By Alan Haber – Pure Pop Radio
John Howard | Cut the Wire (You are the Cosmos, 2019)
In the end and at the end, when we take stock of ourselves, when we reflect on a life lived on purpose and with purpose, we remain the product of what we achieved; our footprint is the culmination of a life lived in so many ways.
John Howard’s gorgeous, wistful song cycle, Cut the Wire, draws on the idea of living a life affected by love and pain and faith and belief in the self, in others, and in the stars; it’s about innocence lost and remembered, and found again. Pretty melodies, rich harmonies, emotional vocal leads and an intimately pastoral sound, evoking the early, baroque songs of Elton John and brought to life by poetic lyrics deeply reasoned, take your breath away as the hearts of these songs beat.
In Cut the Wire’s breezy, thoughtful opener, “So Here I Go,” a life is lived with the controls set at full steam ahead, no matter what may occur along the way (“Nothing ever takes the time / You think that it will take / Nothing ever lives in head and heart / Nothing ever feels / The way you think that it will feel / Nothing ever ends the way it starts”). It is, when all is said and done, a song about hope (“So here I go…”).
All of Cut the Wire’s songs are ultimately about hope or joy, celebration or remembering, in one way or another. The title song, a beautiful, melody-rich ballad that revels in a sweet childhood that changed when adulthood set in, cautions how important it is to hold on to good memories and keep them alive (“I told my sister we were eagles / She laughed and tapped me on the head / I combed her hair and heard the seagulls / I dreamed of sand-dunes in my bed / And it was on the day / That childhood ran away / The day they laid the wire”).
“Keep Going, Angel,” a happy mid-tempo number with lovely chords that increases in intensity as it plays on, is all about believing in life and all of its possibilities, no matter what (“Keep believing in believing / That anything can happen / And it most probably will”). “Idiot Days” looks back from the position of a grown-up to the days when consequence of action wasn’t a present state of mind (“‘Who did you hurt back then?’ / Oh there’s too many to mention / From my Idiot Days”).
Perhaps the centerpiece of Cut the Wire is the emotionally gripping piano ballad, “Becoming,” in which a partner muses about how he and his relationship have changed and longs for how it used to be. He finally figures it all out and comes to a peaceful place (“This morning I held your hand / And told you we were lucky / We were older / We were frightened / But we were lucky / You waited for a moment / And then you smiled / You squeezed it back and suddenly I knew / It was still you and me together / In our anger / In our confusion / In our weaknesses”).
The brilliant stroke of Cut the Wire is that its emotional stories are told with sweet, heartfelt melodies at their core, and sung with a voice that conveys the truths of life that most everyone can relate to and even learn from. On this, his 16th studio album, Howard draws breath from the fabric of life in a most enriching and entertaining way.
Anchor and Bear | Arrows (2019)
The third release from California quartet Anchor and Bear follows last year’s top-flight album, Raincoats and Gold, with a delicious serving of differently-flavored pop songs, all of them quite delectable and delivered in catchy style by Katy Pearson, Brian Bringelson, Eric White, and Kenny Bringelson.
“Want Your Love” is a sprightly confection, with gorgeous harmonies, about being overcome by love. “Broken Arrow” is a meaty pop rocker spiced with a bit of funk about, as near as I can tell, a loner musician who has lost his music mojo and is disconnected from his friends.
“Disconnect the Phone,” Arrow’s jewel, all shiny and bright and catchy, is a classic slice of pop that should be a slam dunk at radio. Telling the story of a relationship’s disconnect, the song is ingeniously composed of several distinct sections that work together to put a huge smile on your face (the sweet-sounding opening is reminiscent of a familiar online ringtone). And
“Magic” is a quite catchy pop rocker with heavy guitars.
Throughout the program, Katy and Brian’s vocals unite harmoniously, a perfectly matched pair communicating joy to listeners. And with Arrow, Anchor and Bear is continuing to build a fine catalog of releases.
Where to Get It: Bandcamp
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