Reviews| 11.1.18: Exclusive Preview: White Lace and Promises: The Songs of Paul Williams

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Various Artists | White Lace and Promises: The Songs of Paul Williams
(Curry Cuts, 2018)
white lace and promises the songs of paul williams - curry cuts - cover 2018Singer, songwriter, actor and, really truly, bon vivant Paul Williams has been plying his trade or, more accurately trades,¬†for five decades, making his mark in the wide world of entertainment with Muppets, hit records, and Burt Reynolds in tow (which is really just scratching the surface of his storied career; click here to immerse yourself in Williams’s many and varied greatest hits).

Curry Cuts’ upcoming tribute to Williams (slated for release before year’s end), White Lace and Promises, focuses in on the artist’s considerable artistry as evidenced in the world of song. There are treasures to be found in nearly every nook and cranny of Williams’s recorded output, which touches on a wide variety of song types. (White Lace and Promises is slated for release this year; one song has been released as a single (see below)).

Of all the classic songs he has written, Williams may well be most known by listeners for “Evergreen (Love Theme from “A Star is Born”) and “Rainbow Connection,” the lovely opening number from 1979’s The Muppet Movie (three of the eight songs I’ve heard from White Lace and Promises are from this endearing film).

the davenports evergreen paul williams tribute curry cuts cover

“Evergreen,” written by Williams and Barbra Streisand, plays out in its original form as a slow, emotional ballad; on Curry Cuts’ release, the Davenports up the tempo a bit and season their melodic pop take with pedal steel guitar and Scott Klass’s typically lovely vocal (this track is available as a single, ahead of the album release; see below).

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Andy Reed

“Rainbow Connection,” written by Williams and Kenny Ascher and essayed on White Lace and Promises by the Legal Matters’ Andy Reed, manifests itself as a waltz punctuated by deep snare hits and widescreen harmonies; a short a cappella section is a nice touch. Reed makes this much-loved song his own in a version overflowing with heart.

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Andrea Perry

May I wax poetic about some of the other Williams covers I’ve heard from Curry Cuts’ upcoming tribute? “Fill Your Heart,” a showbizzy number written by Williams and singer-songwriter Biff Rose, originally appeared on Rose’s 1968 Tetragrammaton album, The Thorn in Mrs. Rose’s Side, and was covered by both David Bowie on his 1971 album, Hunky Dory, and by Tiny Tim on the flip side of his “Tiptoe through the Tulips” single in 1968. Longtime Pure Pop Radio favorite Andrea Perry’s alluring, poppy version on Curry Cuts’ tribute comes off as something that a cross between Spanky and Our Gang, Margo Guryan and Aimee Mann might come up with.

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The Corner Laughers

In the hands of the Corner Laughers, the easy-going toe-tapper “Movin’ Right Along,” also from The Muppet Movie, moves along at a bit of a faster and busier pace, and sports an electric guitar solo. And do I hear the Laughers’ Karla Kane playfully name-checked near the end?

sitcom neighbor logoOne more White Lace and Promises nugget to preview: Sitcom Neighbor channels Three Dog Night in their tasty, organ-filled version of “Out in the Country,” penned by Williams and Roger Nichols and heard on Williams’s 1972 album, Life Goes On (Three Dog Night’s version was a top 15 hit in 1970).

curry cuts logo 2018So far, so really good. Curry Cuts’ White Lace and Promises: The Songs of Paul Williams looks to be another hit for the label, the fourth release for the Portland, Oregon start-up, after the entertaining Drink a Toast to Innocence: A Tribute to Lite Rock, Here Comes the Reign Again: The Second British Invasion, and Songs. Bond Songs: The Music of 007.

black box Where to Get It: Coming soon; keep up with the latest announcements concerning White Lace and Promises by following Curry Cuts’ Facebook page. The Davenports’ version of “Evergreen (Love Theme from A Star is Born)” has been released as a single, and is available at Amazon

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Alan Haber’s Pure Pop Radio is the premiere website covering the melodic pop scene with in-depth reviews of new and reissued recordings, and a wide variety of features. The 24-hour Pure Pop Radio stream, which ran from 2013 to August 25, 2018, succeeded the weekly Pure Pop Radio show, which began in 1995. Welcome to your number one home for coverage of the greatest melodic pop music in the universe from the ’60s to today.

And the Winners are…

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Actually, we have two winners!

In our prize dossier are two copies of Curry Cuts’ outstanding collection of James Bond theme covers, Songs, Bond Songs: The Music of 007. Said dossier will now be emptied and dispatched to Rebecca Aldape and Terry Hrovat. Both Rebecca and Terry are now bona fide members of Her Majesty’s Not-So-Secret Melodic Pop Service. Welcome!

Thanks to all who entered our Curry Cuts contest. More cool, as we not-so-secret agents are wont to say, contests are coming soon. Meanwhile, keep listening to Pure Pop Radio, your 24-hour source on Internet radio for the greatest melodic pop music from the ’60s to today. We’re continually adding new and new-to-you songs to our playlist. Hear what’s new by clicking on one of the listen links below.

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Shake (Don’t Stir!) This Contest! Win Curry Cuts’ Songs, Bond Songs: The Music of 007 CD

bond james bond cdWe’ve got a Bond, you and I…well, we’ve got two copies of Curry Cuts’ smashing CD compilation, Songs, Bond Songs: The Music of 007, to give away. And you could be one of the winners!

shaken not stirredWe’ll pick two winners from entries received by next Tuesday, July 4, at 5 pm ET. Each winner will snag a Bond compilation CD and a sticker that depicts the cover. It’s easy to win–simply fill out the form below and type the answer to the following question in the Comment field: What is James Bond’s drink of choice? You must answer this question to enter.

And now, the usual small and rather fine print: Only one entry per person. U.S. residents only. Don’t forget to type your email address and answer the Bondian question. Deadline for entering is next Tuesday, July 4, at 5 pm ET.

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Win one of two copies of Curry Cuts’ Songs, Bond Songs: The Music of 007. Shake (don’t stir!) your entry and best of luck, 007!

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Curry Cuts Path to the ’80s for Retro-riffic British Invasion Compilation

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(Win a copy of Here Comes the Reign Again: The Second British Invasion and a Reign t-shirt by filling in the form below. Be sure to type “Reign” in the Comments section. There is a quick turnaround on this contest: Entries must be received by tomorrow night, December 12, at midnight ET. The winner will be chosen on Saturday, December 13. Good luck!)

Producer Andrew Curry, who released his first compilation, Drink a Toast to Innocence: A Tribute to Lite Rock, in April of 2013, follows up in relatively short order with Here Comes the Reign Again: The Second British Invasion. While he’s billed as executive producer of Reign, Curry is better dubbed master curator, or perhaps more appropriately, caretaker of decades gone by.

Dipping this time into the musical waters flowing through the ’80s, Curry has assembled a sterling group of contemporary artists to pay tribute to and/or apply a new coat of paint on songs that were first released more than three decades ago. It is a testament to these songs–and, if Curry knows anything, he knows that the song is job one–that they retain their fortitude so long after first being heard.

To that end, Fountains of Wayne frontman Chris Collingwood turns in a spirited, lovingly rendered version of the Dream Academy’s “Life in a Northern Town,” supported by luscious background vocals from Phillip Price and Flora Reed from Winterpills; The Corner Laughers soup up the beat as they apply their particular magic to Madness’ “Our House”; and Big-Box Store takes a wholly different approach to Kim Wilde’s frenetic “Kids in America,” slowing it down and infusing it with a heartfelt dose of passion.

Jim Boggia and Pete Donnelly turn Adam Ant’s cheeky “Goody Two Shoes” inside out, applying a faux-military drum part and making every note count for a kind of jazzy workout. Similarly, the Davenports dress Wham’s “Freedom” up in power pop overalls, thereby upping the song’s catchy quotient. And Linus of Hollywood puts every ounce of emotion at his disposal into his take on Daryl Hall’s classic “Everytime You Go Away,” originally waxed by Paul Young.

The first lesson one learns listening to compilations such as this is that some aspect of everything you hear today can be traced back to something that came before. The spirit of these songs, denizens of radio first tuned into so long ago, lives on in these new versions of favored classics. The second lesson? Good songs never die, and as chosen and curated by master compilation craftsman Curry, they still rock and roll and fill your body and soul. And in the form of this Reign, they make a great, collective stocking stuffer. – Alan Haber

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