Favorite Records of the Year: Stars of 2017

favorite records of the year - stars of 2017- a

By Alan Haber – Pure Pop Radio alan 5 small

Every year around this time, I sit down to start work on this feature and I marvel at the sheer number of wonderful albums released during the previous 12 months. And then, I’m off and running.

The process of reviewing contenders for this list results in a survey of the absolute top of the pops that came out during the last 12 months. There were a lot of great indie records released in 2017. These are the ones that I came back to the most.

There are 21 entries in this year’s feature–18 albums and three singles, all followed by links you can click on to purchase them. They are presented in no particular order. As in years past, I do not rank them; I have trouble deciding which album should sit at number five versus number six and anyway, if I did rank them, the placements would likely vary depending on the day. So they are presented as a group of highly listenable creations, all of which I recommend without reservation, every day of the week.

And so, without further ado, here is Pure Pop Radio’s Favorite Records of the Year: Stars of 2017. The choices are mine; the pleasure, listening to them, is all yours.

back cover bill-small

Bill DeMain | Transatlantic Romantic
Built around the Nashville, Tennessee artist’s piano and lovely vocals, and co-producer Jim Hoke’s tasteful string and horn arrangements, Transatlantic Romantic is a delicious, wonderfully arranged song cycle stacked high with sweet, beautifully written and performed classic-sounding songs in the style of Harry Nilsson, Randy Newman, Van Dyke Parks, and Harpers Bizarre. Case in point: “Lemon Yellow,” a lovely waltz blessed by Van Dyke Parks-meets-George Martin strings, Randy Newman-esque piano, and the charming story about the love of a car that came “all the way from Germany.” There is charm to spare in this gem of an album, a warm, beating heart full of joy. Purchase

bill lloyd it's happening now coverBill Lloyd | It’s Happening Now
It’s Happening Now bathes listeners in the warm glow of tremendous acoustic-based songs evoking mid-’60s folk-pop aesthetics. Lovely melodies, nimble acoustic guitar playing, and emotive vocals combine for an affective listening experience from a contemporary music master. A couple of heartfelt numbers are among the best songs that Lloyd has written thus far: the gorgeous, beautifully orchestrated and tenderly sung “Happiness,” about really and truly and completely giving in to love (“Happiness/As much of a choice as a chance/You simply decide that you’ll dance/This time…/Then maybe you’ll finally be blessed with/Happiness”), and “Let Me In Your Life Again,” a gentle upbeat plea for rekindling a romance (“Back inside your grace/Warm in your embrace/Only face to face/Do I feel anything so true”). It’s Happening Now is Bill Lloyd’s finest hour, by far. Purchase

the bye bye blackbirds take out the poison coverThe Bye Bye Blackbirds | Take Out the Poison
Bradley Skaught’s Oakland, California-based outfit’s best offering yet presents 11 finely wrought, emotionally charged songs in an album stocked full of classic tracks. Variety is the key: “Let Your Hair Fall Down,” an out-and-out pop workout, complete with horns and sounding as if it were plucked from the J. Geils playbook, sits comfortably alongside such numbers as the mid-tempo, string-laden country ballad, “Duet,” which features a lovely vocal by Lindsay Paige Garfield, who co-wrote the song with Skaught. A career-defining release. Purchase

karla kane king's daughters home for incurables coverKarla Kane | King’s Daughters Home for Incurables
The Corner Laughers’ Karla Kane steps into the spotlight with this enchanting solo set bringing together modern folk and soft pop sensibilities. Kane’s lovely vocals and melodies power these heartfelt songs, such as the gorgeous ballad “Under the Oak in May” and the amazing, percussive piano marvel “All Aboard,” which sports a traveling, train-inspired beat and builds to a seductive close. A true marvel of an album. Purchase

fun of the pier 1442Fun of the Pier | 14:42
Nottingham, England’s Fun of the Pier paints their debut album in bright, happy folk-pop hues for a pleasing listening experience. Songs such as “Past/Future” and “(In My) Time” are drenched in lovely, clever and catchy melodies.  Beautiful ballads “Lost and Lazy” and “I Live this Life (She Said)” hearken to classic artists such as Claire Hamill and Kate Rusby (and there is a correlation worth noting). 14:42 is a wonderful, delightful collection of songs, expertly performed, with Helen Luker’s alluring vocals particularly noteworthy. Purchase

kelley ryan telescopeKelley Ryan | Telescope
astroPuppees veteran Ryan’s long player is a master class effort of melodic proportions, stocked deep with luscious, carefully crafted compositions. Telescope’s enticing mix of balladry and radio-friendly should-be-top-of-the-pops creations includes the catchy, mid-tempo closer “Real Gone Girl,” with its enticing melody and lovely, memorable and magical harmonies; and the gentle, so pretty “Pulling for Romeo,” from which this album gets its title (“You’re at the end of your rope/Don’t need a telescope…”). How does this album fit into the current melodic pop landscape? It fits like a glove. Purchase

dave caruso buddhaDave Caruso | Buddha Pesto Manifesto
Dave Caruso’s new songs, which form the whole of this career-defining new album, play with the duality of the times in our lives when decisions must be made. Easy or hard to fathom, these decisions are the fabric of our lives, set within this album to glide along atop durable melodies that beat to the heart of the matter. The album’s closer is a particular highlight: “I Get to Make You Laugh,” delivered emotionally by way of Caruso’s tender vocal and keyboard, finds the narrator self-realizing that another man has the woman’s commitment at the same time that the narrator has her soul. Coming three years after the bravura performances captured within Caruso’s breakout album Cardboard Vegas Roundabout, Buddha Pesto Manifesto sets a high bar for future musical endeavors. Purchase

cindy lee berryhill the adventuristCindy Lee Berryhill | The Adventurist
A deeply felt, melodic, invigorating and emotional song cycle looking back on and celebrating Berryhill’s time with Paul Williams, the creator of Crawdaddy, the first, authoritative rock publication of record, The Adventurist shows the future unfolding for Berryhill one day at a time with each new step forward informed by steps already taken. The album’s heart-filled center is the heartbreakingly honest, emotionally melodic “Somebody’s Angel” (“The first time I kissed somebody new/I cried when I thought about you/And all the good times we had and the living we’d been through,” Berryhill sings. “Now I’m here for you forever or long as I am able/I gotta be somebody’s angel.”) The Adventurist, a remarkable, many-hued cycle of life, will grab hold of your heart as it summons your deepest emotions to the surface and affects you to your core. (Omnivore) Purchase

cait brennab thirdCait Brennan | Third
A miraculous, astounding, and audacious album pairing Brennan, a one-of-a-kind artist, and multi-instrumentalist and ace producer Fernando Perdomo, Third is surely one of those fortified-in-heaven happenings that make life on earth a wonderful thing. Recorded at Memphis, Tennessee’s legendary Ardent Studios, fortified with Big Star heart, Third is a roller coaster ride through all of life’s travails, an emotional wake up call for all humans negotiating the pathways of their existence. The album’s highlight? “Catiebots Don’t Cry,” a gut-wrenching you-love-her-I-love-her-what-are-we-gonna-do-about-it slow-to-mid-tempo burner, a skewed kind of aromatic love song featuring Brennan’s multi-tracked, thing-of-beauty three-dimensional vocal harmony stacks. This Third is astonishing, bold, and seemingly effortless. (Omnivore) Purchase

the blood rush hour who folds firstThe Blood Rush Hour | Who Folds First
The followup to 2014’s astounding And Then… The Unthinkable Happened is just as miraculous and entirely satisfying, encompassing a variety of song styles, all finely wrought melodic microcosms and performed with perfection. Who Folds First brings the hits and a few happy surprises, like the Manhattan Transfer-like, a cappella opening that introduces the Todd Rundgren-esque “No More Excuses,” and “The Space that We Have Made,” about getting to the heart of the matter, a triumphant Steely Dan-ish number sung by Pure Pop Radio favorite Christian Phillips, who devised the three-dimensional vocal arrangements with Hour leader Robert DeStefano. Joyous and quite special. Purchase

chris price stop talking coverChris Price | Stop Talking
Stop talking? Hardly. The aim is for you to listen to these wonderful songs, recorded by Price between 2013 and 2016, and tell your friends about them, thereby creating a groundswell of support for this exceptional artist. From the catchy Paul McCartney-meets-Stephen Bishop-meets-Rupert Holmes “One of Them” to the tender, Nilsson-esque “You and Me (And Everyone Else),” co-written by Price and The New Pornographers’ Joe Seiders, and the toe-tapping, orchestrated charmer “Once Was True,” which puts a lovely chord progression and melodic structure center stage, Stop Talking is a classy keeper. (Omnivore) Purchase

the weeklings live at darryl's house coverThe Weeklings | Live at Daryl’s House Club Vol. 1
Ten Beatles classics, inhabited and driven with red-hot enthusiasm by this ever-passionate New Jersey foursome, blow like missiles out of your speakers for a fun time that, yeah, yeah, yeah, cannot help but be had by all. Top tracks? Take your pick: “I Saw Her Standing There” (energy to spare and take-that drumming), “Nowhere Man” (tight, three-dimensional harmonies), or “Helter Skelter,” (a pulse-pounding showcase for the band and Lefty’s in-your-face vocal). Or, really, any of the other tracks on offer. Short of being transported to an alternate universe where the actual Beatles are playing at a club in your neighborhood, this is as real as this fab thing gets. (See below for more Weeklings fun.) Purchase

coke belda 3gs cover for websiteCoke Belda | Coke Belda 3 (Gs): A Tribute to the Bee Gees
The long-awaited followup to 2013’s Coke Belda I and 2015’s Nummer Zwei breathes new life into the art of musical homage. This alluring celebration of the charms of the Brothers Gibb, a virtual explosion of Bee Gees joy, hits the mark at every turn. Playing all of the instruments and singing all of the vocals, save for a welcome guest appearance from Gretchen’s Wheel’s Lindsay Murray, Coke delivers smile after smile. “Claustrophobia,” arranged and played as a sweet Merseybeat romp, will book you on a virtual time travel trip back to the 1960s. The album closer, a beautiful take on “Our Love (Don’t Throw It All Away),” a top 10 Billboard chart hit for Andy Gibb in 1978, written by Bee Gee Barry and keyboardist Blue Weaver, is a welcome, perhaps unexpected nugget. Follow with glee. (Bonus Belda joy follows below.) Purchase from Kool Kat (CD), Purchase from Futureman (Digital)

Pins_and_Needles_Cover_Art_Scott_GagnerScott Gagner | Pins and Needles
A way-more-than-worthy followup to 2014’s five-star Rise and Shine, Pins and Needles elevates Scott Gagner’s art to six stars, at least. Boasting 10 literate, affecting pop songs and a lovely, emotional reading of “America the Beautiful,” the album is one of the great pleasures of 2017. Top numbers include the bluesy “Heart Attack” (“It seems I was a victim of love/Not heart disease”), the classic pop sounds of “The Ghost of Me and You,” and the aforementioned “America the Beautiful.” Lovely through and through. Purchase

bob of the pops vol. 2bob of the pops front coverRobyn Gibson | Bob of the Pops Vol. 1 and Vol. 2
Buoyant exercises in the art of homage, Bob of the Pops Vol. 1 and Vol. 2 find The Junipers’ multi-instrumentalist Robyn Gibson having a good old time putting his warm, wide-eyed spin on some of his favorite pop songs from across the decades. All across this lovingly essayed two-volume landscape, Gibson’s softhearted vocals and obvious love for the material cast a warm glow over every melody line and emotional keystone communicated. In Gibson’s hands, these classic constructs breathe new life into familiar musical landscapes. From Vol. 1, The Beatles’ “Nowhere Man” fairly drips with joy; the opening, harmony drenched a cappella couplet is sweetly delivered, and the song reveals itself as a modern-day folk song, every harmonic element glimmering with life and hope. Among the other top spins: The Hollies’ “Listen to Me” and the Who’s “I Can’t Reach You.” Vol. 2’s take on the Monkees’ “Girl that I Knew Somewhere” and Matthew Sweet’s “I’ve Been Waiting” are winners, as is “Bob’s” version of a well-known little group from Liverpool’s “There’s a Place.” Unmissable, and so much fun. Free Downloads

smellicopter twoScott Brookman | Smellicopter Two
Four years and seven months on from the mighty Smellicopter, Richmond, Virginia’s favorite son returns with this top-flight five-song sequel, a sterling collection of pop songs that should not only please fans but also draw in new Brookman connoisseurs. From the opening marriage of ’70s Todd Rundgren and late-’90s June and the Exit Wounds ambiance, “Consideration,” to “Old Bones Found,” a clever, catchy mix of pure pop styles, Smellicopter Two delivers the goods. Purchase

dana countryman the joy of popDana Countryman | The Joy of Pop
The fourth time’s the charm, although it certainly can be said that the previous three times have been equally charming; The Joy of Pop is nothing less than a joy, another in a growing line of wonderful retro-pop albums from a master of melody. With compatriots like Matt Tyson, Dana’s wife Tricia and Klaatu’s Dee Long in tow, you’re bound to have a rousing good time bathing in the glow of such gorgeous songs as “August Dream,” a Broadway-styled creation influenced, no doubt, by the work of Richard Carpenter, Burt Bacharach and Gilbert O’Sullivan; “Tell Me that You Love Me,” an early-1960s mid-tempo ballad dripping with Buddy Holly-isms; and “Can’t Stop Thinking ‘Bout You,” a jangly number graced with Dee Long’s beautiful guitar work. There is even a jolly holiday number, “It’s an Amazon.com Kind of Christmas,” that begs to be played year-round. Joy? There plenty to go around here. Purchase

Richard X. HeymanRichard X. Heyman | Incognito
One-man-band Richard X.’s 12th album, no less than his best work by far, is powered by stellar playing, singing and songwriting that gets better with each passing year. Dazzling songs and equally dazzling performances greet you at every turn. In the pure popper “A Fool’s Errand,” the narrator tells the world that his love for his partner is solid and for the ages. “Her Garden Path” is a muscular track with a grandly attractive riff that chronicles a man’s escape from a woman’s web. And the horn-infused, soulful pop number “So What” finds Richard sounding as though he’s channeling the Rascals’ Felix Cavaliere. All of Richard’s albums are fantastic listens, but if you’re new to Richard’s work and you wonder where you should start, Incognito is a great place to jump in. Purchase

winterpills colorblindWinterpills | “Colorblind”
Upon first hearing this Massachusetts band’s music and, in particular songwriter Philip Price’s top-flight, three-dimensional songs, I could do nothing except flip for joy. This single, not yet represented on an album, is a great example of what Winterpills does best, and that is envelop the listener with lovely melodies and hooks galore. Beyond that, this description from the group’s Bandcamp page sums the process up nicely: “‘Colorblind’ features an infectious wall-of-sound vocal hook, samples recorded into an iPhone in a DC parking lot, out-of-tune pianos colliding over a burned-out city, a fat R&B beat, all poured through the alchemy of producer Justin Pizzoferrato’s overdrive brain.” Add this song, and all of Winterpills’ glorious albums, to your collection today. Purchase

coke belda photoCoke Belda | “Operator (That’s Not the Way it Feels)”
Coke Belda, who is ably represented above in this year’s Favorite Records of the Year feature, released this past November this heartfelt reinvention of Jim Croce’s top 20 hit. “My lovely wife, Verónica, introduced me to Jim Croce many years ago,” says Coke on his Bandcamp page. “I was captivated by his tunes and voice and I always thought this song was a clear power-pop song disguised as an acoustic piece.” Playing all of the instruments and singing all of the vocals, Coke has introduced Croce’s perennial to new listeners, as well as listeners who grew up with the song when it was first released. Stellar work. Purchase

the weeklings paperback writerThe Weeklings | “Paperback Writer”
New Jersey’s Fab Four reconvened in the studio during the last few months of 2017 to record and release a couple of jolly Christmas singles–“Revolution Wonderland,” a mash-up of the Beatles’ “Revolution” and the perennial Christmas classic “Winter Wonderland,” and a lively take on the original Fabs’ “Christmas Time is Here Again,” with dollops of “Flying” and “Baby You’re a Rich Man” skillfully sewn in. Last September, they released this, and here’s that word again, joyous slice of Weekling-ized fun, reviewed by me thusly: “Lefty, Zeek, Rocky and Smokestack huddle together and Weekling-ize the number one 1966 Billboard chart Beatles smash with an in-your-face-and-your-ears-too injection of contemporary immediacy, tight-knit harmonies, a surprising and smile-inducing…break, rhythmic whirligigs, Lefty’s spot-on Paul McCartney-esque bass runs, and a daring dose of Monkees derring-do for a rip-roaring, must-play-it-again-and-again two minutes and 47 seconds-long eargasm.” Still sounds about right. Purchase

alanhaberspurepopradiographiclarge1-wp header

Pure Pop Radio’s signature shows, Alan Haber’s Pop Tunes Deejay Show, playing the latest and greatest melodic pop songs from today and across the decades, and Pure Pop Radio: In Conversation, the premiere Internet melodic pop talk show, air weekly on Pop that Goes Crunch Radio.

pop tunes disc smallin conversation new graphic blueListen to the Pop Tunes Deejay Show on Tuesdays and Thursdays at 8 pm ET (two different shows every week); In Conversation airs every Wednesday night at 9 pm ET. Don’t miss a minute!

Tune in to Pop that Goes Crunch Radio by clicking on the following snazzy-looking button:


New on Pure Pop Radio 05.11.17: Cait Brennan, Bryan Estepa, The Wellingtons, Kenny Herbert, Pat Walsh, and More

new on pp banner hybrid 2-use this one, it's fixed

Spins and Reviews | 05.11.17
By Alan Haber – Pure Pop Radio

cait brennab thirdCait Brennan | Third (2017)
Quite simply, and before I say anything specific about Cait Brennan’s miraculous, astounding, audacious new album, the pairing of this one-of-a-kind artist and multi-instrumentalist and ace producer Fernando Perdomo is surely one of those fortified-in-heaven happenings that make life on earth a wonderful thing. Captain Obvious here, in other words.

Soaking up the atmosphere at Memphis, Tennessee’s legendary Ardent Studios, where, it may be hard to believe, Big Star only scratched the surface of artists who waxed classic recordings, Brennan and Perdomo made the magic that lines the virtual walls of Brennan’s new album, Third.

It’s one thing to have great songs when going into a studio–any studio–but it’s another to have the chutzpah and the moxie to make them so great that they emerge on disc fully-formed as state-of-the-art classics, which is exactly how the baker’s dozen songs on Third turned out.

What the hell was in the water when Brennan and Perdomo cooked up the ingredients that, stirred in just the right way, made the amazing “Catiebots Don’t Cry” a reality? Because more of that kind of crafting, okay? This gut-wrenching you-love-her-I-love-her-what-are-we-gonna-do-about-it slow-to-mid-tempo burner is a skewed kind of aromatic love song that would have been great had it just been delivered with Brennan singing solo over a gutsy piano track, but with the considered pop and roll stew played out with Perdomo, whose delicious ’70s-styled wah-wah guitar lines are something to behold, and Brennan, whose multi-tracked, three-dimensional vocal harmony stacks are a thing of beauty, it’s something else entirely that dares you and your band to even try to better it. And, I would bet the house on this, you won’t ever.

The equally amazing and spitfire rave-up that is “Shake Away” carries on the rich vocal harmony tradition set by “Catiebots Don’t Cry” in the form of a Motown/Stax-fortified rave-up, and believe me, this thing about getting love right shakes, baby, in a kind of boom-boom way. There’s a whole lot of shaking going on in this pounding number charged with maximum voltage; this thing is practically, deliberately breathless. Speaking of breathless, “A Hard Man to Love” is defiantly so; the grounding, pounding piano pushes the proceedings along until every element gets toppled by the late-song, packed-tight verse that Brennan sings so precise and quick. It outdoes that old Federal Express fast-talking spokesperson, leaving him flat in the dust.

Not every song on Third bristles with quick temperament: “Perish the Thought” is a thoughtful ballad that closes with a clarion a cappella call to arms that will send shivers up and down your spine. And “Bad at Apologies,” a mid-tempo ballad about attraction at all costs (“Another minute without him/I would probably die”), pours buckets of emotion on the flames of obsessive love.

A roller coaster ride through all of life’s travails, Third is an emotional wake up call for all humans negotiating the pathways of their existence. That it pops and rolls like the best works of melodic art is a given. Cait Brennan’s third go-round is astonishing, bold, and seemingly effortless. Captain Obvious, signing out.

black box Now playing on Pure Pop Radio: “Bad at Apologies,” “He Knows Too Much,” “At the End of the World,” “A Hard Man to Love,” “Catiebots Don’t Cry,” “Shake Away,” “The Angels Lie,” and “Perish the Thought”
black box Where to Get It: Amazon, Omnivore Store

bryan estepa rattled and rolledBryan Estepa | “Rattled and Rolled” (2017)
Just 11 days shy of a year ago, we added tracks from Sydney, Australia singer-songwriter Bryan Estepa’s wonderful album, Every Little Thing. He returns to Pure Pop Radio with this fine, melodic track, on which he is joined by ace musician Michael Carpenter; Bryan slings the guitars, Michael slings everything else (he also produced, recorded, mixed & mastered). What stands out most of all are Bryan’s astoundingly assured vocal, always on target; Michael’s humming Hammond organ; and the fact that the proceedings were recorded in just eight hours. Echoing the sensibilities of The New Pornographers, Tom Petty, and Bob Dylan, this killer track whets our appetites for more. So, off with you then, Bryan Estepa.

black box Now playing on Pure Pop Radio
black box Where to Get It: Bandcamp

The Wellingtons End of the Summer front coverThe Wellingtons | End of the Summer (2017)
Today’s second entry from Australia (Melbourne, this time) finds this lively quintet returning to the pop boards with their first album in six years. While the songs are, by and large, a bit too loud for our humble airwaves, four are absolutely perfect. “1963” is a cheery, upbeat, happy-sounding jangly charmer with an intoxicating melody. “She Rides the Bus” is a mid-tempo ballad swirling in Beatlesque ambiance. “So Easy” rides the ABBA waves for a ba-ba-esque celebration of catchy. And the hooky title song would sound good, well, on the radio. So, let’s spin it, shall we?

black box Now playing on Pure Pop Radio: “End of the Summer,” “1963,” “So Easy,” and “She Rides the Bus”
black box Where to Get It: Kool Kat Musik, Bomp Store

kenny herbert i'm comin homeKenny Herbert | “I’m Coming Home” (2017)
One of our favorite singer-songwriters working today, Kenny Herbert continues to write and record wonderful songs that come from the heart. His latest, written and recorded with David Paton (Pilot) and Nobby Clark is a typically pretty tune. Lovely harmonies, a sumptuous melody, and a catchy chorus are in tow. Gorgeous.

black box Now playing on Pure Pop Radio
black box Where to Get It: iTunes

pat walsh bygone daysPat Walsh | “Bygone Days” (2017)
Another Pure Pop Radio favorite, Pat Walsh always delights with his wonderfully melodic songs. “Bygone Days” features another carefully modulated vocal, another terrific melody. Another, another and on and on. Beautiful.

black box Now playing on Pure Pop Radio
black box Where to Get It: Not currently available. Listen on YouTube

Also added to the Pure Pop Radio playlist and currently spinning in rotation:

the outryders - let's live for today The Outryders | “Piangi Con Me (& Live for Today)” (With Joe Algeri and Herb Eimerman) (2017) Bandcamp

lisa mycholsLisa Mychols | “He’s Got Me Dreaming'” and “Don’t Wanna Close My Eyes” (2017) (“He’s Got Me Dreaming” CD Baby; “Don’t Wanna Close My Eyes” CD Baby)

irene pena Irene Peña | “Shut It Down” (2017) (From Trying Not to Smile) Patreon

radio days i'm in love with you haruka Radio Days | “I’m In Love With You, Haruka” and “Teenage Kicks” (Undertones cover) Bandcamp

the dahlmanns forever my babyThe Dahlmanns | “Forever My Baby” and “The Last Time”
Pop Detective Records


Radio Days and More In the Spotlight on Day Four of Pure Pop Radio’s Springtime New Music Explosion!

alan-micThe days are bulging with great new songs and albums and artists, so here’s another list of what’s spinning for the first time on Pure Pop Radio–days four and five of our Springtime New Music Explosion combined into one. Let’s start with another incredible long player that’s sure to be a favorite of yours, and yours too. Here is Alan’s review.

radio days back in the dayRadio Days | Back in the Day You know how it was when you were younger, when the mere hint of a new album from one of your favorite bands put a smile on your face that stayed there until you held the album in your hands, and then stayed there still? That’s how we feel about Radio Days. The band’s new album, set for release on April 23, is their best yet, a great collection of pop and rock and roll that is nothing less than their crowning achievement thus far, and that’s really saying something.

The band’s first record as a trio, Back in the Day was basically recorded live in their sound man’s basement; you can feel the energy dripping off the walls, as if the songs were being played in the original Cavern Club in Liverpool. There is an immediacy to the playing and an emotional intensity in the vocal delivery and instrumental backing. The harmonies are grand. Most of all, there is a strong sense of commitment to making a great album, which is what Radio Days has done.

The sprightly, decidedly Merseybeat-styled opener, “Why Don’t You Love Me Anymore,” conjures images of fans gathered close to the stage, moving this way and that to the beat, almost crying for the joy of the song as wild guitar figures and percussion play to the groove. It’s a spectacular opening number.

There is so much to love here. The energetic, beat-driven “I’m in Love With You”shows off the group’s mastery of the melodic pop form while incorporating both upbeat and somewhat subdued passages. “Back in the Day,” another top-notch upbeat pop song, celebrates the spirit of Badfinger, Raspberries, the Who, and the Knack, and wedges in a sly little key change about two-thirds of the way through. “Smash this Party,” a smart pop-rocker, actually sounds like it could have been recorded by late-period Klaatu.

More wonders abound on this album, like “Subway Station Girl,” with its bopping rhythm and rocking guitar solos played in the early rock ‘n’ roll style (think Buddy Holly); and a mid-tempo ballad, “Betta (Are You Feeling Better?),” that wouldn’t have felt out of place on the Beatles’ A Hard Day’s Night album. The rest, well, we’ll leave for you to discover for yourselves.

On April 1, we’ll be adding all of the songs on Back in the Day to our playlist: “Why Don’t You Love Me Anymore,” “Rock and Roll Night,” “You Won’t Fool Me Twice,” “Back in the Day,” “Your Words,” “I’m in Love with You,” “You Bring Me Down,” “Out of the Shade,” “Subway Station Girl,” “Best Friend,” “Deep Blue Eyes,” “Smash this Party,” “Never Gonna Make It,” and “Betta.” Prepare to smile.

– Alan Haber

the jangle band album 2016The Jangle Band | Edge of a Dream The band members (Pure Pop Radio favorite Joe Algeri among them) may be spread across Australia, but they come together to forge a solid pop sound on their debut album. Whether they’re dressed in pure pop clothes for the lovely and catchy mid-tempo title song, Byrds-ing it up in the Roger McGuinn-ish “Love You Too” (which includes a beautiful, rubbery vocal line in the chorus and kicks off with a “Be My Baby” drum beat, which seems to be the thing in pop this year), or slowing down to ballad pace with the pretty “Exile on Murray Street,” the Jangle Band is on the case with an album’s worth of catchy delights, beautifully sung and played. We’re playing the aforementioned songs, plus “282,” “It Won’t Break,” “Let Me Breathe,” “This Soul is Not for Sale,” and “Kill the Lovers.” Nice going, guys.

damien binder coverDamien Binder – A New World Sydney, Australia’s Damien Binder is today’s second artist in the spotlight from down under. He fits in well here at Pure Pop Radio, seeing as how his album is co-produced by Michael Carpenter and features Kylie Whitney on backing vocals. Binder’s vocals are strong and expressive, and the playing is exquisite. There is a Byrds-ian edge to “A New World” and “Breaking Beyond Me” (and there you have today’s second Byrds reference); “I Won’t Let You Down Again” has an Abbey Road-period Lennon quality about it; and “What You Call Your Own” is an upbeat pop song with a country sheen. We’re playing these songs in rotation. Welcome, Damien Binder, to Pure Pop Radio.

solarflairs spirit of johnnySolarflairs | “Spirit of Johnny” Memphis, Tennessee’s Solarflairs, fronted by bass player Elisabeth Eickhoff, who also handles lead vocals, hits big right out of the gate with this powerful mid-tempo ballad, a catchy number with great vocal harmonies in the choruses. An understated U2 guitar approach (really) adds an interesting and effective layer to the proceedings. Good work; we look forward to the next release.

cait brennan debutanteCait Brennan | Debutante This stylistically-diverse debut has been greeted with open arms for good reason–it’s remarkably assured and full of life. “Once Upon a Nevermind” and “Madame Pompadour” are pure pop delights, and “I Want You Back” hits with an amped-up mix of Buddy Holly and Elvis Costello nods and Brennan’s urgent, spitfire lead vocal. The torch song vibe of “Showman” is driven by slightly ghost-like keyboards and churchly organ. We’re playing these songs, and “All in Love is Fair” and “Underworld.” Great stuff.

stereo tiger performing songsStereo Tiger | Performing Songs Stereo Tiger’s latest release, an EP containing five covers of favorite tunes, hits the proverbial bullseye, which is not a surprise around these parts. The band pays tribute to the mighty Beach Boys classic, “Don’t Worry Baby”; bows to the majesty of Badfinger’s “No Matter What”; swoons to Elliot Smith’s “Pretty Ugly (Before)”; and pops out, Paul McCartney-esque style, with Sloan’s “C’mon C’mon (We’re Gonna Get it Started).” Silky smooth pop vocals and ace musicianship abound. This is free at Bandcamp. Snap it up, would be our suggestion. And, of course, listen to these songs here on Pure Pop Radio.

red cabin white morningRed Cabin | White Morning Hailing from New York’s Long Island, Jonathan Foster turns in a fine album full of beautiful songs, including the somber, melodic “Fade into You,” the dreamlike “The Look,” and the straight-ahead soft poppy “Dead Man’s Stare.” Like the aforementioned Stereo Tiger release, it’s free at Bandcamp. Enjoy, in rotation, here.

the alloy sixThe Alloy Six | “Each Night” These Stockholm, Sweden-based popsters play through a beat-driven, energy-filled number, now playing in rotation. We’re happy to join Jonas, Johan, Staffan, Ola, Per and Mathias on their musical journey.

jeff larsonJeff Larson | “February Passing Through” We continue to bow to the talents of Jeff Larson, who we’ve been playing for around 18 years on the various incarnations of Pure Pop Radio. This pretty song, with Jeff’s plaintive vocal up front and close, is another feather in his cap, a lovely number that will stay with you through frequent listens. Now playing in rotation.

michael krollMichael Kroll | Clamourous This veteran musician plays in a bluesy rock style, singing with a hint of a softened growl in his voice. “Allegiance” is one such number, but the artist paints with other colors, too, as someone who studied the songs of the Beatles might do. “The Light” is a catchy pop song with one foot in the ’60s folk movement; “Young” is the kind of considered ballad ’70s singer-songwriters would have included in the repertoires. “Blue” is a lively, upbeat, catchy song that more than hints at what Kroll would sound like in concert. Now playing in rotation.

*     *     *     *     *

That’s five days of our Springtime New Music Explosion rolled into four–a pretty neat trick, don’t you think? Now, it’s your turn to listen to the above-mentioned songs and 8,500 more playing in rotation on your home for the greatest melodic pop music from the ’60s to today…Pure Pop Radio. Enjoy!

Listen to Pure Pop Radio on the go using your Android or iOS devices! Download Our Mobile App.

Click on the image to listen to Alan Haber's Pure Pop Radio through players like iTunes

Click on the image to listen to Alan Haber’s Pure Pop Radio through players like iTunes