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Bill Lloyd makes a return appearance on Pure Pop Radio: In Conversationnext Tuesday, May 3, at 8 pm ET (5 pm PT). The topic of the hour is Bill’s smashing new covers collection, cleverly titled Lloyd*ering; Bill talks about the songs he’s covered through the years and his process for choosing and recording them.
The dozen suits of clothes, if you will, on Lloyd*ering are spiffy to the max, showing, in addition to Bill’s ability to make another artist’s song his own, the wide breadth of musical styles Bill adores and cherishes. So, there are easy jumps on this collection from covering songs from the dB’s and Wreckless Eric to classics from Harry Nilsson and the Lovin’ Spoonful. You get Bill’s take on Bobby Fuller’s “Let Her Dance” and, in the next breath, the Beatles’ “Across the Universe.” Always, you get the sound of Bill Lloyd, the golden payoff for your price of admission.
On this all-new edition of Pure Pop Radio: In Conversation, airing next Tuesday, May 3, at 8 pm ET (5 pm PT), Bill goes behind-the-scenes and talks about the making of Lloyd*ering, a truly wonderful collection of covers of great songs, each and every one delivered by Bill with heart and soul. You won’t want to miss a minute.
Pure Pop Radio: In Conversation, the premiere melodic pop interview program hosted by Alan Haber, airs Tuesday nights at 7 pm ET (4 pm PT). Archived, podcast versions of interviews are posted on the In Conversation PodOmatic podcast page; click here to listen to more than 60 shows previously broadcast on Pure Pop Radio.
Bill Lloyd | Lloyd*ering (SypderPop, 2016) Review by Alan Haber
It’s easy to be an armchair musician sitting in front of your stereo with the remote in front of you, an ice cold beverage always within reach, and the air instrument of your choice at the ready. Your favorite musician belts out his version of one of your favorite songs, and you shake your head with the might of a gale force wind and bellow, “If you had a clue, you’d be doing that tune this way!”
This is why the professionals take on the task of doing the heavy lifting. In the hands of a master musician, one whose vision and ability are well regarded and keenly tuned, a cover version of a favorite song sounds suddenly fresh and new. Such is the case with the twelve favorite songs gathered together on the cleverly titled Lloyd*ering, a new release from SpyderPop that presents proof positive that Bill Lloyd is the man for the job–the job, in this case, being the wearing of someone else’s suit of clothes and making them look just as, or even more, spiffy.
These dozen suits of clothes, if you will, are indeed spiffy, showing, in addition to Bill’s ability to make another artist’s song his own, the wide breadth of musical styles he adores and cherishes. So, there are easy jumps from covering songs from the dB’s and Wreckless Eric to ones from Harry Nilsson and the Lovin’ Spoonful. You get Bill’s take on Bobby Fuller’s “Let Her Dance” and, in the next breath, the Beatles’ “Across the Universe.” Always, you get the sound of Bill Lloyd, the golden payoff for your price of admission.
A sweet, country-flavored reimagining of Nilsson’s “The Lottery Song,” capped by a highly satisfying, a cappella close, is only one of the highlights of an equally sweet bunch. A weighty take on Badfinger’s “Lonely You” draws out the sadness in Pete Ham’s lyric, surrounding it with ramped up electric guitars and a deeply-felt drum track. A reverent take on the Byrds’ “The World Turns All Around Her” celebrates, with an energetic presence, the song’s gorgeous melody, golden-voiced harmony vocals, and deft electric guitar work.
Bill has an enormous amount of fun playing through the Bobby Fuller Four’s joyous “Let Her Dance,” stomping with glee as the mix of percussive hits, lyrical bass and that incredible melody swirl around him. His take on the Hollies’ equally joyous upbeat confection “Step Inside” may well be the best thing here, which is truly saying something: the glorious harmonies, intoxicating melody and the head-turning key change near the end are simply out of this world, which you might think is the only possible place this kind of magic could be performed.
But, of course, you’d be mistaken, for we regularly encounter this kind of legerdemain right here on earth as the tricks of the trade of such inventive, decidedly brilliant musicians as Bill Lloyd, who dazzles whether he is working in pop, country, rock or who knows where else.
Lloyd*ering, twelve cover versions of favorite songs, are presented here in the key of Bill Lloyd for your listening pleasure, wrapped in an eye-catching package fronted by one of the most colorful, effective covers I’ve seen this year. We’re playing all of these songs in rotation on Pure Pop Radio. Sing along if you know the words.
Alan Haber’s interview with Bill Lloyd, first broadcast last Tuesday on Pure Pop Radio: In Conversation, is now available for listening and/or downloading on the show’s PodOmatic podcast page.
Bill talks extensively about his new single, which pairs two great pop songs, “Yesterday” and “Miracle Mile.” The single, available for download on iTunes, also appears on an extended CD-EP, along with three additional, never-before-heard numbers from the artist’s archives. The CD-EP is available from Bill’s website.
Pure Pop Radio: In Conversation, the premiere melodic pop interview program hosted by Alan Haber, airs Tuesday nights at 7 pm ET (4 pm PT) and repeats on Sunday afternoons at 5 pm ET (2 pm PT). Archived, podcast versions of interviews are posted on the In Conversation PodOmatic podcast page; click here to listen to and/or download more than 60 shows previously broadcast on Pure Pop Radio.
Veteran music maker Bill Lloyd sits down with Alan Haber to talk about his new single on tonight’s brand-new edition of Pure Pop Radio: In Conversation. It’s another great hour of talk and tunes that you won’t want to miss. The fun begins at 7 pm ET (4 pm PT).
Bill’s new single, pairing two terrific tracks, “Yesterday” and “Miracle Mile,” the former written with Cheap Trick’s Tom Petersson and the latter with singer-songwriter Pat Buchanan, is available as a digital download from iTunes. The CD-EP version, available from Bill’s website, adds three additional tracks recorded in the artist’s home studio: “Frank,” “It’s Happening Now,” and the clever stitching-together of homegrown instrumentals, “Today’s Soundtrack.”
On tonight’s show, Bill goes in-depth about the writing and recording of the new songs and how he chose the bonus tracks appearing on the CD-EP. During the hour, you’ll hear both “Yesterday” and “Miracle Mile,” as well as the one-of-a-kind experience that is “Today’s Soundtrack.” It’s the kind of musical back-and-forth you’ve come to expect from Pure Pop Radio: In Conversation.
Pure Pop Radio: In Conversation, the premiere melodic pop interview program hosted by Alan Haber, airs Tuesday nights at 7 pm ET (4 pm PT) and repeats on Sunday afternoons at 5 pm ET (2 pm PT).
With today’s release of his fantastic new single, the master musical magician Bill Lloyd once again aims for the stars and far surpasses them.
The double A-side spinner, pairing two tremendous and powerful melodic pop songs, “Yesterday” and “Miracle Mile,” is fine and dandy all on its own as a download from iTunes, and you should spring for it immediately if not sooner, but the limited edition CD comes with three extra tracks that quite simply can not be denied, making this collection an EP that raises the bar and then some. So it’s both of these things for you, and you too.
Coming off last year’s grand reimagining of his classic 1994 album, Set to Pop (entitled Reset2014) and the typically astounding 2012 record Boy King of Tokyo, Lloyd has raised the bar even higher, playing the one-man-band with two of his best-ever songs. A-side number one, “Yesterday,” is a straight-ahead power pop number with an oh-so-catchy melody and lots of oomph in the form of lyrical electric guitars; inventive, rollercoaster bass lines (performed by special guest star and co-writer, Cheap Trick’s Tom Petersson), and just generally smart and inspired songwriting.
Over on A-side number two, “Miracle Mile,” it’s a Who-like opening (think Bill, not Keith, Moon on drums) that slides into a mid-tempo charmer that sneaks up on you and quickly grabs you by the throat as the drums and vocals kick defiantly with purpose. The song was co-written by frequent musical cohort Pat Buchanan, whose band Idle Jets released the classic 1999 album, Atomic Fireball.
Two of the three bonus tracks appearing on the CD-EP were fashioned back in the early 2000s in Lloyd’s home studio and are corkers, all (“Frank” was recorded in 1998). Following a slick backwards section that’s thrown a loop when the sound of a needle draws across a slab of vinyl, “Frank” gets down to the business of an uptempo pop song with another great melody. “It’s Happening Now” is a lovely acoustic number with an equally lovely melody and a sensitive, understated background vocal arrangement. It would sound all warm and snugly played directly after Paul McCartney’s “Put It There.”
The mindblower among these bonus tracks–the slambang, whizbang, tree shaking, volcano erupting, hell of a thing is the 11 minute instrumental stew called “Today’s Soundtrack,” which could very well be the last word on instrumentals if it’s last words you’re looking for. Stitching together seven distinct pieces, the titles of which are worth the price of admission alone, Lloyd has struck instrumental gold.
To wit: “Gothish” feeds into “Mr. Haney Flips His Wig,” which feeds into “Slinkette,” which becomes “Beautiful Creeps,” which ushers in “Clubbing” and follows with “Let It Come to You” and “40 Watts.” All in all, this is a collective, surprising trip down the Route 66 of the musical mind, a ride with tantalizing twists and turns whose passengers are a short, opening mood poem; a scratchy, early rock and roll workout coming out of the tiny speaker of a transistor radio sitting on Oliver Douglas’s kitchen table in Green Acres; a tiny snippet of electronic sound that plays like it was orphaned after being cut from Todd Rundgren’s A Wizard, A True Star track, “Dogfight Giggle”; a slow burning, blues-cum-jazz tone poem; an energetic dance, club workout; a Prince-styled, funky guitar-centric attack; and a relatively straight-ahead pop rocking bed for what would undoubtedly be a big hit song. It’s a wild, stylish, way-satisfying ride–a perhaps unexpected one that, frankly, sizzles.
Lloyd has always been a reliable creator, issuing record after record of top-flight songs played and sung to perfection. With this new release, he has reached new heights, turning in a pair of phenomenal recordings supported, on the CD-EP, by three additional tracks that beg the question, “What other treasures are lurking in the cupboards in Bill’s home studio?”.
For now, these are the treasures, all of which are now playing in rotation on Pure Pop Radio. This is one of the great releases of the year. You know what to do.
Purchase the download of “Yesterday” and “Miracle Mile” from iTunes by clicking here. Purchase the CD-EP, boasting three bonus tracks, by clicking here.
This week has practically flown by! Wasn’t it just Monday…yesterday? Wow! Well, it’s Friday, and that means it’s day five of Pure Pop Radio’s exciting New Music Explosion, which is great news all by itself, but the even greater news is that we’ve got so much new music to add to our playlist that we’ll be exploding next week, too! Look for another great list of newly-added songs and artists next Tuesday or Wednesday.
Meanwhile, here’s today’s quartet of great melodic finds. Let’s make it happen, shall we?
Never Surrender: The Cheap Trick Tribute | Various Artists We’ve long been big fans of Australia’s Zero Hour Records, a great independent label run by George Matzkou. Zero Hour continually releases great-sounding compilations in smart looking packages that you can hold in your hand and admire as works of art. The latest in a series of tribute albums curated by the label is an exciting two-CD celebration of the songs of Cheap Trick. Never Surrender serves up 40 songs from across the wide-ranging body of work produced over the years by one of the most loved bands of the rock era. All manner of artists deliver their versions of such great songs as “ELO Kiddies,” “Oh Candy,” “”Come On Come On,” and “I Want You to Want Me.”
Naturally, many of pop music’s greatest artists wanted, and probably even needed, to be part of the celebration of some truly great songs; quite a few of these artists are Pure Pop Radio favorites. We’re thrilled to have added to our playlist 16 tracks, each one guaranteed to have you up and running with your favorite imaginary axe, playing air guitar to these venerated classics.
Here’s the rundown: The Cry, “ELO Kiddies”; The Running Jumps, “If You Want My Love”; Chris Richards and the Subtractions, “Downed”; Stephen Lawrenson, “Such a Good Girl”; Lannie Flowers, “Oh Candy”; Spike Priggen and C. P. Roth, “So Good to See You”; Lisa Mychols, “Tonite It’s You”; Bill Lloyd, “Come On Come On”; Corin Ashley, “I Want You to Want Me”; Jeremy, “Takin’ Me Back”; Easterly, “Let Go”; Rob Smith and Danny McCarthy, “Had to Make You Mine”; Rob Bonfiglio, “Taxman Mr. Thief”; The Affections, “Say Goodbye”; honeychain, “I Can’t Take It”; and Michael Carpenter, “Surrender.” Not only is this an eclectic bunch of songs, it’s an electric bunch of artists, joining together to pay tribute to a classic group that has wowed the world’s music fans for so long. We’re proud to be bringing you tracks from this album, in rotation. Good job, Zero Hour!
The Corner Laughers | Matilda Effect The award for the most enchanting melodic pop music album released so far this year must, without question, go to the well-appointed members of the Corner Laughers, who have produced a song cycle that sounds bright and cheery, wonderfully enchanting, and lyrically invigorating. From the opening, Motown vibe of “Fairytale Tourist” to the lively pure pop pleasures of the happy, bouncy “Go Fly Your Kite,” Matilda Effect, which releases today, puts a big smile on your face that nary a tissue or wet towel will be able to wipe clean. The reggae-meets-pop vibe of the closer, “Good Hope,” is quite intoxicating and joyous and mighty hard to resist, which you wouldn’t want to do anyway under any circumstances at all. Big hugs to the enchanting Karla Kane, who wrote most of the songs here; Khoi Huynh; KC Bowman; and Charlie Crabtree. Equally big hugs to Allen Clapp, who produced, along with the Laughers. We’ve added all 10 of the songs on this delightful album: “Fairytale Tourist,” “The Girl, America,” “Octavia A,” “Queen of the Meadow,” “Sophie in the Streets of Stockholm,” “Midsommar,” “Lammas Land,” “Go Fly Your Kite,” “Martha (Cincinnati, 1914),” and “Good Hope.” Color us enchanted.
Adam Walsh | The Crooked Trail of Midnight We’ve been playing a host of tracks from this mighty talented singer-songwriter for months. Whether on his own or with his pal Colm Gavin, his talent sparkles and lights the sky. Country, folk and a decidedly keen pop sense permeate everything Adam records. Might we refer to his music as Americana Pop? Perhaps. This EP is a fantastic way to introduce yourself to Adam’s considerable charms as a musician of the highest order. We’re playing, in rotation, “Child of Love,” “Hidden Times,” “Of Our Love,” “Love that’s Gone,” “Steamboat Dream (for John Hartford),” and ” Sun Goes Down.” Great stuff.
But that’s not all. We’re also playing a few other Adam tracks: a cover of the Bee Gees’ “Sun in My Morning,” Gene Clark’s “Here Tonight,” and Jeff Lynne’s “Can’t Get It Out of My Head,” all three performed with Colm Gavin. Lovely, all.
Andy Reed | “Darlin’, You Don’t Know,” “Good Girl,” and “The Show Goes On” Producer, engineer, songwriter, performer, member of the Legal Matters and all-around musical magician Andy Reed’s latest single is another one of his can’t-miss creations that even before the first chorus has been sung burrows into your brain and holes up there for, you know, ever. So, naturally, we’re playing it in rotation on Pure Pop Radio. The two b-sides are remixed versions of songs that appeared on the split EP Andy released with Brandon Schott a little more than a year and a half ago. We love them both. And you will, too.
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Thanks for checking in this week and exploring our latest adds to the Pure Pop Radio playlist. Click on one of the listen links below to hear hundreds of new songs and a total of more than 6,800 melodic pop nuggets from the ’60s to today! See you back here next Tuesday or Wednesday for another edition of our New Music Explosion!
We’re back with another extra special, vitamin-rich group of great new and new-to-you melodic pop music added to the Pure Pop Radio playlist.
Let’s get right to it, then. We’ll begin by taking an extended look at a fantastic new tribute to Elvis Costello.
Various Artists | Beyond Belief/A Tribute to Elvis Costello We’ve talked about the compiler’s art before, and make no mistake about it–compiling a tribute album is an art. Practicing the art for this three-disc tribute to Elvis Costello are compilers Olivia Frain and John M. Borack, both longtime Costello fans. Frain, a dedicated music fan, and Borack, a music journalist who has also served as executive producer for 2002’s Right to Chews: Bubblegum Classics Revisited and 2001’s Shoe Fetish: A Tribute to Shoes, set about contacting artists and putting into motion all of the behind-the-scenes nuts-and-bolts tasks necessary to bring the set to market.
This mammoth collection, gathering together covers of Costello numbers from 50 artists, is a delight to listen to from head to toe. As noted in the set’s booklet, “100% of the proceeds…will be donated to the Mr. Holland’s Opus Foundation. The Mr. Holland’s Opus Foundation keeps music alive in schools by donating musical instruments to under-funded music programs, giving youngsters the many benefits of music education, helping them to be better students and inspiring creativity and expression through playing music.” In an era in which arts programs are often cut from schools, this is a most welcome and vital effort.
Beyond Belief is chock full of choice Costello songs performed by artists who obviously love the source material. And what’s not to love? Costello has been a favorite artist of music fans since he first burst on the scene in 1977 with his debut album My Aim is True. Along the way, he has delivered songs in all manner of genre from rock to pop to R&B to country and back again. Proof of this ability to jump from one style to another at the drop of a tone arm is reflected in the tracks chosen by the artists appearing here.
While some artists stick to the plot of land originally planted by Costello, others reimagine the master’s songs and work with new approaches. David Myhr, late of the Merrymakers and now a favored solo artist, delivers a wonderful version of “Veronica” (co-written with Paul McCartney) that basically sticks to Costello’s blueprint but takes the song at a slightly slower tempo and adds more of a glossy, pop sheen. The Rubinoos trade a blaring horn section for the original’s organ part and temper Costello’s snarl with a bit of a poppier vocal approach in a jazzier, new version of “Pump It Up.” Mike Viola turns in a basically reverent version of a Burt Bacharach co-write, the majestic “God Give Me Strength,” in what amounts to a somewhat more intimate, drawing room-like performance; Viola’s gorgeous vocal is delivered over a bed of acoustic guitar and chamber strings, minus the horn present in Costello’s original version.
Three tracks, in particular, take the art of covering a song to new heights. First and foremost, the award goes to Jamie Hoover and Steve Stoeckel, better known as Jamie and Steve, who pull the rug out from under Costello’s “Blame It On Cain” and shake out the dust like men on a mission, turning in an amped-up, wild a cappella version powered by doo-wop muscle and good, old-fashioned chutzpah. Not only do Jamie and Steve prove how good the song is, they turn it inside out and rebuild it from the ground up. This is a spectacular performance that will have you hitting the repeat button over and over.
To Costello’s original, moody version of “So Like Candy,” a co-write with Paul McCartney, Paul Myers adds some poppy vocals and a ghostly percussion track and approaches Costello’s bridge as if it were coming straight off of a scratchy vinyl copy of the song. It’s a welcome surprise that, along with Myers’ assured vocal, is one of this set’s major delights. Another top shelf approach is that of Lannie Flowers, who takes a basically reverent run through “Radio Sweetheart,” yet surprises listeners by turning the proceedings on their collective head at 1:55 by introducing a decidedly mystical aura for 37 enticing seconds.
What tribute albums such as Beyond Belief offer, aside from giving artists the chance to play in someone else’s sandbox, is proof that good songs will retain their value as each calendar year passes. New coats of paint in the form of new approaches or reverent run-throughs are good for the songwriter’s art, and good, also, for the compiler’s art. With Beyond Belief/A Tribute to Elvis Costello, the compiler’s art has been raised to new heights.
[Twenty-one tracks from Beyond Belief/A Tribute to Elvis Costello have been added to the Pure Pop Radio playlist and are now playing in rotation: “Girls Talk,” Rob Smith; “Brilliant Mistake,” Dennis Schocket and Cliff Hillis; “The Other End of the Telescope,” Butch Walker; “Veronica,” David Myhr; “Kinder Murder,” Popdudes; “No Hiding Place,” Michael Carpenter; “Blame It on Cain,” Jamie and Steve; “Monkey to Man,” Kelley Ryan; “I Hope You’re Happy Now,” Severo; “Pump It Up,” The Rubinoos; “Radio Sweetheart,” Paul Myers; “Tear Off Your Own Head (It’s a Doll Revolution),” Hans Rotenberry; “Possession,” Barry Holdship; “This Year’s Girl,” honeychain; “Green Shirt,” Scott Bennett; “God Give Me Strength,” Mike Viola; “Radio Sweetheart,” Lannie Flowers; “Man Out of Time,” Bill Lloyd; “Almost Blue,” Nick Heyward and the 13 Satellites; “Crimes of Paris,” An American Underdog; and “Mystery Dance,” sparkle*jets UK] – Alan Haber
Hidden Pictures | Ottomans The latest release from Hidden Pictures is a typically entertaining musical knockout punch. Delicious melodic pop pictures are painted with an apparent Deacon Blue-meets-Prefab Sprout vibe. Highlights include the wonderfully catchy “Firm Way to Say Goodbye”; the punchy, tuneful “Girl on Girlfriend”; and “Riffraff,” a rock number with a guitar part sounding like it came from a David Bowie track. These and three more songs are now playing in rotation: “You’re an Adult,” “Hannah, I’m Scared of Your Boyfriend,” and “Firm Way to Say Goodbye.” Another great album from this California group.
The Tearaways | The Earle Mankey Sessions, Vol. 4 and The Earle Mankey Sessions, Vol.7 Formed more than 30 years ago, the Tearaways worked with veteran producer Earle Mankey and waxed 50 songs. The results were released in 2014 on these two albums, both necessary purchases for every pop music fan. Great, catchy songs with terrific melodies and harmonies are the order of the day. We’ve added seven songs from Vol. 4 and nine songs from Vol. 7. From Vol. 4, we chose the melodic anthem “Girls Who Love Cars,” the toe-tapper “Stuck On Stupid,” about a guy who can’t quite figure out how to tell a girl he likes how he feels; and the timely “We Don’t Talk, We Text,” about the laziness and lack of proper communication in this world. Also added from Vol. 4: “I Will Wait,” “Jefferson Still Survives,” “Valerie,” and “The Last Goodbye.” From Vol. 7: the self-explanatory “I Pray Guitar”; a rhythmic tribute to “John Wayne”; and “All She Wants Is the Ring,” about a woman who’s in a relationship for its material worth. Plus: “Friends and Enemies,” “I Don’t Know and I Don’t Care,” “More Dollars than Sense,” “I Can Tell You Now,” “I’ll See You Again,” and “I’m All In.” Repeat after us: “Must have. Must have. Must have!”
Dave Rave and the Governors | Sweet American Music The great Dave Rave returns and hooks up with the Governors for a splendid collection of pop songs, all sporting big melodies and, of course, big hooks. From the driving “Lindsay” and pure pop sixties pleasures of “You Take What’s Yours” to “Pullman Washington” and the Lou Reed vocal vibe of “Night School,” this is an album that will never be far from your ears. We’re happily spinning these four songs, along with the rocking “Trapped.” A big record with big guitars and a whole lot of spirit. And the cover’s really cool.
Andy Bopp | Time to Rock! Andy Bopp, late of groups such as Love Nut and Myracle Brah, and currently waxing tunes with Ken Schopf as The Modern Ruins (see next entry), lets loose in his living room armed with only his electric guitar and echoed vocals for a quartet of Sun-era sounding rock ‘n’ roll ‘n’ rockabilly numbers. The tracks: the title track, “Anna Lee,” “Black Heath,” and Santo and Johnny’s “Sleepwalk.” Dig these thrilling and powerful performances, all playing now in rotation.
The Modern Ruins | Bleeding Party and Three Tracks from the Four Track Can’t get enough Bopp? Andy’s got you covered with two new 2015 releases from his duo with Ken Schopf, the Modern Ruins. These songs follow nicely from the vibe of Andy’s solo EP, Time to Rock!, only on these records Andy and his guitars are supported by Ken’s Cocktail Drum kit, percussion and backing vocals. It’s rock ‘n’ roll all the way, from the souped-up Sun-era sound of “All Fall Down (Black Heath),” which also appears on Time to Rock!, to the slow blues of the title track and a spirited, John Lennon/Plastic Ono Band-esque version of David Essex’s 1973 top five hit, “Rock On.” These songs, plus three more–“Longtime,” “Rope Walker,” and “There”–are now playing in rotation. From Three Tracks from the Four Track, we’re spinning “Anytime Anyway” and “When It Rains.” Great stuff.
Cartographer | Cartographer, and Town and Country | My Blue Heaven One of our favorite singer-songwriters, Scott Gagner, whose last album, Rise and Shine, was a big hit here at Pure Pop Radio, is the common denominator between these two releases, both from 2008. Both albums find Gagner and friends following a similar musical path to Gagner’s current vibe. In other words, the songs are melodic and inventive and instantly memorable. Great stuff through and through. From Cartographer, we’re playing, in rotation, “The Trouble With You,” “I’m Not Following You,” “Love Triangle for Two,” “Sound Rebounds,” “Waiting,” and “Suburban Girl.” From My Blue Heaven, we’re spinning “Daytime Emmy,” “Bella Vista,” “Better than That,” and “The Rest of the Night.” Scott is currently working on ideas for his next album. We can only hope we don’t have to wait too long.
Sitcom Neighbor | Charm This wonderful pop music album from 2012 hits the melodic bullseye, sounding like a splinter off the main body of the Sugarplastic. From the beautiful “Amphetamine” to the rocking nod “The Satisfaction of Love” and the bluesy pop of “Vaseline Water Balloon,” this album is full of harmonies and top notch melodies, bursting with tasty nuggets. We’re playing eight songs in rotation: those previously mentioned, and “Let It Go,” “True Love and Medication,” “This Time Tomorrow,” the Beatlesque “Buy Your Farm,” and “Darlene.”
The Tickets | The Tickets Musician Walter Clevenger loved the Tickets so much that he gathered together the band’s 1990 cassette-only album, The Tickets Make a Record, and their 1986 single, “She Got Away”/”Yesterday’s Girl” and released both together in 2006 as The Tickets on his own Brewery Records label. The album is an important collection of songs performed by musicians with an obvious love for pop music. We’re playing six: “Dream About Me,” “Everything,” “I Don’t Belong,” “Heartland,” “The One that I Loved,” and “She Got Away.” Great melodies, harmonies and playing abound.
The General Store | Mountain Rescue It is a pleasure to have the music of the General Store spinning in rotation on Pure Pop Radio. Tam Johnstone, the musician behind the group name, is the son of Elton John guitarist Davey Johnstone; he obviously picked up a musical thing or two from his dad. A mix of country-tinged and pop/rock numbers, Mountain Rescue is represented on Pure Pop Radio by seven songs: the ringing rocker “Early Morning Fuzz,” the Beach Boys homages “Girls from the Mall” and “Nothing Can Come Between Us,” and “Desert Weathered Hiway.” The Neil Young nod “Come Around,” “Great Big World,” and “Over Here” complete the pack.
Ian Gomm | Demonstrates Ian Gomm, who co-wrote (with Nick Lowe) one of the great pop singles of all time, “Cruel to Be Kind,” and played guitar for the band Brinsley Schwarz, added this terrific EP to his catalog in 2013. The platter is represented on Pure Pop Radio with four choice cuts, pop classics all: the upbeat, catchy “Let’s Stick Together” and “Only You (Knowing Me),” the hit-worthy “Magic Spell,” and the beautiful ballad “Lonely Avenue.” A terrific disc from one of the greats, released by Jerker Emanuelson’s Sound Asleep Records.
Various Artists | Souvenirs: Little Gems of Pop, Volume II The second in a series of collections gathering together various classic pop recordings, Souvenirs: Little Gems of Pop, Volume II kicks off with Richard X. Heyman’s crackerjack 1980 single a-side, “Vacation,” an energetic pop rocker with a typically catchy melody. From there you get, amongst the treasures on hand, Bill Lloyd’s jangly, highly melodic side “Lisa Anne,” from Bill’s 1987 Feeling the Elephant album; Tube Top’s glorious, upbeat power pop song “Oceans Cracked,” from the band’s 1997 album Three Minute Hercules; and Scott Sutherland’s straight-ahead pop song “Book of Seasons” from 1999. These songs are now playing in rotation as part of our playlist; others spinning as we speak are Enemies in the Grass’ “Best Behaviour,” Post Office’s “The Whole Thing’s a Bust,” Jr. Gone Wild’s “It Never Changes,” and Nick Rudd’s Blown’s “One in a Million.” A wonderful collection, released in 2014 by Jerker Emanuelson’s Sound Asleep Records.
Whew! That does it for our two-day new adds extravaganza. We hope you enjoyed the ride through the latest additions to the Pure Pop Radio playlist. All of the songs and artists we talked about today and yesterday are now playing in rotation. Tune in to Pure Pop Radio by clicking on one of the handy listen links below. And make a date to come back often to hear more of the greatest pop music in the universe!
I have long believed that of the many instruments that help to bring a great song to life, the human voice is capable of the most expression (sleigh bells come in at number two, in case you were wondering). Moreover, the magic that results from a group of people who come together to make a glorious sound that resonates with an audience is incontrovertible proof that music is the fuel that makes the cool kids sing.
The cool kids sang rather sweetly in 2014, a great year for melodic pop music. Whether driving the beat of a song or singing in five-part harmony, artists were inspired to create lasting art in the form of two-, three- and four-minute songs that added value to people’s lives. There is a reason–probably more than one–that great songs stand the test of time, some sounding as fresh as the day they were born, even decades after they were recorded. And make no mistake–many of the songs that made their way to turntables and CD players this year have that kind of staying power.
Even after 20 years of writing about and broadcasting pop music to the masses, I am still dazzled by much of what I hear. The thrill of discovery is present every time I sit down and prepare to listen. I want every note that fills the room to explode with joy. And, more often than not, I am rewarded with that certain something that drives me to play music on the radio and gather words together to communicate that joy. For me, the magic is still alive and well and lighting my world.
Which brings me to 21 magical records that helped make 2014 a banner year for melodic pop music. I’ve made no attempt to rank them or present them within categories. It is impossible for me to make a distinction between the fourth and fifth best albums of the year, so I haven’t even tried. What follows are simply 21 of my favorite releases of the year: the stars of 2014, if you will–a group of records that will enrich your life in ways that may well surprise you. And they’re presented in no particular order. There were many more records that touched my soul this year; these are the top of the pops. At the very least, they will put a smile on your face, and as the late writer Derek Taylor might have opined, you really can’t say fairer than that. – Alan Haber
And now, in no particular order, please join me in ushering in the Stars of ’14: Pure Pop Radio’s Favorite Records of the Year!
Joe Sullivan | Schlock Star Coming seemingly out of nowhere, Joe Sullivan and his debut album, Schlock Star, knocked me clean off my feet. Joe’s keenly observed pop songs, about girls and boys and boys and girls and other related topics, are perfect examples of the arts of clever songwriting and performance. In my review of this album, published on September 2 on this site, I said that “Sullivan makes tracks that stick and stack up for imminent replay.” I also stated, without reservation, that “This is Sullivanmania, attended by screaming fans who dig the sounds of one of the best records of 2014.” No doubt you’ll be hearing a lot more about Joe in the coming years. Joe, as you may have already figured, is the real deal.
Marti Jones | You’re Not the Bossa Me What I know about bossa nova music could fit on the rightmost quadrant of the head of a pin, but thanks to Marti Jones’ radiant album that adds more than a splash of melodic pop to the turntable, I’m something of an expert. Well, not really, but I know what I like and I like the latest chapter of Jones’ music a lot. When I added all of these songs to the Pure Pop Radio playlist on July 9, I said in my playlist report that this is “pop music for discerning listeners….” And indeed it is. I also noted that the songs, “written by [Kelley] Ryan, [Don] Dixon, Bill DeMain, [Paul] Cebar and others, are brought to life with Jones’ magical voice. Jones has never sounded better.” It’s always a celebration when Jones releases a new album. If you think this one is great, well, just wait until the next one spins.
The Legal Matters | The Legal Matters Some albums feel right after only a few notes play. And when the harmonies kick in–when the melodies surround me and take me to some other place–I’m putty in the musicians’ hands. Such was my experience with this debut album by three well-known musicians who came together to form the Legal Matters. In other words, they’re the Rockpile of the melodic pop world. It’s all in the music, I said in my July 23 feature review; the “harmony-drenched law firm of [Andy] Reed, [Chris] Richards and [Keith] Klingensmith” delivers the goods. This is “good, good music for when the snow falls, for when spring turns to summer, during a light rain, and for when fall signals the end of baseball season and the year moves into its closing phase. It’s good for what ails you, a prescription that works wonders no matter the season or circumstance.” It’s really great, and it’s one of my favorite records of 2014.
Ed Woltil | Paper Boats, A Reverie in Thirteen Acts The beautiful songs that populate this wonderful album from the Ditchflowers’ Ed Woltil are a wonder to behold. Melody is king and beauty is on display in each of the melodic gems currently playing in rotation on Pure Pop Radio. Whether he’s wearing his straight-ahead pop hat on the catchy “Algebra” or crooning softly and emotionally on the beautiful waltz, “Dance With Me One More Time,” Woltil is capturing our hearts. I called this a hall-of-fame-worthy release when I wrote about it in my July 9 station update; four months later, its position remains unchanged. A stellar release from a huge talent.
Dave Caruso | Cardboard Vegas Roundabout When I reviewed this album on September 17, I testified, up front, about it glorious wonders: “This kind of thing, this magical musical mixture exhibiting the tasty influences of Barry Manilow, the Carpenters, the Beach Boys and, hey why not, Paul McCartney, is a thing of beauty, an artful excursion that can and will enrich your life, take you to your happy places and prove to you that good things absolutely do come in all manner of packages–small, medium, large and beyond.” What more do you need to know, except that these songs should absolutely have a place in your life. Caruso’s Beach Boys/Carpenters homage, “Champion,” alone makes this album a worthy purchase. Cardboard Vegas Roundabout is so good and so tasty that many of the other CDs in your collection will aspire to achieve its greatness. Simply fantastic.
Bill Lloyd | Reset2014 Bill Lloyd has been a huge part of the Pure Pop Radio playlist since his career-making Set to Pop was released in 1994. On the occasion of the album’s 20th anniversary, Bill has recreated that mind-blowing collection with wonderfully-updated remakes and early and live takes. Reset2014 is as much a look back as it is a reinvention. “On the list of Best Records Ever Made,” I noted in my October 29 review, “Set to Pop must sit comfortably alongside similarly great waxings drawn from the catalogs of other great artists.” “With Reset2014,” I wrote, “Bill Lloyd has taken pause to smell the roses from 20 years ago and replant them for future generations.” This is such a great achievement from one of pop music’s greatest artists.
The Britannicas | High Tea Album number two from this international melodic pop supergroup checks off many of the must-haves on power pop fans’ lists: Byrds musings, gorgeous balladry, jangle, harmonies and hooks galore. Veteran U.S. popster Herb Eimerman, who we’ve been playing on Pure Pop Radio for somewhere in the neighborhood of18 years, Australia’s Joe Algeri, and Magnus Karlsson from Sweden have served up a spot of High Tea that all told constitutes a truly classic collection.
Myrtle Park’s Fishing Club | Nothing to Be Afraid Of A total surprise, this is perhaps the brightest, most inventive, most sincere and happiest-sounding melodic work of the year. Kate Stephenson, trading under the delightful band name Myrtle Park’s Fishing Club, had written a range of songs that recall the best of the Roches, the Dream Academy and Prefab Sprout, but come alive as uniquely her own creations. The deeply-felt, dense harmonies alone are more than worth the price of admission. Plus, the artwork and hand-lettered lyrics in the accompanying booklet prove that the album package is still alive out there in the world. One of the most truly special albums of this or any other year.
Robert Crenshaw | Friends, Family and Neighbors Speaking of truly special albums, here is one from the great Robert Crenshaw. “One of the sweetest surprises of the year is this joyous celebration of the love of the clever, catchy song,” I wrote in my October 30 feature review. Pairing a couple of covers, including one of Hank Williams’ “I’m So Lonesome I Could Cry,” which features Marshall, Dean and John Crenshaw, with seven originals and a surprise bonus track, Crenshaw turns in his best album to date, tackling such diverse subjects as “…the upside of improbability (the lovely, hymn-like “The Night the Detroit Lions Won the Super Bowl”), familiarity in the face of love (the Bill Lloyd co-write, “You’re So Hip to Me”), detachment versus reality (“What if I’m Really Dead?”), and hiding behind the wall of booze (the gospel-tinged “Turn to Booze”).” A wonderful album, beautifully realized.
The Rubinoos | 45 In my November 10 feature review, I wrote that “this latest album from the melodic pop band’s melodic pop band is a master class in songwriting and performing that should be at the top of your holiday gift-giving lists.” 45 is stone-cold triumph–a standout album in a career teeming with them. Among the treasures on offer, besides the great voice of Jon Rubin and some of the best harmonies on the planet, is one of the best tracks recorded by any artist this year–a lovingly-rendered a cappella (with percussion) version of Lou Christie’s classic, “Rhapsody in the Rain,” that will make the hairs on the back of your neck stand on end and drive you to recall the classic sound of Frankie Valli and the Four Seasons. Tommy Dunbar originals like the buoyant “I Love Louie Louie” and the upbeat “Countdown to Love,” which tips its hat to the Paul Revere and the Raiders playbook, are modern day classics. Long may the Rubinoos run.
Peter Lacey | Last Leaf Tender and loving and from the heart, Last Leaf bristles with warmth and genuine emotion. Lacey harkens back to his folk roots, taking inspriation from ” the circles of everyday, country life: on patches of grass surrounded by sprouting trees, and by the water, on a calmly-stated lake. Lacey’s new songs are about the simpler, and more important, things in life; every element of this album is calm and soothing and powerful,” I wrote in my station update on July 7. Beautiful songs like “The Woodwind” and “Boy in the Rings of a Tree” populate this entire album, a treasure by any definition of the word.
Jamie Hoover | Jamie Two Ever Pop music’s premiere journeyman returns with a sort-of sequel to 2004’s Jamie Hoo-Ever, and boy does he deliver. Seven originals, eight covers (only on the CD), and a million reasons to keep this album in hot rotation at your pad. As I said in my station update on October 28, “From ace covers of a couple of Beatles tunes and the Left Banke’s “Walk Away Renee” to a host of originals, including the joyous, almost-completely a cappella “Press Save”; the lovely, gentle Steve Stoeckel co-write, “Lost”; and the bluesy “Oh Darlin’!”-esque “You Took Away the Birds,” Jamie Two Ever practically redefines the word ‘classic.’
Kylie Whitney | Something About Ghosts With a soulful approach and a refreshing touch of honesty, Kylie Whitney has released a classic-sounding album stocked with a wide range of emotions, all conveyed with authority. Although the album is chiefly comprised of originals, most of which were co-written with producer Michael Carpenter, Whitney does deliver a tender read of Don McLean’s “Vincent.” “Bad News Baby” finds Whitney in fine ’60s girl-group mettle, and “Tealite” shines an emotional light on her somewhat fragile vocal. Everything here points to a singer with a bright future.
mylittlebrother | If We Never Came Down One of the coolest discoveries of the year. Here’s how I summed things up in my October 24 station update: “As perfect as a beautiful day in the country or a clear, wondrous night under the stars, mylittlebrother is a wonderful British band that specializes in lovely, clever, insanely catchy pop songs that capture the imaginations of listeners. Entrancing melodies, gorgeous harmonies and a sense of humanity make this album the find of the year.” The opener, the joyously hopping mid-tempo “Loves of Life, Unite!” and the early rock ‘n’ roll stroll-meets-Teenage Fanclub vibe of “My Hypocritical Friend” are only two of the musical pleasures to be savored. Wonderful.
Sam RB | Finding Your Way Home Here is a truly lovely album full of truly lovely songs by a New Zealand singer-songwriter who makes truly beautiful music. Here is what I said in my October 28 station update: “Finding Your Way Home features Sam’s beautiful, expressive voice and songs with melodies that will melt your heart.” Sam sings her heart out in such standout tunes as the folk-pop “Blue Sky Day,” the wonderfully catchy, hit-worthy “Say Goodbye,” and the should-be-hitbound and equally impressive title song. Don’t be surprised if Finding Your Way Home soon finds its way to your home.
The Dowling Poole | Bleak Strategies The perfect second act after the ashes of the much-missed band Jackdaw 4 had scattered, the Dowling Poole finds that band’s leader, Willie Dowling, teaming up with veteran musician Jon Poole for a similarly imaginative trip down the pop music rabbit hole. Bleak Strategies is hardly a bleak affair, though; rather, it’s a wondrous, album-length expression of strength in the art of composition and performance, with seemingly millions of influences synthesized down to one shared point of view. Full of surprises and all manner of left and right turns, this is your one-stop-shop for XTC-meets-10cc-meets-Kinks, Beatles and Frank Zappa-isms. Put simply, these are pop songs turned on their heads by two men fully poised to do the job right. Any album that segues effortlessly from banjo-fueled vaudeville to straight pop in the same song (the wild and wooly “Empires, Buildings and Acquisitions”) and lays their pop smarts bare with an early-to-late period XTC-like romp (the insanely catchy “A Kiss on the Ocean”) deserves your rapt attention. Grand.
Edward O’Connell | Vanishing Act Four years on from his 2010 debut, Our Little Secret, Edward O’Connell returns with, not surprisingly, another great record. In our July 10 station update, I wrote that “Vanishing Act is everything a great melodic pop album should be and then some.” Songs include the insanely catchy “My Dumb Luck” (with its George Harrison-esque slide guitar lines), the equally infectious “Severance Kiss,” and “Lonely Crowd,” with a decidedly Tom Petty vibe. With not a single note or clever lyric wasted, Vanishing Act is one of this year’s greatest musical achievements.
Linus of Hollywood | Something Good Something great is more like it. “Nobody does it better,” Carly Simon once sang, and she might as well have been singing about Linus. His duet with the lovely Kelly Jones on the charming “If You Don’t Love Me You Gotta Let Me Go” is, all by itself, worth the price of admission. His gentle cover of Kiss’ “Beth” breathes new life into the old classic rock staple, putting added emphasis on the melody as welcome, real strings set the song aloft. Spectacular music, catchy as all get out, all the way through.
Dana Countryman | Pop 2! The Exploding Musical Mind of Dana Countryman Dana Countryman turns the clock back to the panoramic 1970s as the Wayback Machine collects the songs that form the soundtrack of your life–if you’re a sweet, melodic pop fan, and by reading this you might as well flash yout membership card at the door, this is for you. Nobody does this kind of thing better than Countryman, who celebrates “…the kinds of songs they just don’t write and record anymore. His influences, from Gilbert O’Sullivan and Eric Carmen to the Beatles and beyond, are worn on his sleeves and [are] bathed in his own, unique approach to songwriting and production.” That was my take on this album in my review from October 7. If you’re looking for a warm, musical glow to light your way, then look no further than this collection. It’s like what used to come out of transistor radios a long, long time ago, but it’s now coming from the here and now. Pop 3!, please.
Mothboxer | Sand and the Rain Mothboxer’s Dave Ody wears his heart, and his influences, on his sleeve on this wonderful new album. Mothboxer just keeps getting better, and this album is their best yet. The influence of the Beach Boys is apparent, however subtly, on the lively and engaging “In the Morning” and the enticing “Looking Out for Summer.” The title cut is clever, technicolor pop. The driving “We’re All Out of Our Minds” is upbeat and rather catchy. Overflowing with great songs, Sand and the Rain is a clear winner and, not surprisingly, one of the best albums of the year.
The Solicitors | Blank Check Lee Jones’ energetic, widescreen pop songs, hooks always at the ready and raring to go, are fuel for the fire that is Australia’s the Solicitors. A wildly talented singer and songwriter, Jones, along with guitarist Laf Zee and crew tread towards the listener with equal parts vim, vigor and melody. The band means business and their business is clear: knock ’em down with Stiff-era enthusiasm and the joy of performance. One of these days, the Solicitors will venture away from Oz and hit American shores to spread their pop gospel. We patiently wait for that day, but until then we have this new album, one of the best of the year.
(All reviews written by Alan Haber)
We hope you’ve enjoyed our list of 21 of Pure Pop Radio’s favorite albums of the year. These are the Stars of ’14: 21 artists with great songs that will enrich your lives and guarantee your status as one of the cool kids. Which artists and songs will make next year’s cut? See you in about 365 days for the answer to that question and many more! Thanks for reading, and thanks, as always, for listening to Pure Pop Radio!
Released in 1994 on East Side Digital, Set to Pop was an important record for Bill Lloyd. He had been successful in a partnership with Radney Foster as Foster and Lloyd, a duo that registered a considerable impact at country radio and a more-than-palpable fan base. Followed by a re-release on CD in 1990 of his 1986 solo debut, Feeling the Elephant, Lloyd set to work on a followup, a career-making album that showed what he could do on the pop side of things. He set about writing for himself, “without thinking about crafting songs for a radio format.” The canvas was blank, so with nothing to lose and everything to gain (and a Ray Davies cover in his pocket), he pulled out his musical paint set and got to creating a scene.
That scene, an hour-long aggregation of songs separated by clever bits of whimsy and swimming in an ocean of talent and confidence, manifested itself as Set to Pop. Many classic albums followed–albums that saw Lloyd work his magic that was continually informed by mounting experience and travels along many musical routes. His 2012 release, Boy King of Tokyo, found him multitasking, playing every instrument not nailed down, including the drums. That album featured one of Lloyd’s best and catchiest songs, the relatable-to-all-music-geeks pop confection, “The Best Record Ever Made.”
On the list of Best Records Ever Made, Set to Pop must sit comfortably alongside similarly great waxings drawn from the catalogs of other great artists. Lloyd must know how important a record he made 20 long years ago is, because he’s taken a fresh look at it, reconfigured and reshaped it into an album he has correctly titled Reset2014. And he must be serious, because he’s mixed it in Stereo-Panic Sound.
Record geeks-as-collectors are more than familiar with the concept of the alternate album–the re-christening of an original, full-length work with new and refurbished parts put in the game so the original parts can sit on the sidelines and take a well-deserved rest. Twenty years is a long time, as just about any person of a certain age will tell you. It’s generally a good regrouping point from which you can gaze back through the hazy shade of a lost winter’s dream, see what worked, why it worked, and whether it still works. The fact is, the original Set to Pop still works fine and dandy, but this new look at the Emperor’s Old Clothes is a good way to gain some perspective, and this new renaissance works like a charm, breathing clear life into an old flame. It’s like a new coat of Turtle Wax after it’s baked an hour or two in the hot sun, all shiny and bright.
Lloyd notes that Reset2014, set for release in early November, came about because he found that “most of the bits and pieces for this project [were] just waiting for me to do something with” them. Elements such as these are frequently as alive as alive can be, so it’s no surprise that they called out to him and drew him to enter them into service to provide an alternate road map to the stars–a new look at an old favorite and a new way for fans to experience the excitement of a classic, heritage recording.
To that end, Lloyd remade nine of the 15 songs on Set to Pop for Reset2014 (the songs are presented in the original running order). Two early mixes, one early recording, and three live takes make up the rest of the re-imaginings. Two bonus cuts–an early recording of “Forget About Us” and a live version of “Niagara Falls” recorded at the Bluebird–round out the selections, none of which are meant to replace the originals. The idea here is to apply 20 years of experience and musical maturity to an old friend, to see how it lives and breathes in the here and now.
It should come as no surprise that Set to Pop-as-Reset2014 lives marvelously, like it’s in the prime of its life. “I Went Electric” is still first out of the gate, still a gentle-to-energetic track, with Lloyd on all instruments, and with perhaps a bit more angst in the chorus vocal and certainly in the bones of the electric guitar solo. “Trampoline,” as perfect a pop confection as Lloyd has ever come up with, is perhaps a bit more muscular in an early mix, as opposed to perhaps a bit brighter and shinier and polished in its original incarnation.
In a live setting, as presented on Reset2014, the medium-burn of “Niagara Falls” in the original version gets jump-started with a bit more rock ‘n’ roll intensity. “In a Perfect World,” 20 years on from Set to Pop, is recast by Bill, who plays all instruments excepting the bass, as an all-acoustic, determined workout (the original, musically populated by such luminaries as Garry Tallent, Al Kooper (playing the Al Kooper Organ, naturally), Rusty Young and Kim Richey, chugs along with percussion). And Ray Davies’ “This is Where I Belong,” the sole cover on Set to Pop, is recast from its original, melodic power pop presentation as another, more ferocious beast entirely, with Lloyd feeding his lead vocal through some kind of electronic vocal cord shredder. The remake ends with 25 seconds of Neil Young-worthy feedback. The remake comes in about 25 seconds longer than the original version.
I wonder whether what Lloyd set out to accomplish with Reset2014–what was in his head–was realized. Or did the path down the road to reinvention take left and right turns into uncharted waters. What is clear is that the overall exercise–was it possible to reinvent the wheel in a way that would shed light on the beating heart of Set to Pop?, or was the wheel as it was preferable–was of great value, because it uncovered the tissue of the heart and set it to beat over, under, sideways, down.
There is a great benefit to celebrating what has come before. In every artist’s catalog sits an album of immense importance–an album that defined, ahead of its future cousins, the path that leads to coming songs, triumphs, experiments and the value of it all. With Reset2014, Bill Lloyd has taken pause to smell the roses from 20 years ago and replant them for future generations. These future generations will celebrate the treasure that is Set to Pop and, at the same time, devour and enjoy and embrace the look back that is Reset2014, one of the year’s best and most important releases.
Our in-depth, career-spanning interview with musician Bill Lloyd is now available on our PodOMatic podcast page for listening and/or downloading. Bill talked to us about his early bands, such as Sgt. Arms, his writing for other artists, his time with Foster & Lloyd, his wonderful solo career, and much more. Don’t miss this chance to get to know Bill Lloyd, In Conversation style! Navigate on over to our PodOMatic podcast page.
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