical scientist who knows how to mix just the right ingredients, Pictures of Pretty Things is one heck of an achievement.
Where to Get It: Check back soon for purchase links
Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. We’ve been around since the first weekly Pure Pop Radio shows, which began broadcasting in 1995, and the 24-hour Pure Pop Radio station, which ended last August.
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Bob Lind | Magellan Was Wrong Pop bard Bob Lind’s latest is a typically heartfelt collection of songs that deliver his always magical one-two punch: emotional lyrics and beautiful melodies, brought to life with stellar arrangements and production, much of it supplied in grand fashion on this album by the Spongetones’ Jamie Hoover. Gorgeous soundscapes abound, such as the romantic, catchy “From the Road,” awash with poppy background harmonies from Hoover and perceptive, picturesque lyrics from Lind (“In moments others call mundane/My soul is warming by your flame/Turning just like a sailor to the harbor/And I will carry back my songs and tales/Of calms and gales/And sing and tell them all/To you”), and Lind’s emotional cover of Tom Paxton’s “Bottle of Wine.”
The Legal Matters | Conrad With this album, the Legal Matters have set a new standard for vocal harmonies in melodic pop music. Andy Reed, Chris Richards, and Keith Klingensmith are the players, and their human voices are their instruments. The songs are sweetly realized, from the opener “Anything,” not the first track on this album tipping its hat to the much-loved Beach Boys vocal vibe, to the upbeat, single-worthy “Short Term Memory,” which tips its drumsticks to Ringo Starr in a delightful fill and puts forth some top-notch electric guitar playing. To listen to this album is a thrilling experience.
The Weeklings | Studio 2 The beat-betrothed, Beatlesque foursome from New Jersey, steeped in the Fab tradition and nom de plumed in the spirit of all that started off holy in Liverpool’s Cavern Club a fair number of years ago, follows up their self-titled long player, affectionately known as Monophonic, with a sterling 12-song set composed of eight superlative originals and four rare John Lennon and Paul McCartney songs not given away to other artists. Recording in Abbey Road’s hallowed Studio 2, where the Beatles made their astounding magic, Glen Burtnik, Bob Burger, John Merjave and Joe Bellia, aka Lefty, Zeek, Rocky and Smokestack, respectively, make considerable Merseyside hay with delightfully brisk and catchy songs steeped in the effervescent spirit of the Fab Four. A splendid time, to be sure.
Caper Clowns | The Buca Bus Delicious pure pop from Odense, Denmark delights with a dozen beautifully written and performed pearls. Lovely melodies and vocal harmonies are always present, particularly on instant classics such as the should-be-hit-bound earworm “A Tale of Romance and Magnetic Trains” and the gorgeous ballad “Lizard Heart.” Debut of the year? Most certainly.
Kenny Herbert | Forever and Beyond A gorgeous, romantic song cycle inspired by Caroline, the love of his life, Forever and Beyond is Herbert’s melodically-charged survey of the power of true love. The 14 songs on offer, encompassing 1930s, 1950s and modern melodic pop vibes, are tremendously affecting, beautifully drawn snapshots of a happy existence. The pretty “Queensferry Girl” and the catchy, McCartney-esque pop song “It’s All Good” shine among a rich collection of gems.
Nick Piunti | Trust Your Instincts Guitars, bass, drums, powerful vocals, and a whole lot of moxie power the pop on Nick’s latest, high-energy collection. These songs make heads turn and hearts embrace its many charms. “One Hit Wonder” is the big, splashy, pure pop hit here, a clear winner on an album full of winners.
Gleeson | Curse My Lucky Stars Austin, Texas band Gleeson have made their White Album, a sparkling collection of songs varied in approach and tone that makes a case for melodic pop being the genre of the moment. Encompassing beautiful balladry, art-pop, rock and retro charm, Curse My Lucky Stars is a marvel.
Teddy Thompson and Kelly Jones | Little Windows A true, modern classic bathed in retro charm, Little Windows’ rewards are many. There is a decidedly romantic notion at play here, one that slips in and out of hand holding echoes of the Everly Brothers at Cadence, Roy Orbison, Porter Wagoner and Dolly Parton, Buck Owens and a thousand other country-pop artists and their golden recordings. These lovely, heartfelt songs, brought to life by two of pop music’s finest vocalists, make up an album that is like a bright lighthouse shining across the sea, drawing you in.
Ray Paul | Whimsicality Thirty-six years after the release of Ray Paul and RPM’s album Go Time, the artist is once again regaling listeners with enticing tales set to everyone’s favorite power pop beat. A delicious mix of originals and well-chosen covers, such as the Grass Roots’ “Temptation Eyes” and Paul McCartney’s “Oh Woman, Oh Why,” meets wonderfully-realized originals like the dynamic “A Fool Without Your Love” and McCartney-esque “Jeannie.” With Ray’s gorgeous melodies and strong vocals out front, this is a treat from first note to last.
Myrtle Park’s Fishing Club | Benches A monumentally towering testament to melodic and harmonic excellence, Benches is a delight from start to finish. There is nothing quite like Kate Stephenson’s take on melodic pop music, just as there is nothing like her soaring imagination, and her ability to express all manner of emotion and make the listener feel. Working in concert with musical partner John Steel, Kate delivers wondrous songs (and three-dimensional vocal harmony stacks) like “Somebody Called Me an Onion,” a smile-inducing, upbeat, energetic pop number with faux-reggae shadings about peeling back the layers to reveal the full, human package of emotion; and the a cappella wonder “Silent Letter,” a tune about inner beauty and the sanctity of thought that doesn’t always have to be laid bare. For those of you keeping score, this is the second Myrtle Park’s Fishing Club album to wear our Favorite Records of the Year mantle. As it should be.
The Nines | Alejandro’s Visions Rolling and then filtering the influence of the music of writers such as George Gershwin and Rodgers and Hart into a mix peppered with the harmony styles of the Beach Boys, the Four Freshmen and even doo-wop, and then topping the resulting flow with his love of artists such as the Electric Light Orchestra and XTC, Steve Eggers has delivered a harmony- and melody-drenched soundtrack to an imaginary film, somewhat of a sequel to the last Nines album, Night Surfer and the Cassette Kids. Standout tracks include the beautiful, bittersweet, old-fashioned “When Our Love Was in Bloom,” stacked deep with gorgeous harmonies and an irresistible melody; and the early rock and roll/pop hybrid “Operator (Coming Home to You),” which sports a meaty, catchy, percussive piano riff, opens with an aural allusion to the Ronettes’ “Be My Baby,” and lays out a delectable Jeff Lynne-ish bridge that will make you smile. Alejandro’s Visions is Eggers’ best and most assured work yet, an immensely satisfying collection that belongs in every melodic pop music fan’s collection.
Seth Swirsky | Circles and Squares Proving that a creative, heartfelt approach to making music will yield magic almost every time, Seth Swirsky has crafted a collection of songs that draws on all of his strengths, and perhaps incorporates a couple of new ones. Moreover, these songs reveal the truth about all of our lives, right from the first track, “Shine,” his statement of purpose, the one that sets the stage for what comes next. And what comes next is winner after winner, such as the lovely confessional and autobiographical “I Don’t Have Anything (If I Don’t Have You),” in which the narrator allows that life means nothing at all without the proverbial “one”: “I’ve got some baseballs/That are pretty rare/Got a swimming pool/And a fast car/But I don’t care/’Cause I don’t have anything if I don’t have you…I’ve got gold records/Hanging on my wall/But without your love/Baby you can have ’em all…” This 16 song collection is the latest expression of craft from one of pop music’s most important artists.
Lucy Wainwright Roche and Suzzy Roche | Mud and Apples A sparkling duo release from Suzzy Roche and her daughter, Lucy Wainwright Roche. Warm harmonies, clever songwriting and the inclusion of beautifully-sung covers such as Paul Simon’s “Bleecker Street” and the Cascades’ “Rhythm of the Rain” push this 11 track masterpiece into hall-of-fame territory. Roches fans will be charmed, and so will everyone else. Surely one of this year’s top expressions of musical joy.
The Monkees | Good Times! Good Times! is a classic-sounding Monkees album that happens to have been released 50 years after Monkeemania began. A mix of recordings based on sessions produced during the group’s heyday and new songs written by top-flight, current songwriters of note, this is a fun listen from start to finish. A shining example of how good this album is: The perky, catchy “You Bring the Summer,” written by XTC’s Andy Partridge, fulfilling a childhood dream. A great album.
Mimi Betinis | Music Sounds and Basement Tapes Vol. 1 Pezband’s Betinis scores with two sterling releases in 2016 that are really two sides of a rather entertaining coin, so they both rate a spot in this Stars of 2016 feature. Music Sounds is a vivid, quite alive offering of melodic treasures. Its songs are wonderfully realized pop confections that hit the hooky bullseye, like “She Wants You,” which surreptitiously recalls the famed intro to the Ronettes’ “Be My Baby” in the intro, and “Summer Love,” a warm love letter and look back to a seasonal romance (that, perhaps unknowingly, taps the sound of 10cc member Eric Stewart’s guitar playing in the solo).
Winterpills | Love Songs The numbers on Winterpills’ seventh album get under your skin; they become you in some celestial kind of way. The vocals of songwriter Philip Price and his wife, guitarist and keyboard player Flora Reed, are the collective glue that holds these proceedings together–the glue that gives them life. Consider “Wanderer White,” a rolling, rhythmic song about a fall from grace, in which Philip takes the lower notes and Flora the higher ones, and “Freeze Your Light,” which starts off as if in a church with a slight, ghostly choral singsong and becomes a folk-into-pop number with a delectable chorus buoyed by the same low-and-high vocals. The poppy bopper and should-be-hit-bound “Celia Johnson” turns the tables with Philip initially taking the high vocal part and Flora following closely. A trumpet and coronet serenade add to the song’s beauty; a lovely, echoed piano part comes in for a beautiful coda. A real treat.
Butch Young | Mercury Man Butch Young’s miraculous, hall-of-fame-worthy album is a modern classic by way of its dazzling array of 1970s-styled instant classic songs, peppered with a mix of Paul McCartney and Harry Nilsson-esque magic. Every one of these Los Angeles-based artist’s songs is a clear winner, like the title track, “Persephone,” “One Foot In,” and “The Fools of May.” Awesome.
The Dowling Poole | One Hyde Park One Hyde Park, the sterling follow-up to the Dowling Poole’s Bleak Strategies, is a virtual tour de force and, if that weren’t enough, it’s an album influenced by sounds from across the pop landscape that doesn’t actually sound like its influences. Witness “Vox Pops,” which incorporates a very Partridge Family-sounding keyboard line and a very Brian May-sounding guitar solo; “Hope and Glory,” an upbeat pop song; and “Bring Back the Glow,” a smooth, rolling ’70s number. Joy from across the pond.
Chris Murphy with Michael Carpenter | “Real Love” This absolutely gorgeous ballad recasting of John Lennon’s song is one of this year’s major triumphs in melodic pop music. For this rendition, the tempo has been slowed, allowing Murphy to lovingly communicate the depth of the emotional lyric. Murphy’s vocal may well be the best vocal performance of the year. His ability to hold a melody line’s final note in such an artful way, to sustain its resonance and maximize its impact on the listener, is something to behold. Recorded with precision and heart by Carpenter on the occasion of singer Kylie Whitney’s wedding (Whitney also sang background vocals), this new version of this wonderful song is proof positive that covers can reveal new layers of emotion not previously brought to the surface.
Emitt Rhodes | Rainbow Ends Forty-three years after his third album, Farewell to Paradise, was released, this new collection surfaces to critical and listener acclaim, and rightly so. Here are songs that feature all of the Rhodes hallmarks: beautiful, catchy melodies; inventive chord changes; and those velvety, smooth, sturdy and emotive vocals. Perhaps this is no more evident than on the emotional ballad “I Can’t Tell My Heart.” Somewhat reminiscent of Mirror‘s “Love Will Stone You,” this is a showcase for Emitt’s committed, vocal delivery; the gorgeous melody and emotional lyrics combine to sketch the breakup of a relationship and a considered plea for the other party to embrace the option to heal. A wonderful surprise and an instant classic. Welcome back to a truly special artist.
Daisy House | Western Man Doug Hammond and his daughter Tatiana’s album for the ages features golden harmonies and great songs that will melt your heart all the way through. The heavenly duo channels the Byrds in the uptempo “She Comes Runnin’ Back” and “Twenty-One,” offers up a catchy, playful vibe with the singalong number “Willow,” and delivers a strong, emotive ballad with the orchestrated tune, “Western Man.” Best news of all: a new album is soon to be released. Happy new year, indeed.
Brain Circus | Brain Circus This smashing collection of impossible-to-resist songs performed in grand style by ace songwriter and keyboard wizard Brian Curtis, late of the much-loved band the Oohs, serves up 13 numbers in all, performed entirely by this transplanted Virginian. The majestic, heartfelt love song “Finally Found the One,” a musical sculpture formed with smiles and tears and a whole lot of heart, is but one highlight. You’ll detect essence of the Beach Boys, Jellyfish and Queen, among other classic touchstones, but this is all Curtis and don’t you forget it.
The Flat Five | It’s a World of Love and Hope This Chicago-based band of harmony-hounds deserves supergroup status, thanks to the members’ affiliation with artists such as Neko Case, NRBQ and the New Pornographers. Welcome a deliciously wondrous assortment of luscious pop dressed in a variety of comfortable musical clothing that runs the gamut from the Manhattan Transfer-meets-hep cat vibe of the delightful “Buglight” to the Paul McCartney retro-sway of “I Could Fall in Love with You” and the pretty back porch balladry of the Roches-like “Bottom Buck.” Pretty special all the way through.
Bent Van Looy | Pyjama Days Based in Paris, France and a member of the band Das Pop, Bent Van Looy’s 2016 release is a lovely, pure poppy collection of sweet-sounding catchy melodies sung with assured style, like the upbeat pop number “My Escape,” beautifully arranged with little Beach Boys vocal flourishes weaved in; “Mr. Fletcher’s Song,” a melodic mid-tempo ballad that wouldn’t sound out of place on a Randy Newman album, and the sumptuous title track, a three-minute genius construct, nicely orchestrated and adorned with a smile-inducing whistle. Pop on.
The Junipers | Red Bouquet Fair This charming collection from the Leicester, United Kingdom band recalls the sweet sunshine pop sound of the 1960s and 1970s in such lovely songs as “Summer Queen” and “Like a Merry-Go-Round.” Red Bouquet Fair is no less than the audio equivalent of smiling at your good fortune on a warm day in the park while sipping cool lemonade (the effect is equally transcendent wherever else you may be). The vocals are enchanting and the instrumentation is perfectly played. Lovely.
Tommy and the Rockets | Beer and Fun and Rock ‘n’ Roll This ace project, featuring 10 pop-rockers, co-written, except for one, by super criminal defense attorney Michael Chaney and Thomas “Tommy” Stubgaard, who plays all of the guitars, bass, and provides handclaps, shake the house, as it were. Check out the catchy, Beach Boys-influenced sunshine anthem “Here Comes Summer,” and a couple of energetic Ramones nods, “Silly Teenage Love” and “You Want Me (But I Don’t Want You)”). Cheery, toe-tapping fun.
The Explorers Club | Together This collection of songs imbued with the spirit of the best of the Beach Boys, the Four Freshman, the Association and other time-honored practitioners of the art is one of the sweetest offerings of the year. Here are songs that are beautiful and beautifully sung, lovely and lovelier still, from Jason Brewer, Wyatt Funderburk, Paul Runyon, Kyle Polk and Mike Williamson. From the southern California harmony- and sun-soaked sound of “California’s Callin’ Ya” to the Four Freshmen-meets-“Graduation Day”-by-way-of-Les Paul ballad “Perfect Day,” Together invites listeners to bathe in the beauty of harmony-filled dreams.
Once again, we’ve got a pile of new music to add to the Pure Pop Radio playlist. Said pile reaches from the floor to the ceiling, which means it’s time to add said new music to our hard-working rotation.
Butch Young | Mercury Man Never, never, never tell us that the album is a goner–Butch Young’s miraculous, hall-of-fame-worthy Mercury Man instantly announces itself as one of the best albums of 2016 with its dazzling array of 1970s-styled instant classics, peppered with a mix of Paul McCartney and Harry Nilsson-esque magic. Every one of these Los Angeles-based artist’s songs is a clear winner. We’re playing all of them in rotation: the title track, “Persephone,” “One Foot In,” “Dime Store Jesus,” “The Fools of May,” “Child of Nature,” “Sunday Driver,” “Mohammed on Top of the Mountain,” “Algernon,” “Asteroid,” “Wonderful Life,” and “Starlit Lullaby.” Astounding and really terrific.
The Doughboys | “Rock On” And here they come, barreling in from outer space or some wild and untamed structure being held together by bailing wire and chewing gum somewhere in the outer reaches, wherever that might be. It’s the Doughboys, and they’re rough and tumbling with garage-rock fever inside and around David Essex’s ’70s classic with Richie Heyman’s pounding drums, Myke Scavone’s wailing blues harp, Gar Francis’s rocking guitars and Mike Caruso’s bopping bass. Recorded by the Grip Weed’s Kurt Reil at his House of Vibes studio with widescreen, in-your-face fervor, this is another classic track from New Jersey’s in-the-pocket foursome. Rock on, indeed.
Herb Eimerman | “Soft Landing” This beautiful, heartfelt song, Herb’s first new recording of 2016, was written in remembrance of his father. Supported by Stefan Johansson and Joe Algeri, who also mixed and produced, and featuring some of the sweetest background harmonies you’ve heard in a very long time, “Soft Landing” will stay with you always.
Cotton Mather | “The Cotton Mather Pledge” The latest in a series of new songs from this venerable Austin, Texas band roars right in with a sneaky cymbal wash straight out of Ringo Starr’s “It Don’t Come Easy” and quickly settles into an energetic pop and roll number starring Robert Harrisons’ slightly-scratchy, fuzzed-out, attention-getting vocal. Dig the Beatle-esque, Rubber Soul-ish guitar harmony at about 1:40. Playing as we speak in rotation, it’s burning up our airwaves.
The Lunar Laugh | “Nighthawks and Mona Lisa” Jared Lekites and Connor Anderson are in a light country mood for this breezy, melodic, mid-tempo number slated to be included on the Lunar Laugh’s upcoming second album. It’s another keeper from the stars of Oklahoma City pop.
Erik Voeks – “She Loved Her Jangle Pop” and “Blue Water” Erik Voeks’ “My Dentist” is one of the stone-cold classics from Pure Pop Radio’s early days; these new songs are even better. “She Loved Her Jangle Pop” is a joyous, upbeat hookasaurus, as catchy as anything out there. “Blue Water” trades a slow and studied opening for a more upbeat pace, complete with a beautiful melody and more than a hint of Prefab Sprout in its DNA. New Erik Voeks is always a good thing. A great thing, actually.
The Del Zorros | “Go Ahead and Ask Me” Monty and Stede continue on in the time-honored Zorros-riffic tradition with another lovely, easygoing and typically tuneful song with another catchy melody that comes from, well, we don’t know where, but keep going there boys, will you? Now playing in rotation, as if there were any doubt.
The Lost Boys | “China in the Sink” This rollicking pop-rocker, all dressed up in catchy clothes, screams radio airplay, which is just what we’re giving it. Instantly memorable, with one of those indelible hooks and a short-and-sweet running time–1:49–this is a clear winner. A hit waxing if ever we heard one. Dynamic and quite wonderful.
The Big Believe | “You Already Are” We’ve been playing Amanda Thompson’s lovely songs for awhile and loving each one like the gorgeous creatures they are. This one is arguably Amanda’s best yet, a big, atmospheric and emotional ballad with hints of Kate Bush peeking out from its floorboards. Keep ’em coming, please.
Sons of Morning | Sons of Morning Here’s a nice surprise that made us smile. We like this band’s sound, which dips into many catchy musical nooks and crannies. How did they get their sound? Here’s how the band’s website puts it: “Painstaking efforts were made to achieve the desired feel for this album. All tube amps, a choice selection of just the right stringed instruments… drums that sound like drums, recording methods, and production were all key elements in presenting an album with the warmth of the analog days…” We’d say that about sums it up. We’re playing four songs: “He Wore Black,” a tribute to Johnny Cash; “Not a Sound,” “Hard Livin’,” and “Outta My Head,” a tune that could have been on the Association’s first album (no foolin’).
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